
37th European Film Awards
Saturday, December 7, 2024
Lucerne, Switzerland


Best EUROPEAN FILM
“EMILIA PÉREZ” • Netflix (France)
Directed by Jacques Audiard
Produced by Pascal Caucheteux, Jacques Audiard, Valérie Schermann, and Anthony Vaccarello
—
“Bye Bye Tiberias” (France, Belgium, Palestine, Qatar) • Women Make Movies
“Dahomey” (France, Senegal) • MUBI
“Flow” (Latvia, France, Belgium) • Sideshow | Janus Films
“In Limbo” (Poland) • Wajda Studio
“Living Large” (Czech Republic, France, Slovakia) • Barletta
“No Other Land” (Palestine, Norway) • Antipode Films
“The Room Next Door” (Spain) • Sony Pictures Classics
“Savages” (Switzerland, France, Belgium) • Haut et Cort
“The Seed of the Sacred Fig” (Germany, France) • NEON
“Soundtrack to a Coup D’Etat” (France, Belgium, Netherlands) • Kino Lorber
“The Substance” (U.K., United States, France) • MUBI
“Sultana’s Dream” (Spain, Germany, India) • Filmin
“They Shot The Piano Player” (Spain, France, Netherlands, Portugal, Peru) • Sony Pictures Classics
“Vermiglio” (Italy, France, Belgium) • Sideshow | Janus Films


BEST European Director
Jacques Audiard
“EMILIA PÉREZ” • Netflix (France)
Produced by Pascal Caucheteux, Jacques Audiard, Valérie Schermann, and Anthony Vaccarello
—
Pedro Almodóvar | “THE ROOM NEXT DOOR” • Sony Pictures Classics
Andrea Arnold | “BIRD” • MUBI
Maura Delpero | “VERMIGLIO” • Sideshow | Janus Films
Mohammad Rasoulof | “THE SEED OF THE SACRED FIG” • NEON


BEST European Screenwriter
“EMILIA PÉREZ” • Netflix (France)
Written by Jacques Audiard
Directed by Jacques Audiard
Produced by Pascal Caucheteux, Jacques Audiard, Valérie Schermann, and Anthony Vaccarello
—
“THE GIRL WITH THE NEEDLE” • NORDISK FILM | written by Magnus von Horn & Line Langebek
“THE ROOM NEXT DOOR” • Sony Pictures Classics | WRITTEN BY Pedro Almodóvar
“THE SEED OF THE SACRED FIG” • NEON | WRITTEN BY Mohammad Rasoulof
“THE SUBSTANCE” • MUBI | WRITTEN BY Coralie Fargeat


BEST European Documentary
“no other land” • mTuckman Media
(Palestine, Norway)
Directed by Yuval Abraham, Rachel Szor, Basel Adra, and Hamdan Ballal
Produced by Fabien Greenberg, Bård Kjøge Rønning, Yuval Abraham, Basel Adra, Rachel Szor, and Hamdan Ballal
—
“BYE BYE TIBERIAS” • Women Make Movies
“DAHOMEY” • MUBI
“IN LIMBO” • Wajda Studio
“Soundtrack to a Coup d’Etat” • Kino Lorber


BEST European Animated Feature Film
“FLOW” • Sideshow | Janus Films
(Latvia, France, Belgium)
Directed by Gints Zilbalodis
Produced by Matīss Kaža, Gints Zilbalodis, Ron Dyens, and Gregory Zalcman
—
“LIVING LARGE” • Barletta
“SAVAGES” • Haut et Cort
“SULTANA’S DREAM” • Filmin
“THEY SHOT THE PIANO PLAYER” • Sony Pictures Classics


BEST European Short Film | PRIX VIMEO
“THE MAN WHO COULD NOT REMAIN SILENT”
(Croatia, France, Bulgaria, Slovenia)
Directed by Nebojša Slijepčević
—
“2720” | Directed by Basil da Cunha (Portugal, Switzerland)
“CLAMOR” | Directed by Salomé Da Souza (France)
“THE EXPLODING GIRL” | Directed by Caroline Poggi and Jonathan Vinel (France)
“WANDER TO WONDER” | Directed by Nina Gantz (The Netherlands, France, Belgium, United Kingdom)


European Discovery | Prix Fipresci
“ARMAND” • Film i Väst
(Norway, Netherlands, Germany, Sweden)
Directed by Halfdan Ullmann Tøndel
Produced by Andrea Berentsen Ottmar
—
“HOARD” • Sunrise Films
“KNEECAP” • Sony Pictures Classics
“THE NEW YEAR THAT NEVER CAME” • kinotopia
“SANTOSH” • Haut et Court
“TOXIC” • Akis Bado


BEST European Actress
Karla Sofía Gascón
“EMILIA PÉREZ” • Netflix
(France)
Directed by Jacques Audiard
Produced by Pascal Caucheteux, Jacques Audiard, Valérie Schermann, and Anthony Vaccarello
—
Trine Dyrholm | “THE GIRL WITH THE NEEDLE” • NORDISK FILM
Renate Reinsve | “ARMAND” • Film i Väst
Vic Carmen Sonne | “THE GIRL WITH THE NEEDLE” • NORDISK FILM
Tilda Swinton | “THE ROOM NEXT DOOR” • Sony Pictures Classics


BEST European Actor
Abou Sangare
“SOULEYMANE’S STORY” • Unité
(France)
Directed by Boris Lojkine
Produced by Bruno Nahon
—
Daniel Craig | “QUEER” • A24
Lars Eidinger | “DYING” • Wild Bunch
Ralph Fiennes | “CONCLAVE” • Focus Features
Franz Rogowski | “BIRD” • MUBI


European Young Audience Award
“THE REMARKABLE LIFE OF IBELIN” • Netflix
(Norway)
Directed by Benjamin Ree
Produced by Ingvil Giske
—
“LARS IS LOL” • Nordisk Film
“WINNERS” • DCM Pictures


BEST EUROPEAN UNIVERSITY FILM
“THREE KILOMETRES TO THE END OF THE WORLD”
(Romania)
Directed by Emanuel Pârvu
Produced by Miruna Berescu
—
“APRIL” (Georgia, France, Italy)
“ARMAND” • Film i Väst (Norway, Netherlands, Germany, Sweden)
“KNEECAP” • Sony Pictures Classics (Ireland, United Kingdom)
“MOON” (Austria)


BEST EUROPEAN CINEMATOGRAPHY
“THE SUBSTANCE” • MUBI
Cinematography by Benjamin Kračun
Directed by Coralie Fargeat
Produced by Coralie Fargeat, Eric Fellner, Tim Bevan


BEST European Editing
“EMILIA PÉREZ” • Netflix
Editing by Juliette Welfling
Directed by Jacques Audiard
Produced by Pascal Caucheteux, Jacques Audiard, Valérie Schermann, Anthony Vaccarello


BEST European Production Design
“THE GIRL WITH THE NEEDLE” • Nordisk Film
Production Design by Jagna Dobesz
Directed by Magnus von Horn
Produced by Malene Blenkov, Mariusz Włodarski


BEST European Costume Design
“THE DEVIL’S BATH” • Shudder
Costume Design by Tanja Hausner
Directed by Veronika Franz and Severin Fiala
Produced by Ulrich Seidl


BEST European Make-up & Hair
“WHEN THE LIGHT BREAKS” • Compass Films
Makeup & Hair by Evalotte Oosterop
Directed by Rúnar Rúnarsson
Produced by Heather Millard, Rúnar Rúnarsson


BEST European Original Score
“THE GIRL WITH THE NEEDLE” • Nordisk Film
Composed by Otto Burnham
Directed by Magnus von Horn
Produced by Malene Blenkov, Mariusz Włodarski


BEST European Sound
“SOULEYMANE’S STORY” • Netflix
Sound by Marc-Olivier Brullé, Pierre Bariaud, Charlotte Butrak, Samuel Aïchoun & Rodrigo Diaz
Directed by Boris Lojkine
Produced by Bruno Nahon


BEST European Visual Effects
“THE SUBSTANCE” • MUBI
Visual Effects by Bryan Jones, Pierre Procoudine-Gorsky, Chervin Shafaghi & Guillaume Le Gouez
Directed by Coralie Fargeat
Produced by Coralie Fargeat, Eric Fellner, Tim Bevan

The European Film Academy
Founded in 1988, the European Film Academy now unites 4,400 European film professionals with the common aim of promoting Europe’s film culture. Throughout the year, the European Film Academy initiates and participates in a series of activities dealing with film politics as well as economic, artistic, and training aspects. The programme includes conferences, seminars and workshops, and a common goal is to build a bridge between creativity and the industry. Some of the European Film Academy’s events have already become an institution for encounters within the European film community.







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