33RD ANNUAL Southeastern Film Critics Association Awards
Monday, December 16, 2024

BEST PICTURE

ANORA” • NEON

Directed by Sean Baker
Produced by Sean Baker, Alex Coco, Samantha Quan


2) “The Brutalist” • A24
3) “Conclave” • Focus Features
4) “Dune: Part Two” • Warner Bros Pictures
5) “Challengers” • Amazon MGM Studios
6) “Nickel Boys” • Orion/Amazon MGM Studios
7) “Sing Sing” • A24
8) “Wicked” • Universal Pictures
9) “The Substance” • MUBI
10) “A Complete Unknown” • Searchlight Pictures
11) “I Saw the TV Glow” • A24

Best Director

BRADY CORBET
THE BRUTALIST” • A24

Directed by Brady Corbet
Produced by Nick Gordon, D.J. Gugenheim, Andrew Lauren, Trevor Matthews


Runner-up: Sean Baker | “Anora” • NEON

Best Actor

ADRIEN BRODY
THE BRUTALIST” • A24

Directed by Brady Corbet
Produced by Nick Gordon, D.J. Gugenheim, Andrew Lauren, Trevor Matthews


Runner-up: Colman Domingo | “Sing Sing” • A24

Best Actress

Mikey Madison
ANORA” • NEON

Directed by Sean Baker
Produced by Sean Baker, Alex Coco, Samantha Quan


Runner-up: Demi Moore | “The Substance” • MUBI

Best Supporting Actor

GUY PEARCE
THE BRUTALIST” • A24

Directed by Brady Corbet
Produced by Nick Gordon, D.J. Gugenheim, Andrew Lauren, Trevor Matthews


Runner-up: Kieran Culkin – “A Real Pain” • Searchlight Pictures

Best Supporting Actress

Ariana Grande
WICKED” • Universal Pictures

Directed by Jon M. Chu
Produced by Marc Platt, David Stone


Runner-up: Zoe Saldaña | “Emilia Pérez” • Netflix

Best Ensemble

CONCLAVE” • Focus Features

Directed by Edward Berger
Produced by Tessa Ross, Juliette Howell, Michael A. Jackman, Robert Harris, Alice Dawson


Runner-up: “Sing Sing” • A24

Best Original Screenplay

ANORA” • NEON

Written by Sean Baker

Directed by Sean Baker
Produced by Sean Baker, Alex Coco, Samantha Quan


Runner-up: “The Brutalist” • A24 | Written by Brady Corbet & Mona Fastvold

Best Adapted Screenplay

CONCLAVE” • Focus Features

Written by Peter Straughan

Directed by Edward Berger
Produced by Tessa Ross, Juliette Howell, Michael A. Jackman, Robert Harris, Alice Dawson


Runner-up: “Nickel Boys” • Orion/Amazon MGM Studios | RaMell Ross and Joslyn Barnes

BEST DOCUMENTARY

SUGARCANE” • National Geographic

Directed by Emily Kassie, Julian Brave NoiseCat
Produced by Emily Kassie, Kellen Quinn


Runner-up: “Super/Man: The Christopher Reeve Story” • Warner Bros Pictures

BEST ANIMATED FILM

The Wild Robot” • Dreamworks/Universal

Directed by Chris Sanders
Produced by Jeff Hermann


Runner-up: “Flow” • Sideshow/Janus Films

BEST FOREIGN-LANGUAGE FILM

EMILIA PÉREZ” • Netflix

Directed by Jacques Audiard
Produced by Jacques Audiard, Valérie Schermann, Pascal Caucheteux, Anthony Vaccarello


Runner-up: “The Seed of the Sacred Fig” • NEON

BEST CINEMATOGRAPHY

Dune: Part Two” • Warner Bros

Cinematography by Grieg Fraser

Directed by Denis Villeneuve
Produced by Mary Parent, Cale Boyter, Denis Villeneuve, Tanya Lapointe, Patrick McCormick


Runner-up: “Nosferatu” • Focus Features | Cinematography by Jarin Blaschke

BEST ORIGINAL SCORE

Challengers” • Amazon MGM Studios

Composed by Trent Reznor & Atticus Ross

Directed by Luca Guadagnino
Produced by Luca Guadagnino, Rachel O’Connor, Amy Pascal, Zendaya


Runner-up: “The Brutalist” • A24 | Composed by Daniel Blumberg

Southeastern Film Critics Association

BEST PICTURE:
BEST DIRECTOR:
BEST ACTOR:
BEST ACTRESS:
BEST SUPPORTING ACTOR:
BEST SUPPORTING ACTRESS:
Best Ensemble:
BEST ORIGINAL SCREENPLAY:
BEST ADAPTED SCREENPLAY:
BEST DOCUMENTARY:
Best Foreign-Language Film:
BEST ANIMATED FILM:
BEST CINEMATOGRAPHY:
Best Score:

“Anora”
Brady Corbet – “The Brutalist”
Adrien Brody – “The Brutalist”
Mikey Madison – “Anora”
Guy Pearce – “The Brutalist”
Ariana Grande – “Wicked”
“Conclave”
“Anora” – Sean Baker
“Conclave” – Peter Straughan
“Sugarcane”
“Emilia Pérez”
“The Wild Robot”
“Dune: Part Two” – Grieg Fraser
“Challengers” – Trent Reznor & Atticus Ross

ABOUT THE Southeastern Film Critics Association

The Southeastern Film Critics Association is to represent–as an impartial, organized working unit–the profession of film criticism, and to recognize the highest creative achievements in the field of motion pictures, and thereby to uphold the integrity and significance of film criticism.

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