THE UNITED STATES OF LELAND
BY CHRISTOPHER HASKELL
JUNE 30, 2010
Mix a stacked cast of big names with Kevin Spacey as the producer and you get a film called “The United States of Leland.” Having been released since 2003, a friend of mine encouraged me to watch the film. Having finally gotten time to view it, I was pleasantly surprised. Ryan Gosling acts as the main character, Leland, a socially awkward teen, disconnected from everyone around him. The first time we meet him, he has committed a murder on a mentally handicapped young boy. The film follows him as he is sent to a correctional facility. The film also focuses on all those effected by the murder including the families of both parties of the murder and the teacher (Don Cheadle) working with Leland in the juvenile hall. Leland succeeds in making you care about the characters but eventually gives way to a slow pace and no real climax.
Each big name in the film does their part, each having their own side story. Kevin Spacey’s and Don Cheadle’s interconnected side story drew most of my interest. Spacey’s character, as Leland’s absent and cold father, hanging out in a hotel bar for the extent of the film was most enjoyable. The film could have definitely used a tint of suspense, but remains a hard drama; more of a documentation of lives effected by disaster rather than a “whodunit” or eerie psychological drama where you are not quite sure who is at fault. By the time you realize there is no real twist or deep explanation for anything in the film, the end credits roll and you are left to wonder if you missed anything. Digging deeper into the film, I realized there was nothing to miss. “Leland” is a straightforward drama, putting all the cards on the table and allowing you to see the aftermath of inexplicable death in its truest form.
January 18, 2003
Matthew Ryan Hoge
Matthew Ryan Hoge
(for language and some drug content)