FEATURE-LENGTH MOTION PICTURE
Outstanding Achievement in Music Editing
Feature Motion Picture
“Barbie”
Warner Bros. Pictures
Supervising Music Editor: Suzana Perić
Music Editor: Mick Gormaley
“Creed III”
Amazon MGM Studios
Music Editor: Nicholas Fitzgerald
“Maestro”
Netflix
Supervising Music Editor: Jason Ruder
Music Editor: Victoria Ruggiero
“Oppenheimer”
Universal Pictures
Supervising Music Editor: Amanda Goodpaster
Music Editors: Felipe Pacheco, Alex Gibson
“Spider-Man: Across The Spider-Verse”
Sony Pictures Animation
Supervising Music Editor: Katie Greathouse
Music Editor: Barbara McDermott
“Wonka”
Warner Bros. Pictures
Supervising Music Editor: Katrina Schiller MPSE
Music Editors: Mark Willsher MPSE, Michael Connell, Janet Grab
Outstanding Achievement in Sound Editing
Feature Dialogue/ADR
“Barbie”
Warner Bros. Pictures
Supervising Sound Editors: Ai-Ling Lee, Dan Kenyon
Supervising Dialogue / ADR Editor: Brian Bowles MPSE
Dialogue Editors: Kate Bilinski, Tony Martinez, Tyler Newhouse
“Killers of the Flower Moon”
Paramount Pictures
+ Apple Original Films
Supervising Sound Editors: Philip Stockton, Eugene Gearty
Dialogue Editors: Julia Stockton, Philip Stockton
ADR Editor: Marissa Littlefield
“Maestro”
Netflix
Supervising Sound Editors: Richard King, Rich Bologna
Supervising Dialogue / ADR Editor: Tony Martinez
Dialogue Editors: Eliza Paley, Jac Rubenstein, Fred Rosenberg
Supervising Music Editor: Jason Ruder
“Napoleon”
Columbia Pictures
+ Apple Original Films
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Supervising Dialogue Editor: Michael Maroussas
Dialogue Editor: Rachael Tate MPSE
Crowd Editor: Rob Killick
“Oppenheimer”
Universal Pictures
Supervising Sound Editor: Richard King
Supervising Dialogue Editor: David Bach
Dialogue Editors: Russell Farmarco, Albert Gasser MPSE
“Poor Things”
Searchlight Pictures
Supervising Sound Editor: Johnnie Burn MPSE
Dialogue Editors: Tristan Baylis MPSE, Peter Russell, Simon Carrol
Outstanding Achievement in Sound Editing
Feature Effects/Foley
“Ferrari”
NEON
Supervising Sound Editors: Tony Lamberti, Bernard Weiser MPSE
Sound Designer: David Werntz
Sound Effects Editor: Brent Findley MPSE, Steven Ticknor, Benjamin Cook MPSE
Supervising Foley Editor: Beso Kacharava MPSE
Foley Artist: Biko Gogaladze
Foley Editors: Alexander Sanikidze, Rati Chkhetiani
“Gran Turismo”
Columbia Pictures
Supervising Sound Editors: Kami Asgar MPSE, Erin Oakley
Sound Designer: Charles Deenen
Sound Effects Editors: Sam Fan, Matt Cavanaugh MPSE, James Evans, Nick Spradlin
Sound Designer: Tim Gedemer MPSE
Foley Artists: Gary Hecker MPSE, Mike Horton
Foley Editor: Jessica Parks
“John Wick Chapter 4”
Lionsgate
Supervising Sound Editor: Mark Stoeckinger
Co-Supervising Sound Editor: Paul Soucek MPSE
Sound Designer: Mark Stoeckinger
Sound Effects Editors: Alan Rankin, Luke Gibleon, Xiao’ou Olivia Zhang MPSE, Stephen Robinson MPSE, Gael Nicolas, Casey Genton, Nicolas Interlandi
“The Killer”
Netflix
Sound Designer: Ren Klyce
Sound Effects Editors: Jonathon Stevens, Malcolm Fife
Supervising Sound Editor: Jeremy Molod
Supervising Foley Editor: Thom Brennan
Foley Editor: Dee Selby
Foley Artists: Shelley Roden MPSE, John Roesch MPSE
“Napoleon”
Columbia Pictures
+ Apple Original Films
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Sound Designers: Mike Fentum
Sound Effects Editors: Aran Clifford, Kevin Penney, Rowan Watson
Foley Supervisor: Hugo Adams
Foley Artists: Oliver Ferris, Sue Harding, Andrea King
“Oppenheimer”
Universal Pictures
Supervising Sound Editor: Richard King
Sound Effects Editor: Michael Mitchell
Sound Designer: Randy Torres
Supervising Foley Editor: Christopher Flick
Foley Artists: Dan O’Connell, John Cucci MPSE
Outstanding Achievement in Sound Editing
Feature Animation
“Elemental”
Walt Disney Pictures + Pixar Animation
Supervising Sound Editors: Ren Klyce, Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: Jonathan Stevens, Benjamin A. Burtt, Kim Patrick, Steve Bissinger
Supervising Dialogue Editor: Rich Quinn
Dialogue Editor: Lisa Chino
Supervising Foley Editor: Dee Selby
Foley Editor: Nicolas Docter
Foley Artists: Shelley Roden MPSE, Heikki Kossi MPSE
Music Editor: Shinnosuke Miyazawa
“Migration”
Illumination + Universal Pictures
Supervising Sound Editors: Daniel Laurie, Josh Gold
Sound Effects Editors: Richard Gould, Luke Dunn-Gielmuda, Scott Guitteau
Dialogue Editor: Bjørn Ole Schroeder
Supervising Foley Editor: Thom Brennan
Foley Editor: E. Larry Oatfield
Foley Artists: Sean England, Andrea Gard
Music Editor: Bill Bernstein
“Spider-Man: Across The Spider-Verse”
Sony Pictures Animation
Supervising Sound Editor: Geoffrey G. Rubay
Sound Designers: John J. Pospisil, Alec G. Rubay, Kip Smedley
Sound Effects Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg ten Bosch MPSE, Daniel McNamara MPSE, Will Digby, Andy Sisul
Supervising Dialogue Editor: James Morioka MPSE
Dialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. Rubay
Foley Supervisor: Colin Lechner MPSE
Foley Artists: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan Wilhoit, Alex Ulrich
Supervising Music Editor: Katie Greathouse
Music Editor: Barbara McDermott
“The Super Mario Bros Movie”
Illumination + Universal Pictures
Supervising Sound Editor: Daniel Laurie
Sound Designers: Randy Thom MPSE, Jamey Scott MPSE
Sound Effects Editors: Leff Lefferts, Qianbaihui Yang MPSE, Scott Guitteau
Dialogue / ADR Supervisor: Jacob Riehle
Supervising Foley Editor: E. Larry Oatfield
Foley Editor: Zach Martin
Foley Artists: Ronni Brown, Jana Vance, Sean England
Outstanding Achievement in Sound Editing
Feature Documentary
“32 Sounds”
Department of Motion Pictures and Free History Project
Supervising ADR Editor: Eliza Paley
Sound Designer: Mark Mangini MPSE
Sound Editor: Robert Kellough MPSE
ADR Editor: Mari Matsuo
Foley Editor: Blake Collins
Foley Artist: Joanna Fang MPSE
“American Symphony”
Netflix
Supervising Sound Editor: Tristan Baylis MPSE, Tom Paul
Foley Artist: Leslie Bloome
Sound Effects Editors: Matt Snedecor, Mark Filip
“Mourning In Lod”
Medalia Productions
Supervising Sound Editors: Yossi Appelbaum, Lior Weitzman
Sound Designer: Yossi Appelbaum
“Still: A Michael J. Fox Movie”
Apple Original Films
Supervising Sound Editor: Skip Lievsay
Sound Effects Editor: Rich Bologna
Dialogue Editor: Michael Feuser
Foley Supervisor: Matt Haasch
Foley Editor: Heather Gross
Foley Artist: Jay Peck
“Taylor Swift | The Eras Tour”
AMC Distribution
Sound Editor: Phil DeTolve
Music Supervisor: David Cook
Outstanding Achievement in Music Editing
Documentary
“American Symphony”
Netflix
Lead Music Editor: Ignacio Bonet
“Pianoforte”
Greenwich Entertainment
Supervising Music Editor: Michal Fojcik MPSE
Music Editor: Joanna Popowicz
“Still: A Michael J. Fox Movie”
Apple Original Films
Music Editor: Bill Bernstein
“WHAM!”
Netflix
Music Editor: Greg Gettens
Outstanding Achievement in Sound Editing
Foreign Language Feature
“Anatomy of a Fall”
NEON
Sound Editors: Fanny Martin, Jeanne Delplancq
“Godzilla Minus One”
Toho International
Sound Editors: Hisafumi Takeuchi, Natsuko Inoue
“Society of the Snow”
Netflix
Supervising Sound Editor: Oriol Tarragó
Sound Designer: Oriol Tarragó
Sound Effects Editors: Iosu Martinez, Guillem Giró
Sound Editors: Sarah Romero, Marc Bech, Brendan Golden
Dialogue Editor: Jorge Alarcón
Foley Artists: Erik Vidal, Kiku Vidal
Music Editor: John Finklea
“The Zone of Interest”
A24
Supervising Sound Editor: Johnnie Burn MPSE
Sound Effects Editors: Simon Carroll, Max Behrens, Joe Mount, Brendan Feeney
Foley Editors: Ewa Mazurkiewicz, Natalia Lubowiecka MPSE, Dawid Konecki, Kamil Kwiatkowski
Foley Artist: Jacek Wiśniewski
TELEVISION
Outstanding Achievement in Sound Editing
Broadcast Animation
“Rick and Morty”
Episode: “Unmortricken”
Cartoon Network
Supervising Sound Editor: Hunter Curra MPSE
Sound Editor: James A. Moore
Sound Effects Editor: Corbin Bumeter
Dialogue Editor: Ricardo Watson
“Star Trek Lower Decks”
Episode: “Old Friends, New Planets”
Paramount+
Supervising Sound Editor: James Lucero
Sound Effects Editors: Mak Kellerman, John Wynn, James Singleton
Foley Editor: Michael Britt
“Star Wars: The Bad Batch”
Episode: “Faster”
Disney+
Supervising Sound Editors: David W. Collins, Matthew Wood
Sound Designer: David W. Collins
Sound Effects Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly Patrick
Supervising Foley Editor: Frank Rinella
Foley Artists: Kimberly Patrick, Margie O’Malley, Andrea Gard
“Star Wars: Visions”
Episode: “The Pit”
Disney+
Supervising Sound Editor: David W. Collins
Sound Designer: David W. Collins
Sound Effects Editors: Kevin Bolen MPSE, Bill Rudolph
Dialogue Editor: David W. Collins
Supervising Foley Editor: Alex Wilmer
Foley Artists: John Roesch MPSE, Shelley Roden MPSE, Xiuzhu (Mimi) Guo
“Transformers: Earthspark”
Episode: “Security Protocols”
Nickelodeon
Supervising Sound Editor: Brad Meyer MPSE
Sound Effects Editor: Natalia Saavedra Brychcy MPSE
Dialogue Editor: Christine Gamache
Foley Editor: Carol Ma MPSE
“Young Jedi Adventures”
Episode: “The Young Jedi/Yoda’s Mission”
Disney+
Sound Effects Editor: Heather Olsen MPSE
Dialogue Editor: Robbi Smith MPSE
Foley Editor: David Bonilla MPSE
Foley Artist: John “J” Lampinen
Outstanding Achievement in Sound Editing
Non-Theatrical Animation
“Blue Eye Samurai”
Episode: “All Evil Dreams and Angry Words”
Netflix Animation
Supervising Sound Editor: Myron Nettinga
Supervising Dialogue Editor: Paulette Lifton MPSE
Sound Designers: Sam Hayward, Jared Dwyer MPSE, Andrew Miller MPSE
Sound Editor: Johanna Turner
Foley Artists: Jason Charbonneau, Stefan Fraticelli
Foley Editor: Justin Helle
“Blue Eye Samurai”
Episode: “Hammerscale”
Netflix Animation
Supervising Sound Editor: Paul N.J Ottosson
Sound Effects Editor: Leo Marcel
Dialogue Editor: Daniel Saxlix MPSE
Foley Editor: Shawn Kennelley
Foley Artists: Melissa Kennelley, Vince Nicastro
“Justice League”
Episode: “Warworld”
Warner Bros. Animation
Sound Designer: Robert Hargreaves MPSE
Supervising Dialogue Editor: Mark Keatts
Dialogue Editors: Mike Garcia MPSE, Kelly Foley-Downs
“The Monkey King”
Netflix Animation
Supervising Sound Editors: David Giammarco, Eric A. Norris MPSE
Dialogue Editor: Sean Massey MPSE
Sound Designers: Jon Title MPSE, Tim Nielsen
Foley Artists: Dan O’Connell, John Cucci MPSE
Outstanding Achievement in Sound Editing
Non-Theatrical Documentary
“100 Foot Wave”
Episode: “Lost at Sea”
HBO
Supervising Sound Editor: Keith Hodne
Dialogue Editor: Max Holland
Sound Designer: Eric Di Stefano
Sound Effects Editors: Eli Akselrod, Mika Anami
Sound Designer: Kevin Senzaki MPSE
“David Attenborough’s Conquest of The Skies”
Atlantic Productions
Supervising Sound Editor/ Sound Designer: Oliver Kadel
“Formula 1: Drive to Survive”
Episode: “Over the Limit”
Netflix
Supervising Sound Editors: Steve Speed, Nick Fry
Sound Supervisors: Adam King, Doug Dreger
Sound Designers: Ivan Onek, James Spooner
“Our Planet II”
Episode: “Chapter 3: The Next Generation”
Netflix
Sound Editor: George Fry
“Waco: American Apocalypse”
Episode: “In the Beginning…”
Netflix
Supervising Sound Editor: Trip Brock MPSE
Sound Designer: Itai Levy
Sound Effects Editor: Eric Gillingham MPSE, GW Pope, III
Dialogue Editor: Jackie Johnson
“World War II: From the Front Lines”
Episode: “Turning Point”
Netflix
Supervising Sound Editor: Luke Hatfield
Sound Designer: Sophie-Alice Davies
Outstanding Achievement in Sound Editing
Non-Theatrical Feature
“Black Mirror: Beyond the Sea”
Netflix
Supervising Sound Editor: Antony Bayman
Dialogue/ADR Editor: Alex Sawyer
Sound Effects Editor: Jane Lo
Supervising Foley Editor: Adam Méndez
Foley Editor: Rob Davidson
Foley Artists: Sue Harding, Oli Ferris
“The Last Kingdom: Seven Kings Must Die”
Netflix
Supervising Sound Editor: Jack Gillies
Dialogue/ADR Supervisor: Michael Williams
ADR Editor: Steve Berezai
Foley Supervisor: Sam Walsh
Foley Editor: Neale Ross
Foley Artist: Jason Swanscott
“Mr. Monk’s Last Case: A Monk Movie”
Peacock
Supervising Sound Editor: Brent Findley MPSE
Sound Effects Editor: Dan Kremer MPSE
Dialogue Editor: Dan Douglass MPSE
Foley Editor: Lyndsey Schenk
Foley Artists: Brian Staub, Vincent Deng
“Publish or Perish”
Alation Media
Supervising Sound Editor: Leslie Gaston-Bird MPSE
Supervising Foley Editor: Anna Sulley MPSE
Dialogue Editors: Lora Cornes, Naomi Graham, Jahmai Bruce
Foley Artists: Ruth Sullivan, Karo Jedrzejczyk
Outstanding Achievement in Sound Editing
Broadcast Long Form Dialogue / ADR
“All the Light We Cannot See”
Episode: “Episode 4”
Netflix
Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE
Dialogue Editors: Emma Present, Jill Purdy MPSE
“The Crown”
Episode: “Ritz”
Netflix
Supervising Sound Editor: Lee Walpole MPSE
Supervising Dialogue Editor: Iain Eyre
ADR Supervisor: Steve Little
ADR Editors: Abbie Shaw, Matthew Mewett
“The Last of Us”
Episode: “Long, Long Time”
HBO
Supervising Sound Editor: Michael J. Benavente
ADR Supervisor: Michael J. Benavente
Dialogue Editor: Joe Schiff
“The Marvelous Mrs. Maisel”
Episode: “Four Minutes”
Prime Video
Supervising Sound Editor: Ron Bochar
Dialogue Editor: Sara Stern
ADR Editor: Ruth Hernandez MPSE
“Succession”
Episode: “Connor’s Wedding”
HBO
Supervising Sound Editor: Nicholas Renbeck MPSE
Dialogue Editor: Dan Korintus
Supervising ADR Editor: Angela Organ
Dialogue Editor/ ADR Editor: Andy Kris
“Ted Lasso”
Episode: “So Long, Farewell”
Apple TV+
Supervising Sound Editor: Brent Findley MPSE
Dialogue Editors: Bernard Weiser MPSE, Bruce Honda, Scott G. G. Haller MPSE
ADR Editor: Daniel Douglass MPSE
Outstanding Achievement in Sound Editing
Broadcast Long Form Effects / Foley
“Ahsoka”
Episode: “Part Four: Fallen Jedi”
Disney+
Supervising Sound Editors: Bonnie Wild, Matthew Wood
Sound Designer: David Acord
Sound Effects Editors: Kimberly Patrick, Tim Farrell
Supervising Foley Editor: Joel Raabe
Foley Artist: Shelley Roden MPSE, Ronni Brown, Heikki Kossi MPSE
“All the Light We Cannot See”
Episode: “Episode 4”
Netflix
Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE
Sound Effects Editor: David Grimaldi
Foley Editor: Matt Cloud
Foley Artist: Steve Baine
“The Continental: From the World of John Wick”
Episode: “Theatre of Pain”
Peacock
Supervising Sound Editor: Luke Gibleon
Sound Designer: Nick Interlandi
Sound Effects Editor: Joshua Adeniji
Foley Editors: Adrian Medhurst MPSE, Duncan Campbell
Foley Artist: Adrian Medhurst MPSE
“Loki”
Episode: “Glorious Purpose”
Disney+
Supervising Sound Editor: Bjørn Ole Schroeder
Sound Designer: David Chrastka
Sound Effects Editors: Andre Zweers, Malcolm Fife, Jamey Scott MPSE
Supervising Foley Editor: Alyssa Nevarez
Foley Editor: Dawit Zemene MPSE
Foley Artist: Sandra Fox
“Star Trek: Picard”
Episode: “The Last Generation”
Paramount+
Supervising Sound Editor: Matthew E. Taylor
Sound Designers: Michael Schapiro, Harry Cohen MPSE
Sound Editors: Alex Pugh MPSE, Deron Street, Jim Gallivan
Foley Editors: John Sanacore MPSE, Clay Weber MPSE
Foley Artist: Rick Owens MPSE
Outstanding Achievement in Music Editing
Broadcast Long Form
“Daisy Jones & the Six”
Episode: “Track 8: Looks Like We Made It”
Prime Video
Supervising Music Editor: Amber Funk MPSE
Music Editor: Mike Poole
“Fargo”
Episode: “The Tiger”
FX
Music Editor: Ben Schor
“The Last Of Us”
Episode: “When You’re Lost in the Darkness”
HBO
Music Editor: Maarten Hofmeijer
“Loki”
Episode: “Glorious Purpose”
Disney+
Supervising Music Editor: Anele Onyekwere
Music Editors: Nashia Wachsman, Richard Armstrong, Ed Hamilton
“The Marvelous Mrs. Maisel”
Episode: “Susan”
Prime Video
Lead Music Editor: Annette Kudrak
“Ted Lasso”
Episode: “Sunflowers”
Apple TV+
Lead Music Editor: Richard David Brown MPSE
Outstanding Achievement in Sound Editing
Broadcast Short Form
“American Horror Story: Delicate Part 1”
Episode: “When the Bough Breaks”
FX
Supervising Sound Editors: Christian Buenaventura MPSE, Gary Megregian MPSE
Sound Effects Editor: Tim Cleveland
Dialogue Editor: Steve Stuhr
Foley Editor: Lyndsey Schenk
Foley Artist: Noel Vought
“Barry
Episode: “wow”
HBO
Supervising Sound Editors: Sean Heissinger, Matthew E. Taylor
Sound Designer: Rickley W. Dumm MPSE
Sound Editor: Deron Street
Dialogue Editor: John Creed MPSE
Supervising Foley Editor: Clay Weber MPSE
Foley Editor: Darrin Mann
Foley Artists: Alyson Dee Moore MPSE, Chris Moriana
“The Bear”
Episode: “Fishes”
FX
Supervising Sound Editors: Steve “Major” Giammaria MPSE, Andrea Bella
Sound Effects Editors: Jonathan Fuhrer, Matt Snedecor
Dialogue Editors: Evan Benjamin, John Werner
ADR Editor: John Bowen
Foley Editors: Annie Taylor, Nick Seaman
Foley Artists: Leslie Bloome, Shaun Brennan
“Beef”
Episode: “The Great Fabricator”
Netflix
Supervising Sound Editor: Christopher Gomez MPSE
Sound Effects Editor: Jerry Lafuente MPSE
Dialogue Editor: Nathan Efstation
Foley Editor: Igor Yashin
Foley Artist: Ruslan Schebisty
“The Last Of Us”
Episode: “When You’re Lost in the Darkness”
HBO
Supervising Sound Editor: Michael J. Benavente
Sound Designers: Chris Battaglia MPSE, Chris Terhune
Sound Effects Editors: Mitchell Lestner, Matt Yocum MPSE, Jacob Flack MPSE
Supervising Foley Editor: Randy Wilson
Foley Editors: Davi Aquino, Justin Hale
Foley Artists: Justin Charbonneau, Stefan Fraticelli, William Kellerman
“The Mandalorian”
Episode: “The Return”
Disney+
Supervising Sound Editors: Trey Turner, Matthew Wood
Sound Designer: David W. Collins
Sound Effects Editors: Luis Galdames MPSE, Kevin Bolen MPSE
ADR Editors: Brad Semenoff MPSE, Ryan Cota MPSE
Supervising Foley Editor: Frank Rinella
Foley Editors: Joel Raabe, Alyssa Nevarez
Foley Artist: Shelly Roden MPSE
Outstanding Achievement in Music Editing
Broadcast Short Form
“The Bear”
Episode: “Fishes”
FX
Music Editors: Jason Lingle, Jeff Lingle
“Beef”
Episode: “The Great Fabricator”
Netflix
Music Editors: Jason Tregoe Newman, Bryant J. Fuhrmann, Andrew Ransom
“Dave”
Episode: “Met Gala”
FXX
Supervising Music Editor: Amber Funk MPSE
Music Editor: James Sullivan
“Only Murders in the Building”
Episode: “Opening Night”
Hulu
Music Editor: Micha Liberman
VIDEO GAMES
Outstanding Achievement in Sound Editing
Game Dialogue / ADR
“Alan Wake 2”
Remedy Entertainment
Audio Director: Richard Lapington
Senior Dialogue Designers: Taneli Suoranta, Arthur Tisseront
“Call Of Duty: Modern Warfare III”
Sledgehammer Games
Audio Director: Matthew Grimm MPSE
Supervising Sound Editors: David Swenson MPSE, Mikael Frithiof, Adam Boyd MPSE
Cinematics Supervising Sound Editors: Charles Deenen, Nick Martin
Supervising Dialogue Editors: Dave Natale, Alexandria Kiser, Alvaro Vela
Audio Leads: Eric Wedemeyer, Robbie Elias, Cameron Britton, Ian Mika, Collin Ayers
Expert Audio Artists: Jomo Kangethe, Kyle Fraser
Senior Audio Artist: Kegan Chau, Fernando Labarthe MPSE, Travis Didluck, Michael Tornabene, Peter Wayne, Dennis Bestafka, Scott Eckert, James McCawley, Lee Staples, Jasmine Jia, Ryan Garigliano, Shawn Jimmerson
Audio Artists: Tyler Cannan, Liam Underwood, Shawn Maldonado, Stephan Vankov, Pierce Cram, Dave Rowe MPSE, Brian Tuey, William Wise, Sunglae Park, Tommy Serioglou, Daniel Francis MPSE, Garrett Montgomery MPSE, Bryan O. Watkins
Dialogue Director: Scott Cresswell
Senior Dialogue Editor: Andrew Giardino
Audio Programmer: Don Veca
Dialogue Editors: Samuel Hoffman, Michal Jaskuła, Daniel Granberg, Aaron Wolff, Alejandro Jaramillo, Sergio Jaskuła, Sebastian Martinez, Rafael Castaño, Andrew Rice, Austin Conway, Colette Dahanne, Gustavo Bruce, Hilary Long, Jacob Kinch, Terrence Vitali, Serge J. Isaac, Stefan Richter, Carlon Assells, Emilio Lopez-Centellas
“Marvel’s Spider-Man 2”
Insomniac Games
Supervising Dialogue Designers: Ryan Schaad, Benjamin Gendron-Smith
Director, Audio Management: Karen Read
Audio Managers: Jesse James Allen, Patrick Michalak
Senior Manager, Dialogue: Leilani Ramirez MPSE
Senior Dialogue Designer: Jaime Marcelo, Alyssa Galindo
Senior Director of Sound: Phillip Kovats MPSE
Dialogue Director: Keith Asack
Dialogue Designers: Daniel Davila, Evan Hodick, Matthew Strasser, Michelangelo Muscariello, Mitchell Kenney, Tyler Held MPSE, Emma Burlingame, Rory Given, Andrew Rahimi
Dialogue Editors: Glen Gathard, Luke Duffin, Dionne Wong, Eugene Tong Haw Cheng, Huberth Varela, Harry Watchman, Robert Kubicki, Vyvyan Napoletani
“Star Wars Jedi: Survivor”
Respawn Entertainment
Audio Director: Nick von Kaenel
Dialogue Lead: Harrison Deutsch
Dialogue Supervisor: Eric Marks MPSE, Emma Emrich
Senior Dialogue Editor: Nick Friedemann
Dialogue Editors: Austin Chase MPSE, Christopher Garcia, Paul Fonarev, Daniel Khim, Rob
Marshall MPSE, Jeff Miley, Eric Schwartz, Ryan Vaughan, Carlon Jesse Assells, Daniel P.
Francis MPSE, James Yamagami Scullion, Tommy Sarioglou, Alexandria Kiser, Peter Mack
Associate Dialogue Editor: Collin Gregory Peck
Lead Narrative Technical Designer: David Midgley
Lead Dialogue Designer: Todd Piperi
Outstanding Achievement in Sound Editing
Game Music
“Alan Wake 2”
Remedy Entertainment
Audio Director: Richard Lapington
Senior Sound Designer: Koca Kastavarac
Music Editor: Kilian Oser
Senior Sound Designer: Dobrivoje Milijanovic
“Diablo IV”
Blizzard Entertainment
Audio Director: Kris Giampa
Music Director: Derek Duke
Scoring Editor: John Kurlander
“Marvel’s Spider-Man 2”
Insomniac Games
Supervising Music Editor: Rob Goodson
Music Editors: Scott Bergstrom, Ted Kocher, Tao-Ping Chen, Nicholas Mastroianni, Monty Mudd, Andrew Buresh, Sonia Coronado, Paul Thomason, Julie McLaughlin, Yuen Man Chung Kelvin, Matthew Kelly, Seira McCarthy, Sam McCormick, Cherron Arens
“Star Wars Jedi: Survivor”
Respawn Entertainment
Audio Director: Nick von Kaenel
Music Director: Nick Laviers
Music Implementers: Colin Andrew Grant MPSE, Andrew Karboski
Outstanding Achievement in Sound Editing
Game Effects / Foley
“Alan Wake 2”
Remedy Entertainment
Audio Director: Richard Lapington
Principal Audio Designer: Tazio Schiesari
Senior Audio Designers: Gulli Gunnarsson, Thomas Holmes
Senior Technical Audio Designer: Joshua Adam Bell
“Call Of Duty: Modern Warfare III”
Sledgehammer Games
Audio Director: Matthew Grimm MPSE
Audio Leads: Eric Wedemeyer, Robbie Elias, Cameron Britton, Ian Mika, Dave Rowe, Brian Tuey, Collin Ayers
Supervising Sound Editors: David Swenson MPSE, Mikael Frithiof, Adam Boyd MPSE
Cinematics Supervising Sound Editors: Charles Deenen, Nick Martin
Sound Designers: Kelly Baffoni, Landen Belardes, Gregory Bonini, Tom Brewer MPSE, Alexander Ephraim MPSE, James Evans, Tim Gedemer, Mark Jasper, Sean Madsen, James Miller, Josh More, Myron Nettinga, Ryan Nowak, Travis Prater, Alec Rubay, John Sawa MPSE, Matt Severin, Carlos Solis, Nick Spradlin, Conrad Ytuarte, Jessica Arkoff
Expert Audio Artists: Jomo Kangethe, Kyle Fraser
Senior Audio Artists: Kegan Chau, Fernando Labarthe MPSE, Travis Didluck, Michael Tornabene, Peter Wayne, Dennis Bestafka, Scott Eckert, James McCawley, Lee Staples, Jasmine Jia, Ryan Garigliano, Shawn Jimmerson
Audio Artists: Tyler Cannan, Liam Underwood, Stephan Vankov, Pierce Cram, Shawn Maldonado, William Wise, Sunglae Park, Tommy Serioglou, Daniel Francis MPSE, Garrett Montgomery MPSE, Bryan O. Watkins
Audio Programmer: Don Veca
Supervising Foley Artist: Gary Hecker MPSE
Foley Editor: Jeff Gross
Foley Artists: Michael Broomberg, Michael Horton
“Marvel’s Spider-Man 2”
Insomniac Games
Supervising Sound Editors: Ben Minto MPSE, Chris Sweetman MPSE, Csaba Wagner MPSE, Samuel Justice, Gary Miranda
Supervising Sound Designers: Emile Mika, Herschell Bailey, Aaron Sanchez
Senior Director of Sound: Phillip Kovats MPSE
Director, Audio Management: Karen Read
Audio Managers: Daniel Birczynski, Jesse James Allen
Director of Sound Design: Jeremie Voillot MPSE
Senior Audio Directors: Paul Mudra, Jerry Berlongieri, Dwight Okahara
Senior Technical Sound Designer: Ben Pantelis
Technical Sound Designers: Sebastian Ruiz, Nick Jackson, Enoch Choi, Cameron Sonju, Gavin Booth
Lead Sound Designer: Blake Johnson
Senior Sound Designers: Eddie Pacheco MPSE, Tyler Cornett, Johannes Hammers MPSE, Zack Bogucki, Alex Previty, Matt Ryan, Juliet Rascon, Andres Herrera, Robert Castro MPSE, Jeff Darby, Beau Anthony Jimenez MPSE, Derrick Espino, Jon Rook
Sound Designers: Tyler Hoffman, Daniele Carli, Bob Kellough MPSE, Bryan Jerden, Eilam Hoffman, Graham Donnelly MPSE, Jason W. Jennings MPSE, Matt Hall, Michael Leaning, Michael Schapiro, Randy Torres, Richard Gould, Stephano Sanchinelli, Tim Walston MPSE, Tobias Poppe, Tom Jaine MPSE, Jeremy Neroes, Adam Sanchez, Brendan Wolf, Roy Lancaster, Rodrigo Robinet, Daniel Barboza, Charlie Ritter, David Goll, Chris Kokkinos MPSE, TJ Schauer, Ryan See, Alexis Tran, Brooke Yap
Foley Editors: Blake Collins, Annie Taylor, Austin Creek
Foley Artist: Joanna Fang MPSE
“Star Wars Jedi: Survivor”
Respawn Entertainment
Audio Director: Nick von Kaenel
Audio Leads: Nathaniel Daw, Nicholas Raynor
Senior Sound Designers: Alex Barnhart, Oscar Coen, Kevin Notar, Sian Harris, Douglas
Waters, Steve Cowell
Senior Cinematic Sound Designer: Tom Jaine MPSE
Sound Designers: Ashton Faydenko, Tom Volpe, Mariana Botero Rico, Eric Notar, Jack
Sandall, Will Dunn, Tomas Bancroft, Priscilla Achampong, Earl J. Scioneaux III MPSE, Owen
Packer, Chris Walasek
Associate Sound Designer: Kartika Dewi Luky
Senior Cinematic Sound Designer: Tom Jaine MPSE
Sound Implementer: Tori Ano
Technical Sound Designers: Braeger Moore, Gaetan Lourmiere
Cinematic Supervising Sound Editors: Csaba Wagner MPSE, Samuel Justice
Cinematic Sound Designers: Jason W. Jennings MPSE, Graham Donnelly MPSE, Bryan Jerden, Tobias
Poppe, Michael Shapiro, Eilam Hoffman
Cinematic Sound Editors: Alexis Tran, Stephano Sanchinelli
Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana, Ginger Geary, Doug Madick
Foley Editor: Caron Weidner, Tommy Sarioglou
Audio Programmer: Ryan Redetzke, Chris Hopkins
STUDENT FILMS
Outstanding Achievement in Sound Editing
Student Film (Verna Fields Award)
“Buyers Beware”
Savannah College of Art & Design
Supervising Sound Editor: Matt Lemberger
“Canary”
Chapman University
Supervising Sound Editor: Mengchen Sun
“Dive”
National Film & Television School
Supervising Sound Editor: Simon Panayi
“From The Top”
National Film & Television School
Supervising Sound Editor: Etienne Kompis
“Gossip”
National Film & Television School
Supervising Sound Editor: Itzel Gonzalez Estrada
“Heimen”
Amsterdam University of the Arts
Supervising Sound Editor: Eran Brinkman
Sound Effects Editor: Sam Titshof
“The Tornado Outside”
National Film & Television School
Supervising Sound Editor: Marios Themistokleous
“Tree of Many Faces”
National Film & Television School
Sound Designer: Siim Skepast
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