

December 31-January 2, 2022

BIGGEST WEEKEND:
“Spider-Man: No Way Home”
$56,023,590
RUNNER-UP:
“Sing 2“
$20,166,520
BIGGEST PER THEATER AVERAGE:
“MEMORIA“
$18,122per 1 THEATER
BIGGEST PERCENTAGE INCREASE:
“The Scary of Sixty-First”
+202.4%
THIS TIME LAST YEAR (2020):
“Wonder Woman 1984”
$16,701,957
NEXT WEEKEND:
“Spider-Man: No Way Home” (WEEK 4)
PROJECTED: $28 MILLION

#
TITLE
GROSS
TOTAL
BUDGET
STUDIO
WK
LW
+/-
| 1 |
| 2 |
| 3 |
| 4 |
| 5 |
| 6 |
| 7 |
| 8 |
| 9 |
| 10 |
| 11 |
| 12 |
| 13 |
| 14 |
| 15 |
| 16 |
| 17 |
| 18 |
| 19 |
| 20 |
| 21 |
| 22 |
| 23 |
| 24 |
| 25 |
| “Spider-Man: No Way Home” |
| $56,023,590 |
| $613,600,664 | $200m | Sony |
| 3rd | #1 |
| “Sing 2” |
| $20,166,520 |
| $90,247,305 | $85m | Universal |
| 2nd | #2 |
| “The King’s Man” |
| $4,565,941 |
| $19,581,455 | — | 20th Century |
| 2nd | #4 |
| “American Underdog” |
| $3,907,411 |
| $14,778,035 | — | Lionsgate |
| 2nd | #5 |
| “The Matrix Resurrections” |
| $3,827,445 |
| $30,911,026 | $190m | Warner Bros. |
| 2nd | #3 |
| “West Side Story” |
| $2,165,827 |
| $29,636,436 | $100m | 20th Century |
| 4th | #6 |
| “Ghostbusters: Afterlife” |
| $1,476,591 |
| $123,420,032 | $75m | Sony |
| 7th | #11 |
| “Licorice Pizza” |
| $1,295,116 |
| $6,382,891 | $40m | United Artists |
| 6th | #8 |
| “A Journal for Jordan” |
| $1,211,089 |
| $4,778,805 | $25m | Sony |
| 2nd | #7 |
| “Encanto” |
| $1,083,545 |
| $91,386,126 | $120m | Walt Disney |
| 6th | #9 |
| “Nightmare Alley” |
| $966,875 |
| $7,580,143 | $60m | Searchlight |
| 3rd | #12 |
| “House Of Gucci” |
| $798,839 |
| $49,023,527 | $75m | United Artists |
| 6th | #13 |
| “’83” |
| $670,404 |
| $3,525,897 | $36.2m | Reliance |
| 2nd | #10 |
| “Red Rocket” |
| $336,982 |
| $709,460 | $1m | A24 |
| 4th | #14 |
| “Eternals” |
| $104,518 |
| $164,694,402 | $200m | Walt Disney |
| 9th | #15 |
| “Dune” |
| $56,732 |
| $107,215,864 | $165m | Warner Bros. |
| 11th | #16 |
| “Venom: Let There Be Carnage” |
| $39,168 |
| $212,638,437 | $110m | Sony |
| 14th | #21 |
| “Belfast” |
| $32,165 |
| $6,909,025 | — | Focus |
| 8th | #22 |
| “The French Dispatch” |
| $31,807 |
| $16,000,416 | $25m | Searchlight |
| 11th | #19 |
| “C’mon C’mon” |
| $31,439 |
| $1,851,138 | $8.3m | A24 |
| 7th | #17 |
| “Parallel Mothers” |
| $31,130 |
| $119,728 | — | Sony Pictures Classics |
| 2nd | #18 |
| “Drive My Car” |
| $25,498 |
| $328,721 | — | Janus |
| 6th | #23 |
| “Memoria” |
| $18,122 |
| $52,656 | — | Neon |
| 2nd | #26 |
| “Resident Evil: Welcome to Raccoon City” |
| $15,156 |
| $16,937,037 | $25m | Screen Gems |
| 6th | #24 |
| “King Richard” |
| $13,215 |
| $14,730,278 | $50m | Warner Bros. |
| 7th | #25 |

VACATED THE LIST


TITLE
DOMESTIC
WORLD
BUDGET
STUDIO
WK
HI
($$)
| “Clifford The Big Red Dog” |
| $48,947,356 |
| $89,743,131 | $64m | Paramount |
| 8th | #2 |

































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