
“Rush” is one of those feature films that has so many things going for it, like an Academy Award winning director in Ron Howard (“A Beautiful Mind”) and a top-notch cast in Chris Hemsworth and Daniel Brühl, but has the chance of not being noticed at this year’s Oscars. I could see this year playing out one of two ways. Either “Rush” upsets and shows up in Best Picture, Best Director, and Best Original Screenplay, among others, and lands as one of the best films of the year. Or it merely shows up in categories like Best Sound Mixing, Best Sound Editing, and Best Visual Effects, with the second option being the more likely. Although I loved “Rush”, there’s something amid this year that makes me feel like it won’t make much of a mark, but I honestly hope I’m wrong.
For me, I like a good mixture of films landing in Best Picture and with the floor open to 8-10 films, there is still a strong possibility that this film makes the cut. A well-rounded Best Picture category is key to having that many films nominated and seeing “Rush” among “Gravity” and “12 Years A Slave” is a) nowhere near out of the realm of possibility and feels right just typing it and b) makes for a very well-rounded Best Picture category already. With the acting categories stacked, there’s nothing that makes me believe anyone could get nominated for those, except possibly Daniel Brühl who shows enough Oscar prowess in one of his first major outings that could garner some attention. “Rush” and it’s possibilities are completely up in the air, but the dreamer in me will bank heavily on seeing this film bring in some surprising nominations.
FOR YOUR CONSIDERATION IN THE FOLLOWING CATEGORIES:
| BEST PICTURE | Andrew Eaton Peter Morgan Ron Howard |
| BEST DIRECTOR | Ron Howard |
| BEST ACTOR | Chris Hemsworth |
| BEST SUPPORTING ACTOR |
Daniel Brühl |
| BEST SUPPORTING ACTRESS |
Olivia Wilde Alexandra Maria Lara |
| BEST ORIGINAL SCREENPLAY |
Peter Morgan |
| BEST CINEMATOGRAPHY |
Anthony Dod Mantle, ASC, BSC, DFF |
| BEST FILM EDITING |
Dan Hanley, ACE Mike Hill, ACE |
| BEST PRODUCTION DESIGN |
Mark Digby, Production Designer Michelle Day, Set Decorator |
| BEST COSTUME DESIGN |
Julian Day |
| BEST MAKEUP and HAIRSTYLING |
Fae Hammond, Makeup and Hair Designer Kirstin Chalmers, Key Makeup and Hair Artist Rachael Speke, Makeup and Hair Artist Nadia Homri, Makeup and Hair Artist Emmy Beech, Makeup and Hair Artist Mark Coulier, Prosthetics Designer Barrie Gower, Prosthetic Makeup Artist Duncan Jarman, Prosthetic Makeup Artist |
| BEST SOUND MIXING |
Danny Hambrook, Production Sound Mixer Martin Steyer, Re-Recording Mixer Stefan Korte, Re-Recording Mixer |
| BEST SOUND EDITING |
Frank Kruse, Supervising Sound Editor Markus Stemler, Sound Designer |
| BEST VISUAL EFFECTS |
Jody Johnson, Visual Effects Supervisor Mark Hodgkins, 3D Supervisor Antoine Moulineau, Environment Supervisor Uli Nefzer, Special FX Supervisor |
| BEST ORIGINAL SCORE |
Hans Zimmer |




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