37TH ACADEMY AWARDS
April 5, 1965
Santa Monica Civic Auditorium
Hosted by Bob Hope
BEST PICTURE
| “Becket” |
| “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” |
| “Mary Poppins” |
| “My Fair Lady” |
| “Zorba the Greek” |
DIRECTOR
| Michael Cacoyannis – “Zorba the Greek” |
| George Cukor – “My Fair Lady” |
| Peter Glenville – “Becket” |
| Stanley Kubrick – “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” |
| Robert Stevenson – “Mary Poppins” |
ACTOR
| Richard Burton – “Becket” |
| Rex Harrison – “My Fair Lady” |
| Peter O’Toole – “Becket” |
| Anthony Quinn – “Zorba the Greek” |
| Peter Sellers – “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” |
ACTRESS
| Julie Andrews – “Mary Poppins” |
| Anne Bancroft – “The Pumpkin Eater” |
| Sophia Loren – “Marriage Italian-Style” |
| Debbie Reynolds – “The Unsinkable Molly Brown” |
| Kim Stanley – “Seance on a Wet Afternoon” |
SUPPORTING ACTOR
| John Gielgud – “Becket” |
| Stanley Holloway – “My Fair Lady” |
| Edmond O’Brien – “Seven Days in May” |
| Lee Tracy – “The Best Man” |
| Peter Ustinov – “Topkapi” |
SUPPORTING ACTRESS
| Gladys Cooper – “My Fair Lady” |
| Edith Evans – “The Chalk Garden” |
| Grayson Hall – “The Night of the Iguana” |
| Lila Kedrova – “Zorba the Greek” |
| Agnes Moorehead – “Hush… Hush, Sweet Charlotte” |
ADAPTED SCREENPLAY
| “Becket” – Edward Anhalt |
| “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” – Stanley Kubrick, Terry Southern and Peter George |
| “Mary Poppins” – Bill Walsh and Don DaGradi |
| “My Fair Lady” – Alan Jay Lerner |
| “Zorba the Greek” – Michael Cacoyannis |
ORIGINAL SCREENPLAY
| “Father Goose” – S. H. Barnett, Peter Stone and Frank Tarloff |
| “A Hard Day’s Night” – Alun Owen |
| “One Potato, Two Potato” – Orville H. Hampton and Raphael Hayes |
| “The Organizer” – Agenore Incrocci, Furio Scarpelli and Mario Monicelli |
| “That Man from Rio” – Jean-Paul Rappeneau, Ariane Mnouchkine, Daniel Boulanger and Philippe de Broca |
FOREIGN LANGUAGE FEATURE
| “Raven’s End” (Sweden) |
| “Sallah Shabati” (Israel) |
| “The Umbrellas of Cherbourg” (France) |
| “The Woman in the Dunes” (Japan) |
| “Yesterday, Today and Tomorrow” (Italy) |
DOCUMENTARY (FEATURE)
| “The Finest Hours” |
| “Four Days in November” |
| “The Human Dutch” |
| “Jacques-Yves Cousteau’s World Without Sun” |
| “Over There, 1914-18” |
DOCUMENTARY (SHORT)
| “140 Days Under the World” |
| “Breaking the Habit” |
| “Children Without” |
| “Eskimo Artist: Kenojuak” |
| “Nine from Little Rock” |
ANIMATED SHORT
| “Christmas Cracker” |
| “How to Avoid Friendship” |
| “Nudnik #2” |
| “The Pink Phink” |
LIVE ACTION SHORT
| “Casals Conducts: 1964” |
| “Help! My Snowman’s Burning Down” |
| “The Legend of Jimmy Blue Eyes” |
ART DIRECTION (BLACK & WHITE)
| “Hush… Hush, Sweet Charlotte” – William Glasgow and Raphael Bretton |
| “Seven Days in May” – Cary Odell and Edward G. Boyle |
| “The Americanization of Emily” – George Davis, Hans Peters, Elliot Scott, Henry Grace, and Robert R. Benton |
| “The Night of the Iguana” – Stephen Grimes |
| “Zorba the Greek” – Vassilis Fotopoulos |
ART DIRECTION (COLOR)
| “Becket” – John Bryan, Maurice Carter, Patrick McLoughlin, and Robert Cartwright |
| “Mary Poppins” – Carroll Clark, William H. Tuntke, Emile Kuri, and Hal Gausman |
| “My Fair Lady” – Gene Allen, Cecil Beaton, and George James Hopkins |
| “The Unsinkable Molly Brown” – George Davis, Preston Ames, Henry Grace, and Hugh Hunt |
| “What a Way to Go!” – Jack Martin Smith, Ted Haworth, Walter M. Scott, and Stuart A. Reiss |
CINEMATOGRAPHY (BLACK & WHITE)
| “The Americanization of Emily” – Philip H. Lathrop |
| “Fate Is the Hunter” – Milton Krasner |
| “Hush… Hush, Sweet Charlotte” – Joseph Biroc |
| “The Night of the Iguana” – Gabriel Figueroa |
| “Zorba the Greek” – Walter Lassally |
CINEMATOGRAPHY (COLOR)
| “Becket” – Geoffrey Unsworth |
| “Cheyenne Autumn” – William H. Clothier |
| “Mary Poppins” – Edward Colman |
| “My Fair Lady” – Harry Stradling |
| “The Unsinkable Molly Brown” – Daniel L. Fapp |
COSTUME DESIGN (BLACK & WHITE)
| “A House Is Not a Home” – Edith Head |
| “Hush… Hush, Sweet Charlotte” – Norma Koch |
| “Kisses for My President” – Howard Shoup |
| “The Night of the Iguana” – Dorothy Jeakins |
| “The Visit” – Rene Hubert |
COSTUME DESIGN (COLOR)
| “Becket” – Margaret Furse |
| “Mary Poppins” – Tony Walton |
| “My Fair Lady” – Cecil Beaton |
| “The Unsinkable Molly Brown” – Morton Haack |
| “What a Way to Go!” – Edith Head and Moss Mabry |
FILM EDITING
| “Becket” – Anne Coates |
| “Father Goose” – Ted J. Kent |
| “Hush… Hush, Sweet Charlotte” – Michael Luciano |
| “Mary Poppins” – Cotton Warburton |
| “My Fair Lady” – William H. Ziegler |
ADAPTATION OR TREATMENT SCORE
| “A Hard Day’s Night” – George Martin |
| “Mary Poppins” – Irwin Kostal |
| “My Fair Lady” – André Previn |
| “Robin and the 7 Hoods” – Nelson Riddle |
| “The Unsinkable Molly Brown” – Robert Armbruster, Leo Arnaud, Jack Elliot, Jack Hayes, Calvin Jackson, and Leo Shuken |
ORIGINAL SCORE
| “Becket” – Laurence Rosenthal |
| “Hush… Hush, Sweet Charlotte” – Frank De Vol |
| “The Fall of the Roman Empire” – Dimitri Tiomkin |
| “Mary Poppins” – Richard M. Sherman and Robert B. Sherman |
| “The Pink Panther” – Henry Mancini |
ORIGINAL SONG
| “Dear Heart” from “Dear Heart” – Henry Mancini, Jay Livingston, and Ray Evans |
| “Hush… Hush, Sweet Charlotte” from “Hush… Hush, Sweet Charlotte” – Frank De Vol and Mack David |
| “Chim Chim Cher-ee” from “Mary Poppins” – Richard M. Sherman and Robert B. Sherman |
| “My Kind of Town” from “Robin and the 7 Hoods” – Jimmy Van Heusen and Sammy Cahn |
| “Where Love Has Gone” from “Where Love Has Gone” – Jimmy Van Heusen and Sammy Cahn |
SOUND EDITING
| “Goldfinger” |
| “The Lively Set” |
SOUND MIXING
| “Becket” |
| “Father Goose” |
| “Mary Poppins” |
| “My Fair Lady” |
| “The Unsinkable Molly Brown” |
VISUAL EFFECTS
| “7 Faces of Dr. Lao” |
| “Mary Poppins” |
- “7 Faces of Dr. Lao”
- “The Americanization of Emily”
- “Becket”
- “The Best Man”
- “The Chalk Garden”
- “Cheyenne Autumn”
- “Dear Heart”
- “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb”
- “The Fall of the Roman Empire”
- “Fate Is the Hunter”
- “Father Goose”
- “Goldfinger”
- “A Hard Day’s Night”
- “A House Is Not a Home”
- “Hush… Hush, Sweet Charlotte”
- “Kisses for My President”
- “The Lively Set”
- “Mary Poppins”
- “My Fair Lady”
- “Marriage Italian-Style”
- “The Night of the Iguana”
- “One Potato, Two Potato”
- “The Organizer”
- “The Pink Panther”
- “The Pumpkin Eater”
- “Robin and the 7 Hoods”
- “Seance on a Wet Afternoon”
- “Seven Days in May”
- “That Man from Rio”
- “Topkapi”
- “The Unsinkable Molly Brown”
- “The Visit”
- “What a Way to Go!”
- “Where Love Has Gone”
- “Zorba the Greek”
FOREIGN
- “Raven’s End” (Sweden)
- “Sallah Shabati” (Israel)
- “The Umbrellas of Cherbourg” (France)
- “The Woman in the Dunes” (Japan)
- “Yesterday, Today and Tomorrow” (Italy)
DOCUMENTARY
- “The Finest Hours”
- “Four Days in November”
- “The Human Dutch”
- “Jacques-Yves Cousteau’s World Without Sun”
- “Over There, 1914-18”
SHORT FILMS
- “140 Days Under the World”
- “Breaking the Habit”
- “Casals Conducts: 1964”
- “Children Without”
- “Christmas Cracker”
- “Eskimo Artist: Kenojuak”
- “Help! My Snowman’s Burning Down”
- “How to Avoid Friendship”
- “The Legend of Jimmy Blue Eyes”
- “Nine from Little Rock”
- “Nudnik #2”
- “The Pink Phink”
