Outstanding Visual Effects in a Photoreal Feature
- “Blade Runner 2049”
- “Guardians of the Galaxy Vol. 2”
- “Kong: Skull Island”
- “Star Wars: The Last Jedi”
- “War for the Planet of the Apes”
Outstanding Supporting Visual Effects in a Photoreal Feature
- “Darkest Hour”
- “Downsizing”
- “Dunkirk”
- “mother!”
- “Only the Brave”
Outstanding Visual Effects in an Animated Feature
- “Captain Underpants: The First Epic Movie”
- “Cars 3”
- “Coco”
- “Despicable Me 3”
- “The LEGO Batman Movie”
- “The LEGO Ninjago Movie”
Outstanding Animated Character in a Photoreal Feature
- “Blade Runner 2049″ – Rachael
- “Kong: Skull Island” – Kong
- “War for the Planet of the Apes” – Bad Ape
- “War for the Planet of the Apes” – Caesar
Outstanding Animated Character in an Animated Feature
- “The Boss Baby” – Boss Baby
- “Coco” – Hèctor
- “Despicable Me 3” – Bratt
- “The LEGO Ninjago Movie” – Garma Mecha Man
- “The LEGO Ninjago Movie” – Garmadon
Outstanding Created Environment in a Photoreal Feature
- “Blade Runner 2049” – Los Angeles
- “Blade Runner 2049” – Trash Mesa
- “Blade Runner 2049” – Vegas
- “War for the Planet of the Apes” – Hidden Fortress
- “War for the Planet of the Apes” – Prison Camp
Outstanding Created Environment in an Animated Feature
- “Cars 3” – Abandoned Racetrack
- “Coco” – City of the Dead
- “Despicable Me 3” – Hollywood Destruction
- “The LEGO Ninjago Movie” – Ninjago City
Outstanding Virtual Cinematography in a Photoreal Project
- “Beauty and the Beast” – Be Our Guest
- “Guardians of the Galaxy Vol. 2” – Groot Dance/Opening Fight
- “Star Wars: The Last Jedi” – Crait Surface Battle
- “Thor: Ragnarok” – Valkyrie’s Flashback
Outstanding Model in a Photoreal or Animated Project
- “Blade Runner 2049” – LAPD Headquarters
- “Despicable Me 3” – Dru’s Car
- “Life” – The ISS
- “US Marines” – Anthem: Monument
Outstanding Effects Simulations in a Photoreal Feature
- “Kong: Skull Island”
- “Only the Brave” – Fire & Smoke
- “Star Wars: The Last Jedi” – Bombing Run
- “Star Wars: The Last Jedi” – Mega Destroyer Destruction
- “War for the Planet of the Apes”
Outstanding Effects Simulations in an Animated Feature
- “The Boss Baby”
- “Cars 3”
- “Coco”
- “Despicable Me 3”
- “Ferdinand”
Outstanding Compositing in a Photoreal Feature
- “Blade Runner 2049” – LAPD Approach and Joy Holograms
- “Kong: Skull Island”
- “Thor: Ragnarok” – Bridge Battle
- “War for the Planet of the Apes”
TELEVISION / OTHER
Outstanding Visual Effects in a Photoreal Episode
- “Agents of S.H.I.E.L.D.” – “Orientation Part 1”
- “Game of Thrones” – “Beyond the Wall”
- “Legion” – “Chapter 1”
- “Star Trek: Discovery” – “The Vulcan Hello”
- “Stranger Things 2” – “The Gate”
Outstanding Supporting Visual Effects in a Photoreal Episode
- “Black Sails” – “XXIX”
- “Fear The Walking Dead” – “Sleigh Ride”
- “Mr. Robot” – “eps3.4_runtime-err0r.r00”
- “Outlander” – “Eye of the Storm”
- “Taboo” – “Pilot”
- “Vikings” – “On the Eve”
Outstanding Visual Effects in a Real-Time Project
- “Assassin’s Creed Origins”
- “Call of Duty: WWII”
- Fortnite – “A Hard Day’s Night”
- “Sonaria”
- “Uncharted: The Lost Legacy”
Outstanding Visual Effects in a Commercial
- Beyond Good and Evil 2
- Kia Niro – “Hero’s Journey”
- Mercedes Benz – “King of the Jungle”
- Monster – “Opportunity Roars”
- Samsung – “Do What You Can’t: Ostrich”
Outstanding Visual Effects in a Special Venue Project
- “Avatar: Flight of Passage”
- Corona – “Paraiso Secreto”
- Guardians of the Galaxy – “Mission: BREAKOUT!”
- “National Geographic Encounter: Ocean Odyssey”
- “Nemo and Friends SeaRider”
- “Star Wars: Secrets of the Empire”
Outstanding Animated Character in an Episode or Real-Time Project
- “Black Mirror – Metalhead
- “Game of Thrones” – “Beyond the Wall” – Zombie Polar Bear
- “Game of Thrones” – “Eastwatch” – Drogon Meets Jon
- “Game of Thrones” – “The Spoils of War” – Drogon Loot Train Attack
Outstanding Animated Character in a Commercial
- “Beyond Good and Evil 2” – Zhou Yuzhu
- Mercedes Benz – King of the Jungle
- Netto – “The Easter Surprise” – Bunny
- Samsung – “Do What You Can’t” – Ostrich
Outstanding Created Environment in an Episode, Commercial, or Real-Time Project
- “Assassin’s Creed Origins” – City of Memphis
- “Game of Thrones” – “Beyond the Wall” – Frozen Lake
- “Game of Thrones” – “Eastwatch”
- “Still Star-Crossed” – City
- “Stranger Things 2” – “The Gate”
Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project
- “Game of Thrones” – “Beyond the Wall” – Frozen Lake
- “Game of Thrones” – “The Dragon and the Wolf” – Wall Destruction
- Heineken – “The Trailblazers”
- “Outlander” – “Eye of the Storm” – Stormy Seas
Outstanding Compositing in a Photoreal Episode
- “Game of Thrones” – “Beyond the Wall” – Frozen Lake
- “Game of Thrones” – “Eastwatch”
- “Game of Thrones” – “The Spoils of War” – Loot Train Attack
- “Star Trek: Discovery”
Outstanding Compositing in a Photoreal Commercial
- Destiny 2 – “New Legends Will Rise”
- Nespresso – “Comin’ Home”
- Samsung – “Do What You Can’t: Ostrich”
- Virgin Media – “Delivering Awesome”
Outstanding Visual Effects in a Student Project
- “Creature Pinup”
- “Hybrids”
- “Les Pionniers de l’Univers”
- “The Endless”