Director: Ryan Coogler Producers: Kevin Feige Writers: Ryan Coogler and Joe Robert Cole Based On: “Black Panther” by Stan Lee and Jack Kirby Cinematography: Rachel Morrison Editors: Michael P. Shawver and Debbie Berman Composer: Ludwig Göransson Production Company: Marvel Studios Distributors: Walt Disney Pictures Release Date: February 16, 2018 Budget: $210 million Run-time: 134 minutes
FILM SYNOPSIS: After the death of his father, Prince T’Challa returns to his African homeland of Wakanda, which has hidden its wealth and advanced technology for generations. T’Challa assumes his father’s throne and must also accept his mantle as the superhero Black Panther to protect Wakanda from numerous enemies intent on pillaging its resources.
Analysis coming soon
PREVIOUS NOMINATIONS
KEVIN FEIGE
YEAR
FILM
AWARD
CATEGORY
NONE
RUTH E. CARTER
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Analysis coming soon
PREVIOUS NOMINATIONS
RUTH E. CARTER
YEAR
FILM
AWARD
CATEGORY
1992 (65th)
“Malcolm X”
Nominated
Best Costume Design
1997 (70th)
“Amistad”
Nominated
Best Costume Design
LUDWIG GORANSSON
Analysis coming soon
PREVIOUS NOMINATIONS
LUDWIG GORANSSON
YEAR
FILM
AWARD
CATEGORY
NONE
“All The Stars” from “Black Panther”
Music by Kendrick Lamar, Mark “Sounwave” Spears and Anthony “Top Dawg” Tiffith; Lyric by Kendrick Lamar, SZA and Anthony “Top Dawg” Tiffith
Analysis coming soon
PREVIOUS NOMINATIONS
KENDRICK LAMAR
YEAR
FILM
AWARD
CATEGORY
NONE
MARK SPEARS
YEAR
FILM
AWARD
CATEGORY
NONE
ANTHONY TIFFITH
YEAR
FILM
AWARD
CATEGORY
NONE
SZA
YEAR
FILM
AWARD
CATEGORY
NONE
HANNAH BEACHLER (Production Design) JAY HART (Set Decoration)
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PREVIOUS NOMINATIONS
HANNAH BEACHLER
YEAR
FILM
AWARD
CATEGORY
NONE
JAY HART
YEAR
FILM
AWARD
CATEGORY
1997 (70th)
“L.A. Confidential”
Nominated
Best Art Direction
1998 (71st)
“Pleasantville”
Nominated
Best Art Direction
BENJAMIN A. BURTT and STEVE BOEDDEKER
Analysis coming soon
PREVIOUS NOMINATIONS
BENJAMIN A. BURTT
YEAR
FILM
AWARD
CATEGORY
NONE
STEVE BOEDDEKER
YEAR
FILM
AWARD
CATEGORY
2013 (86th)
“All Is Lost”
Nominated
Best Sound Editing
STEVE BOEDDEKER, BRANDON PROCTER, and PETER DEVLIN