33RD ANNUAL Southeastern Film Critics Association Awards
Monday, December 16, 2024


BEST PICTURE
“ANORA” • NEON
Directed by Sean Baker
Produced by Sean Baker, Alex Coco, Samantha Quan
—
2) “The Brutalist” • A24
3) “Conclave” • Focus Features
4) “Dune: Part Two” • Warner Bros Pictures
5) “Challengers” • Amazon MGM Studios
6) “Nickel Boys” • Orion/Amazon MGM Studios
7) “Sing Sing” • A24
8) “Wicked” • Universal Pictures
9) “The Substance” • MUBI
10) “A Complete Unknown” • Searchlight Pictures
11) “I Saw the TV Glow” • A24


Best Director
BRADY CORBET
“THE BRUTALIST” • A24
Directed by Brady Corbet
Produced by Nick Gordon, D.J. Gugenheim, Andrew Lauren, Trevor Matthews
—
Runner-up: Sean Baker | “Anora” • NEON


Best Actor
ADRIEN BRODY
“THE BRUTALIST” • A24
Directed by Brady Corbet
Produced by Nick Gordon, D.J. Gugenheim, Andrew Lauren, Trevor Matthews
—
Runner-up: Colman Domingo | “Sing Sing” • A24


Best Actress
Mikey Madison
“ANORA” • NEON
Directed by Sean Baker
Produced by Sean Baker, Alex Coco, Samantha Quan
—
Runner-up: Demi Moore | “The Substance” • MUBI


Best Supporting Actor
GUY PEARCE
“THE BRUTALIST” • A24
Directed by Brady Corbet
Produced by Nick Gordon, D.J. Gugenheim, Andrew Lauren, Trevor Matthews
—
Runner-up: Kieran Culkin – “A Real Pain” • Searchlight Pictures


Best Supporting Actress
Ariana Grande
“WICKED” • Universal Pictures
Directed by Jon M. Chu
Produced by Marc Platt, David Stone
—
Runner-up: Zoe Saldaña | “Emilia Pérez” • Netflix


Best Ensemble
“CONCLAVE” • Focus Features
Directed by Edward Berger
Produced by Tessa Ross, Juliette Howell, Michael A. Jackman, Robert Harris, Alice Dawson
—
Runner-up: “Sing Sing” • A24


Best Original Screenplay
“ANORA” • NEON
Written by Sean Baker
Directed by Sean Baker
Produced by Sean Baker, Alex Coco, Samantha Quan
—
Runner-up: “The Brutalist” • A24 | Written by Brady Corbet & Mona Fastvold


Best Adapted Screenplay
“CONCLAVE” • Focus Features
Written by Peter Straughan
Directed by Edward Berger
Produced by Tessa Ross, Juliette Howell, Michael A. Jackman, Robert Harris, Alice Dawson
—
Runner-up: “Nickel Boys” • Orion/Amazon MGM Studios | RaMell Ross and Joslyn Barnes


BEST DOCUMENTARY
“SUGARCANE” • National Geographic
Directed by Emily Kassie, Julian Brave NoiseCat
Produced by Emily Kassie, Kellen Quinn
—
Runner-up: “Super/Man: The Christopher Reeve Story” • Warner Bros Pictures


BEST ANIMATED FILM
“The Wild Robot” • Dreamworks/Universal
Directed by Chris Sanders
Produced by Jeff Hermann
—
Runner-up: “Flow” • Sideshow/Janus Films


BEST FOREIGN-LANGUAGE FILM
“EMILIA PÉREZ” • Netflix
Directed by Jacques Audiard
Produced by Jacques Audiard, Valérie Schermann, Pascal Caucheteux, Anthony Vaccarello
—
Runner-up: “The Seed of the Sacred Fig” • NEON


BEST CINEMATOGRAPHY
“Dune: Part Two” • Warner Bros
Cinematography by Grieg Fraser
Directed by Denis Villeneuve
Produced by Mary Parent, Cale Boyter, Denis Villeneuve, Tanya Lapointe, Patrick McCormick
—
Runner-up: “Nosferatu” • Focus Features | Cinematography by Jarin Blaschke


BEST ORIGINAL SCORE
“Challengers” • Amazon MGM Studios
Composed by Trent Reznor & Atticus Ross
Directed by Luca Guadagnino
Produced by Luca Guadagnino, Rachel O’Connor, Amy Pascal, Zendaya
—
Runner-up: “The Brutalist” • A24 | Composed by Daniel Blumberg

Southeastern Film Critics Association
BEST PICTURE:
BEST DIRECTOR:
BEST ACTOR:
BEST ACTRESS:
BEST SUPPORTING ACTOR:
BEST SUPPORTING ACTRESS:
Best Ensemble:
BEST ORIGINAL SCREENPLAY:
BEST ADAPTED SCREENPLAY:
BEST DOCUMENTARY:
Best Foreign-Language Film:
BEST ANIMATED FILM:
BEST CINEMATOGRAPHY:
Best Score:
“Anora”
Brady Corbet – “The Brutalist”
Adrien Brody – “The Brutalist”
Mikey Madison – “Anora”
Guy Pearce – “The Brutalist”
Ariana Grande – “Wicked”
“Conclave”
“Anora” – Sean Baker
“Conclave” – Peter Straughan
“Sugarcane”
“Emilia Pérez”
“The Wild Robot”
“Dune: Part Two” – Grieg Fraser
“Challengers” – Trent Reznor & Atticus Ross

ABOUT THE Southeastern Film Critics Association
The Southeastern Film Critics Association is to represent–as an impartial, organized working unit–the profession of film criticism, and to recognize the highest creative achievements in the field of motion pictures, and thereby to uphold the integrity and significance of film criticism.






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