BEST PICTURE

“The Holdovers” (Focus Features)

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

—
2. “Oppenheimer” (Universal Pictures)
3. “Killers Of The Flower Moon” (Paramount Pictures + Apple Original Films)
4. “Poor Things” (Searchlight Pictures)
5. “American Fiction” (Orion Pictures)
6. “Past Lives” (A24)
7. “Maestro” (Netflix)
8. “Anatomy Of A Fall” (Neon)
9. “Barbie” (Warner Bros. Pictures)
10. “May December” (Netflix)

Best Director

Christopher Nolan
“Oppenheimer” (Universal Pictures)

Produced by Emma Thomas, Charles Roven, and Christopher Nolan

—
2. Martin Scorsese – “Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)
3. Alexander Payne – “The Holdovers” (Focus Features)
4. Yorgos Lanthimos – “Poor Things” (Searchlight Pictures)
5. Celine Song – “Past Lives” (A24)

Best Actor

Cillian Murphy
“Oppenheimer” (Universal Pictures)

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

—
2. Paul Giamatti – “The Holdovers” (Focus Features)
3. Bradley Cooper – “Maestro” (Netflix)
4. Jeffrey Wright – “American Fiction” (Orion Pictures)
5 (TIE). Leonardo DiCaprio – “Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)
5 (TIE). Colman Domingo – “Rustin” (Netflix)

Best Actress

Lily Gladstone
“Killers Of The Flower Moon”
(Paramount Pictures + Apple Original Films)

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi

—
2. Emma Stone – “Poor Things” (Searchlight Pictures)
3. Carey Mulligan – “Maestro” (Netflix)
4. Greta Lee – “Past Lives” (A24)
5. Sandra Hüller – “Anatomy Of A Fall” (Neon)

Best Supporting Actor

Robert Downey Jr.
“Oppenheimer” (Universal Pictures)

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

—
2. Charles Melton – “May December” (Netflix)
3. Robert De Niro – “Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)
4. Mark Ruffalo – “Poor Things” (Searchlight Pictures)
5. Dominic Sessa – “The Holdovers” (Focus Features)

Best Supporting Actress

Da’Vine Joy Randolph
“The Holdovers” (Focus Features)

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

—
2. Danielle Brooks – “The Color Purple” (Warner Bros. Pictures)
3. Emily Blunt – “Oppenheimer” (Universal Pictures)
4. Jodie Foster – “Nyad” (Netflix)
5. Julianne Moore – “May December” (Netflix)

BEST FOREIGN LANGUAGE FILM

“Anatomy of a Fall“ (NEON)

Directed by Justine Triet
Produced by Marie-Ange Luciani, Philippe Martin, and David Thion

—
2. “The Zone of Interest” (A24)
3. “The Taste of Things” (IFC Films)
4. “Society Of The Snow” (Netflix)
5. “Fallen Leaves” (MUBI)

BEST DOCUMENTARY

“American Symphony”
(Netflix)

Directed by Matthew Heineman
Produced by Matthew Heineman, Lauren Domino, and Joedan Okun

—
2. “20 Days in Mariupol” (PBS Distribution)
3. “Still: A Michael J. Fox Movie” (Apple Original Films)
4. “The Deepest Breath” (Netflix)
5. “The Pigeon Tunnel” (Apple Original Films)

Best Animated Film

“The Boy And The Heron” (GKIDS)

Directed by Hayao Miyazaki | Produced by Toshio Suzuki

—
Runner-Up: “Spider-Man: Across the Spider-Verse” (Columbia Pictures)

BEST SCREENPLAY

“The Holdovers” (Focus Features)

Written by David Hemingson

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

—
Runner-Up: “Anatomy Of A Fall” — Justine Triet and Arthur Harari (Neon)

Best Cinematography

“Oppenheimer” (Universal Pictures)

Cinematography by Hoyte van Hoyema, ASC

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

—
Runner-Up: “Killers of the Flower Moon” — Rodrigo Prieto (Paramount Pictures + Apple Original Films)

BEST MUSICAL SCORE

“Killers Of The Flower Moon”
(Paramount Pictures + Apple Original Films)

Composed by Robbie Robertson

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi

—
“Oppenheimer” — Ludwig Göransson (Universal Pictures)

RUSSELL SMITH AWARD
Best low-budget or cutting-edge independent film

“The Zone Of Interest” (A24)

Directed by Jonathan Glazer
Produced by Jonathan Glazer, Martin Amis, and Jonathan Glazer