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Before seeing “42” in April, I would have strongly guessed this film would garner tons of Oscar attention. But after seeing the film, I realized it was just a well produced sports film and not much more. With strong historical relevance and a period piece setting, the film had all the prerequisites to grab some nominations, but with weak delivery and now some much better examples of films with historical ties to race, “42” has fallen completely on the back burner. Having this film nominated for anything at this point will be a complete surprise. And this isn’t to say the film isn’t good, because it is quite enjoyable. The fact of the matter is, it doesn’t deliver on an Oscar level and therefore is unlikely to please voters.
FOR YOUR CONSIDERATION IN THE FOLLOWING CATEGORIES:
| BEST PICTURE | Thomas Tull |
| BEST DIRECTOR | Brian Helgeland |
| BEST ORIGINAL SCREENPLAY |
Brian Helgeland |
| BEST ACTOR |
Chadwick Boseman |
| BEST SUPPORTING ACTOR |
Harrison Ford |
| BEST CINEMATOGRAPHY |
Don Burgess, ASC |
| BEST FILM EDITING |
Kevin Stitt, A.C.E. Peter McNulty |
| BEST PRODUCTION DESIGN |
Richard Hoover, Production Designer Cindy Carr, Set Decorator |
| BEST COSTUME DESIGN |
Caroline Harris |
| BEST MAKEUP and HAIRSTYLING |
Brad Wilder, Makeup Department Head Kelvin R. Trahan, Hair Department Head |
| BEST SOUND MIXING |
Jeffrey S. Wexler, CAS Jeffrey J. Haboush Chris Carpenter |
| BEST SOUND EDITING |
Jon Johnson |
| BEST VISUAL EFFECTS |
Jamie Dixon Justin Other Jones Michael T. Kennedy |
| BEST ORIGINAL SCORE |
Mark Isham |




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