

February 25-27, 2022

BIGGEST WEEKEND:
“Uncharted”
$23,001,773
RUNNER-UP:
“DOG”
$10,159,283
BIGGEST PER THEATER AVERAGE:
“The GODFATHER” (50TH ANNIVERSARY)
$6,188 per 156 THEATERS
BIGGEST PERCENTAGE INCREASE:
“Poly Styrene: I Am a Cliché”
+386.8%
THIS TIME LAST YEAR (2021):
“The Croods 2: A New Age” (week 13)
$1,718,455
NEXT WEEKEND:
“THE BATMAN”
PROJECTED: $130-170 MILLION

#
TITLE
GROSS
TOTAL
BUDGET
STUDIO
WK
LW
+/-
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
“Uncharted” |
$23,001,773 |
$83,137,251 | $120m | Sony |
2nd | #1 | ![]() |
“Dog” |
$10,159,283 |
$30,930,367 | $15m | United Artists |
2nd | #2 | ![]() |
“Spider-Man: No Way Home” |
$5,801,584 |
$779,938,531 | $200m | Sony |
11th | #3 | ![]() |
“Death on the Nile” |
$4,494,226 |
$32,748,992 | $90m | 20th Century |
3rd | #4 | ![]() |
“Jackass Forever” |
$3,144,917 |
$52,039,642 | $10m | Paramount |
4th | #5 | ![]() |
“Sing 2” |
$2,251,150 |
$151,345,355 | $85m | Universal |
10th | #7 | ![]() |
“Marry Me” |
$1,887,745 |
$20,251,430 | $23m | Universal |
3rd | #6 | ![]() |
“Studio 666” |
$1,540,543 |
$1,540,543 | — | Open Road |
1st | — | ![]() |
“Cyrano” |
$1,385,995 |
$1,385,995 | $30m | United Artists |
1st | — | ![]() |
“Scream” (2022) |
$1,339,723 |
$79,215,509 | $24m | Paramount |
7th | #8 | ![]() |
“The Cursed” |
$1,084,503 |
$3,651,964 | — | LD Entertainment |
2nd | #9 | ![]() |
“The Godfather” |
$965,375 |
$965,375 | — | Paramount |
1st | — | ![]() |
“Blacklight” |
$878,687 |
$8,700,302 | $43m | Briarcliff |
3rd | #10 | ![]() |
“Moonfall” |
$481,644 |
$18,696,156 | $146m | Lionsgate |
4th | #11 | ![]() |
“2022 Oscar Nominated Short Films” |
$434,107 |
$434,107 | — | ShortsTV |
1st | — | ![]() |
“The Worst Person in the World” |
$398,125 |
$1,801,063 | $5.6m | Neon |
4th | #13 | ![]() |
“Licorice Pizza” |
$349,703 |
$16,114,238 | $40m | United Artists |
14th | #12 | ![]() ![]() |
“Encanto” |
$227,179 |
$95,387,810 | $120m | Walt Disney |
14th | #14 | ![]() |
“West Side Story” |
$188,419 |
$38,091,023 | $100m | 20th Century |
12th | #15 | ![]() |
“Drive My Car” |
$148,227 |
$1,837,718 | $1.3m | Janus |
14th | #16 | ![]() |
“Belfast” |
$129,055 |
$8,589,920 | — | Focus |
16th | #17 | ![]() |
“Butter” |
$73,937 |
$73,937 | — | Blue Fox |
1st | — | ![]() |
“Parallel Mothers” |
$69,050 |
$1,912,446 | — | Sony Pictures Classics |
10th | #18 | ![]() ![]() |
“Ghostbusters: Afterlife” |
$58,595 |
$129,314,508 | $75m | Sony |
15th | #21 | ![]() |
“Dune” |
$47,564 |
$108,103,264 | $165m | Warner Bros. |
19th | #22 | ![]() |

VACATED THE LIST


TITLE
DOMESTIC
WORLD
BUDGET
STUDIO
WK
HI
($$)
“American Underdog” |
$26,514,814 |
$26,514,814 | — | Lionsgate |
9th | #4 | ![]() |
“Belle” |
$3,939,184 |
$63,501,160 | — | GKIDS |
7th | #7 | ![]() |
“The King’s Man” |
$37,145,046 |
$125,939,473 | $100m | 20th Century |
10th | #3 | ![]() |
“Redeeming Love” |
$9,189,355 |
$9,464,198 | — | Universal |
6th | #4 | ![]() |
“Too Cool to Kill” |
$144,812 |
$217,255,728 | — | Well Go USA |
2nd | #23 | ![]() |
