The British Independent Film Craft Awards winners have been announced. The remaining awards will be given out on:
27th Annual British Independent Film Awards
Sunday, December 8, 2024
The Roundhouse in London, England


Best Casting (Sponsored by Casting Society & Spotlight)
“KNEECAP” • Sony Pictures Classics
Casting by Carla Strong
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
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“Bird” (MUBI) | Casting by Lucy Pardee
“Hoard” (Sunrise Films) | Casting by Heather Basten
“Love Lies Bleeding” (A24) | Casting by Mary Vernieu & Lindsay Graham Ahanonu
“On Becoming A Guinea Fowl” (A24) | Casting by Isabella Odoffin


Best Cinematography (Sponsored by Kodak & Molinare)
“LOVE LIES BLEEDING” • A24
Cinematography by Ben Fordesman
Directed by Rose Glass
Produced by Andrea Cornwell and Oliver Kassman
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“Civil War” (A24) | Cinematography by Rob Hardy
“Kneecap” (Sony Pictures Classics) | Cinematography by Ryan Kernaghan
“Lee” (Roadside Attractions | Vertical) | Cinematography by Pawel Edelman
“The Outrun” (Sony Pictures Classics) | Cinematography by Yunus Roy Imer


Best Costume Design
“FIREBRAND” • Roadside Attractions | Vertical
Costume Design by Michael O’Connor
Directed by Karim Aïnouz
Produced by Carolyn Marks Blackwood and Gabrielle Tana
—
“Civil War” (A24) | Costume Design by Meghan Kasperlik
“Kneecap” (Sony Pictures Classics) | Costume Design by Zjena
“Love Lies Bleeding” (A24) | Costume Design by Olga Mill
“Unicorns” (Maven Screen Media) | Costume Design by Nirage Mirage


Best Editing
“KNEECAP” • Sony Pictures Classics
Editing by Julian Ulrichs & Chris Gill
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Bird” (MUBI) | Editing by Joe Bini
“Civil War” (A24) | Editing by Jake Roberts
“Made In England: The Films Of Powell and Pressburger” (Cohen Media Group) | Editing by Margarida Cartaxo & Stuart Davidson
“The Outrun” (Sony Pictures Classics) | Editing by Stephen Bechinger


Best Make-Up & Hair Design
“UNICORNS” • Maven Screen Media
Make-up & Hair Design by Lisa Mustafa
Directed by James Krishna Floyd and Sally El Hosaini
Produced by Philip Herd, Bill Pohlad, Celine Rattray, Kim Roth, Trudie Styler, and Christa Zofcin Workman
—
“Back To Black” (Focus Features) | Makeup/Hair by Peta Dunstall
“Firebrand” (Roadside Attractions | Vertical) | Makeup/Hair by Jenny Shircore
“Love Lies Bleeding” (A24) | Makeup/Hair by Megan Daum & Frieda Valenzuela
“The Outrun” (Sony Pictures Classics) | Makeup/Hair by Kat Morgan


Best Music Supervision
“KNEECAP” • Sony Pictures Classics
Music Supervision by Gary Welch & Jeanette Rehnstrom
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Back To Back” (Focus Features) | Music Supervision by Iain Cooke & Giles Martin
“Sister Midnight” (Griffin Pictures) | Music Supervision by Kle Savidge


Best Original Music (Sponsored by Universal Music Publishing Group)
“KNEECAP” • Sony Pictures Classics
Composed by Michael “Mikey J” Asante
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Bird” (MUBI) | Composed by Burial
“Love Lies Bleeding” (A24) | Composed by Clint Mansell
“The Outrun” (Sony Pictures Classics) | Composed by John Gürtler & Jan Miserre
“Unicorns” (Maven Screen Media) | Composed by Stuart Earl


Best Production Design (Sponsored by ATC & Broadsword)
“THE ASSESSMENT” • Capelight Pictures
Production Design by Jan Houllevigue
Directed by Fleur Fortuné
Produced by Stephen Woolley, Elizabeth Karlsen, Shivani Rawat, Julie Goldstein, Jonas Katzenstein, Maximilian Leo, and Grant S. Johnson
—
“Civil War” (A24) | Production Design by Caty Maxey
“Hoard” (Sunrise Films) | Production Design by Bobbie Cousins
“Kneecap” (Sony Pictures Classics) | Production Design by Nicola Moroney
“Love Lies Bleeding” (A24) | Production Design by Katie Hickman


Best Sound (Sponsored by Halo)
“CIVIL WAR” • A24
Sound by Glen Freemantle
Directed by Alex Garland
Produced by Andrew Macdonald, Allon Reich, and Gregory Goodman
—
“Kneecap” (Sony Pictures Classics) | Sound by Louise Burton, Brendan Rehill, Aza Hand, & Simon Kerr
“Lee” (Roadside Attractions | Vertical) | Sound by Mike Prestwood Smith, Csaba Major, & Jimmy Boyle
“Love Lies Bleeding” (A24) | Sound by Paul Davies, Andrew Stirk, Linda Forsén, Rose Bladh, & Tim Burns
“The Outrun” (Sony Pictures Classics) | Sound by Dominik Leube, Oscar Stiebitz, Jonathan Schorr, & Gregor Bonse


Best Effects
“CIVIL WAR” • A24
Effects by David Simpson
Directed by Alex Garland
Produced by Andrew Macdonald, Allon Reich, and Gregory Goodman
—
“Lee” (Roadside Attractions | Vertical) | Effects by Glen McGuigan & Ingo Putza
“Love Lies Bleeding” (A24) | Effects by James Allen

About the British Independent Film
BIFA (British Independent Film Awards) is an internationally renowned organisation that celebrates, promotes, and supports independent filmmaking and filmmakers in the UK.
Founded in 1998, BIFA has championed the best and most innovative independently funded British filmmaking for over 20 years, working at the heart of the industry to nurture emerging talent, promote fair practice, and develop a broader, more inclusive audience for British independent film.



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