“ISLE OF DOGS”
Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson

Director: Wes Anderson
Producers: Wes Anderson, Scott Rudin, Steven Rales and Jeremy Dawson
Writer: Wes Anderson
Story By: Wes Anderson, Roman Coppola, Jason Schwartzman, and Kunichi Nomura
Cinematography: Tristan Oliver
Editors: Ralph Foster and Edward Bursch
Composer: Alexandre Deplat
Distributors: Fox Searchlight Pictures
Release Date: March 23, 2018
Run-time: 101 minutes

FILM SYNOPSIS: Twenty years in the future, the Japanese city of Megasaki is facing a pandemic of dog flu, prompting Mayor Kobayashi to decree that all canines be exiled to Trash Island. Atari, the mayor’s 12-year-old nephew, refuses to accept the banishment of his beloved pet, however, and embarks on a hazardous quest to retrieve him.
Anything Wes Anderson cannot be counted out. But this year seems to belong to “Spider-Man: Into The Spider-Verse.” And if anything is going to upset, it would probably be Pixar’s “Incredibles 2.”
PREVIOUS NOMINATIONS
| YEAR | FILM | AWARD | CATEGORY |
|---|---|---|---|
| 2001 (74th) | “The Royal Tenenbaums” | Nominated | Best Original Screenplay |
| 2009 (82nd) | “Fantastic Mr. Fox” | Nominated | Best Animated Feature |
| 2012 (85th) | “Moonrise Kingdom” | Nominated | Best Original Screenplay |
| 2014 (87th) | “The Grand Budapest Hotel” | Nominated | Best Picture |
| Nominated | Best Directing | ||
| Nominated | Best Original Screenplay |
| YEAR | FILM | AWARD | CATEGORY |
|---|---|---|---|
| 2002 (75th) | “The Hours” | Nominated | Best Picture (Producer) |
| 2007 (80th) | “No Country For Old Men” | Won | Best Picture (Producer) |
| 2010 (83rd) | “The Social Network” | Nominated | Best Picture (Producer) |
| “True Grit” | Nominated | Best Picture (Producer) | |
| 2011 (84th) | “Extremely Loud & Incredibly Close” | Nominated | Best Picture (Producer) |
| 2013 (86th) | “Captain Phillips” | Nominated | Best Picture (Producer) |
| 2014 (87th) | “The Grand Budapest Hotel” | Nominated | Best Picture (Producer) |
| 2016 (89th) | “Fences” | Nominated | Best Picture (Producer) |
| 2017 (90th) | “Lady Bird” | Nominated | Best Picture (Producer) |
| YEAR | FILM | AWARD | CATEGORY |
|---|---|---|---|
| 2014 (87th) | “The Grand Budapest Hotel” | Nominated | Best Picture (Producer) |
| YEAR | FILM | AWARD | CATEGORY |
|---|---|---|---|
| 2014 (87th) | “The Grand Budapest Hotel” | Nominated | Best Picture (Producer) |





ALEXANDRE DESPLAT
The Academy also loves Alexandre Desplat, so you can never count him out, but there are better scores out there this year, including Nicholas Britell’s “If Beale Street Could Talk.” The fact that Desplat won last year for “The Shape Of Water” also works against him.
PREVIOUS NOMINATIONS
| YEAR | FILM | AWARD | CATEGORY |
|---|---|---|---|
| 2006 (79th) | “The Queen” | Nominated | Best Original Score |
| 2008 (81st) | “The Curious Case of Benjamin Button” | Nominated | Best Original Score |
| 2009 (82nd) | “Fantastic Mr. Fox” | Nominated | Best Original Score |
| 2010 (83rd) | “The King’s Speech” | Nominated | Best Original Score |
| 2012 (85th) | “Argo” | Nominated | Best Original Score |
| 2013 (86th) | “Philomena” | Nominated | Best Original Score |
| 2014 (87th) | “The Grand Budapest Hotel” | Won | Best Original Score |
| “The Imitation Game” | Nominated | Best Original Score | |
| 2017 (90th) | “The Shape Of Water” | Won | Best Original Score |




BLU-RAY |
VIEWED: Thursday, February 7, 2019 |
23 |
17 |
| Films Left | Days Left |


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