BEST PICTURE

“Killers Of The Flower Moon”
(Paramount Pictures + Apple Original Films)

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi


2. “Oppenheimer” (Universal Pictures)
3. “The Holdovers” (Focus Features)
4. “Past Lives” (A24)
5. “May December” (Netflix)
6. “Barbie” (Warner Bros. Pictures)
7. “The Zone Of Interest” (A24)
8. “American Fiction” (Orion Pictures)
9. “Poor Things” (Searchlight Pictures)
10. “Anatomy Of A Fall” (Neon)

Best Director

Christopher Nolan
“Oppenheimer” (Universal Pictures)

Produced by Emma Thomas, Charles Roven, and Christopher Nolan

Best Actor

Cillian Murphy
“Oppenheimer“ (Universal Pictures)

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

Best Actress

Lily Gladstone
“Killers Of The Flower Moon”
(Paramount Pictures + Apple Original Films)

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi

Best Supporting Actor

Charles Melton
“May December” (Netflix)

Directed by Todd Haynes
Produced by Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney,
Sophie Mas, Natalie Portman, and Christine Vachon

Best Supporting Actress

Da’Vine Joy Randolph
“The Holdovers” (Focus Features)

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

Best Screenplay (TIE)

“The Holdovers” (Focus Features)

Written by David Hemingson

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

Best Screenplay (TIE)

“May December” (Netflix)

Written by Samy Burch

Directed by Todd Haynes
Produced by Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney,
Sophie Mas, Natalie Portman, and Christine Vachon

Best Ensemble

“Oppenheimer” (Universal Pictures)

Ensemble Cast including Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr.,
Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

Best SCORE

“Oppenheimer” (Universal Pictures)

Cinematography by Ludwig Göransson

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

Best Cinematography

“Oppenheimer” (Universal Pictures)

Cinematography by Hoyte van Hoyema, ASC

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

Best EDITING

“Oppenheimer” (Universal Pictures)

Cinematography by Jennifer Lame

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

Best Documentary Feature

“Menus-Plaisirs – Les Troisgros”
(Zipporah Films)

Directed by Frederick Wiseman
Produced by Frederick Wiseman, Karen Konicek, and Olivier Giel

Best International Feature

“The Zone Of Interest” (A24)

Directed by Jonathan Glazer
Produced by James Wilson, Ewa Puszczyńska, Jim Wilson, and Ewa Puszczynska

Best Animated Film

“Spider-Man: Across the Spider-Verse”
(Columbia Pictures)

Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson
Produced by Chris Miller, Phil Lord, Amy Pascal, Avi Arad, and Christina Steinberg

Boston Online Film Critics Association

BEST PICTURE:
BEST DIRECTOR:
BEST ACTOR:
BEST ACTRESS:
BEST SUPPORTING ACTOR:
BEST SUPPORTING ACTRESS:
BEST SCREENPLAY (TIE):

BEST ENSEMBLE:
Best Score:
BEST CINEMATOGRAPHY:
BEST EDITING:
BEST DOCUMENTARY:
BEST INTERNATIONAL FILM:
BEST ANIMATED FILM:

“Killers Of The Flower Moon”
Christopher Nolan — “Oppenheimer”
Cillian Murphy — “Oppenheimer”
Lily Gladstone — “Killers Of The Flower Moon”
Charles Melton — “May December”
Da’Vine Joy Randolph — “The Holdovers”
“The Holdovers” — David Hemingson
“May December” — Samy Burch
“Oppenheimer”
“Oppenheimer” — Ludwig Göransson
“Oppenheimer” — Hoyte va Hoytema
“Oppenheimer” — Jennifer Lame
“Menus-Plaisirs – Les Troisgros”
“The Zone Of Interest”
“Spider-Man: Across the Spider-Verse”

ABOUT THE Boston Online Film Critics Association

The Boston Online Film Critics Association was established in May of 2012 in order to foster a community of web-based film critics and provide them with a supportive group of colleagues and a professional platform for their voices to be heard. In addition, we seek to become active members of the Boston film community by sponsoring screenings, supporting local film festivals, offering educational outreaches, and celebrating the achievements of individuals who make Boston a haven for cinephiles.

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