72nd Annual Motion Picture Sound Editors Golden Reel Awards
Tuesday, February 11, 2025
Wilshire Ebell Theatre, Los Angeles, California
Hosted by Patton Oswalt

FEATURE-LENGTH MOTION PICTURE


Outstanding Achievement in Music Editing | Feature Motion Picture
“Wicked” • Universal Pictures
Supervising Music Editor: Catherine Wilson
Supervising Vocal Editor: Robin Baynton
Directed by Jon M. Chu
Produced by Marc Platt, David Stone
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“Better Man” • Paramount Pictures
“A Complete Unknown” • Searchlight Pictures
“Deadpool & Wolverine” • Marvel Studios
“Dune: Part Two” • Warner Bros Pictures
“Emilia Pérez” • Netflix


Outstanding Achievement in Sound Editing | Feature Dialogue/ADR
“Saturday Night” • Columbia Pictures
Supervising Sound Editors: David Butler, Will Files MPSE, Lee Gilmore MPSE
Dialogue Editors: Helen Lutrell, Emma Present
Directed by Jason Reitman
Produced by Jason Blumenfeld, Peter Rice, Jason Reitman, Gil Kenan
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“Alien: Romulus” • 20th Century Studios
“A Complete Unknown” • Searchlight Pictures
“Deadpool & Wolverine” • Marvel Studios
“Dune: Part Two” • Warner Bros Pictures
“Wicked” • Universal Pictures


Outstanding Achievement in Sound Editing | Feature Effects/Foley
“Dune: Part Two” • Warner Bros
Supervising Sound Editor: Richard King
Sound Designers: Dave Whitehead MPSE, Michael Babcock, Lee Gilmore MPSE, Randy Torres
Sound Effects Editors: Brent Burge, Hayden Collow, Melanie Graham, Michael Mitchell, Jeff Sawyer, Matt Stutter MPSE, Chris Terhune
Supervising Foley Editor: Chris Flick
Foley Editor: Willard Overstreet
Foley Artists: John Cucci, Dan O’Connell
Directed by Denis Villeneuve
Produced by Mary Parent, Cale Boyter, Denis Villeneuve, Tanya Lapointe, Patrick McCormick
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“Alien: Romulus” • 20th Century Studios
“Deadpool & Wolverine” • Marvel Studios
“Furiosa: A Mad Max Saga” • Warner Bros Pictures
“Nosferatu” • Focus Features
“September 5” • Paramount Pictures


Outstanding Achievement in Sound Editing | Feature Animation
“The Wild Robot” • DreamWorks/Universal
Supervising Sound Editors: Brian Chumney, Leff Lefferts
Sound Designer: Randy Thom MPSE
Sound Effects Editors: David Farmer MPSE, David Hughes, Jamey Scott MPSE
Dialogue Editor: Rich Quinn
Foley Editors: Malcolm Fife, Dee Selby
Foley Artists: Ronni Brown, Jana Vance
Directed by Chris Sanders
Produced by Jeff Hermann
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“Inside Out 2” • Disney+
“The Lord of the Rings: The War of the Rohirrim” • Warner Bros Animation
“Mufasa: The Lion King” • Walt Disney Pictures


Outstanding Achievement in Sound Editing | Feature Documentary
“The Blue Angels” • Focus Features
Supervising Sound Editor: Robert Stambler MPSE
Sound Effects Editor: Ryan “Sully” Sullivan
Dialogue Editor: Emma Present
Directed by Paul Crowder
Produced by Glen Powell, Sean M. Stuart, Mark Monroe, Glen Zipper, J.J. Abrams, Hannah Minghella
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“Dahomey” • Amazon Prime
“Elton John: Never Too Late” • Disney+
“Music by John Williams” • Disney+
“Super/Man: The Christopher Reeve Story” • HBO Max
“Will & Harper” • Netflix


Outstanding Achievement in Music Editing | Documentary
“Music by John Williams” • Disney+
Supervising Music Editor: Ramiro Belgardt
Music Editors: Christopher Barnett MPSE, Roy Waldspurger
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“Beatles ’64” • Disney+
“Elton John: Never Too Late” • Disney+
“The Greatest Night in Pop” • Netflix
“Jim Henson Idea Man” • Disney+


Outstanding Achievement in Sound Editing | Feature International
“Emilia Pérez” • Netflix
Supervising Sound Editor: Aymeric Devoldère
Sound Designer: Cyril Holtz
Supervising Dialogue Editor: Hortense Bailly
Supervising ADR Editor: Carolina Santana
Foley Editor: Antoine Swertvaegher
Foley Artist: Gregory Vincent
Directed by Jacques Audiard
Produced by Jacques Audiard, Valérie Schermann, Pascal Caucheteux, Anthony Vaccarello
—
“The Girl with the Needle” • MUBI
“The Goat Life” • Phars Film
“Kneecap” • Netflix

TELEVISION


Outstanding Achievement in Sound Editing | Broadcast Animation
“Secret Level” • Amazon Prime
(Episode: “Warhammer 40,000: They Shall Know No Fear”)
Supervising Sound Editors: Brad North MPSE, Matt Yocum MPSE
Sound Designers: Joseph Fraioli, Nolan McNaughton MPSE, Ryan Sullivan
Sound Effects Editors: Chris Battaglia MPSE, Harry Cohen MPSE
Foley Editors: Matt Manselle, Matt Telsey
Foley Artist: Brian Straub
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“Jurassic World: Chaos Theory” (Episode “Into The Fog”) • Netflix
“LEGO Star Wars: Rebuild The Galaxy” (Episode: “Part Two”) • Disney+
“Star Trek Prodigy” (Episode: “The Devourer of All Things, Part II”) • Netflix
“Transformers: Earthspark” (Episode: “Judgment Day: Part 2”) • Nickelodeon
“X-Men ’97” (Episode: “Fire Made Flesh”) • Disney+


Outstanding Achievement in Sound Editing | Non-Theatrical Animation
“Arcane” • Netflix
(Episode: “The Dirt Under Your Nails”)
Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE
Sound Effects Editor: Stephen P. Robinson MPSE
Supervising Music Editor: Alexander Temple
Music Editors: Andrew Kierszenbaum, Sebastien Najand, Alex Seaver
Foley Editor: PJ Pascual
Foley Artists: John Cucci, Dan O’Connell
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“Invincible” (Episode: “I Thought You Were Stronger”) • Amazon Prime
“Justice League: Crisis on Infinite Earths – Part Three” • Warner Bros. Animation
“Orion and the Dark” • Netflix
“Watchmen: Chapter 1” • Studio Mir


Outstanding Achievement in Sound Editing | Non-Theatrical Documentary
“Apollo 13: Survival” • Netflix
Supervising Sound Editor: Paul Darling
Sound Editor: Greg Gettens
Foley Editor: Olly Freemantle
Foley Artist: Rebecca Heathcote
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“The Beach Boys” • Disney+
“Fly” • National Geographic
“Formula 1: Drive to Survive” (Episode: “Forza Ferrari”) • Netflix
“Jim Henson Idea Man” • Disney+
“Steve! (Martin) A Documentary in 2 Pieces” • Apple TV+


Outstanding Achievement in Sound Editing | Non-Theatrical Feature
“Rebel Moon – Part Two: The Scargiver” • Netflix
Supervising Sound Editors: Scott Hecker MPSE, Chuck Michael MPSE
Sound Effects Designers: Scott Hecker MPSE, Chuck Michael MPSE, Nick Interlandi, Bryan Jerden MPSE, Alexander Pugh MPSE, Andrew Vernon MPSE
Sound Effects Editor: Greg ten Bosch MPSE, Brad Sokol
Supervising Dialogue / ADR Editor: Jessie Anne Spence MPSE
Dialogue/ADR Editors: Michael Hertlein, Arielle McGrail, Byron Wilson
Supervising Foley Editor: Mark Pappas
Supervising Foley Artist: Gary Hecker MPSE
Foley Artists: Michael Broomberg, Mike Horton
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“Atlas” • Netflix
“Beverly Hills Cop: Axel F” • Netflix
“The Killer” • Netflix
“Música” • Amazon Prime


Outstanding Achievement in Sound Editing | Broadcast Long Form Dialogue / ADR
“Shōgun” • FX/Hulu
(Episode: “Ladies of the Willow World”)
Supervising Sound Editor: Brian J. Armstrong MPSE
Sound Editor: Damon Cohoon
Dialogue Editor: John Creed MPSE
ADR Editor: Ayako Yamauchi MPSE
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“Lioness” (Episode: “Beware the Old Soldier”) • Paramount+
“Masters of the Air” (Episode: “Part Nine”) • Apple TV+
“The Penguin” (Episode: “Cent’Anni”) • HBO Max
“Ripley” (Episode: “V Lucio”) • Netflix
“Slow Horses” (Episode: “Hello Goodbye”) • Apple TV+


Outstanding Achievement in Sound Editing | Broadcast Long Form Effects / Foley
“Ripley” • Netflix
(Episode: “III Sommerso”)
Supervising Sound Editors: Michael Feuser, Lawrence Zipf
Sound Designers: Bill R. Dean MPSE, Angelo Palazzo MPSE, Lawrence Zipf
Foley Editor: Igor Nikolic
Sound Effects Editors: David Forshee MPSE, Wyatt Sprague
Supervising Foley Editor: Matt Haasch
Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama, Andy Malcolm, Jay Peck
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“House of the Dragon” (Episode: “The Red Dragon and the Gold”) • HBO Max
“The Lord of the Rings: The Rings of Power” (Episode: “Doomed to Die”) • Amazon Prime
“Masters of the Air” (Episode: “Part Five”) • Apple TV+
“The Penguin” (Episode: “After Hours”) • HBO Max
“Shōgun” (Episode: “Broken to the Fist”) • FX


Outstanding Achievement in Music Editing | Broadcast Long Form
“The Penguin” • HBO Max
(Episode: “Cent’Anni”)
Supervising Music Editor: Ben Holiday
Music Editors: Chad Birmingham, Luke Dennis
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“Fallout” (Episode: “The End”) • Amazon Prime
“The Lord of the Rings: The Rings of Power” (Episode: “Doomed to Die”) • Amazon Prime
“Ripley” (Episode: “VIII Narcissus”) • Netflix
“Salem’s Lot” • HBO Max
“Slow Horses” (Episode: “Returns”) • Apple TV+


Outstanding Achievement in Sound Editing | Broadcast Short Form
“Earthsounds” • Apple TV+
(Episode: “Australian Forests”)
Supervising Sound Editor: Kate Hopkins
Sound Effect Editor: Tom Mercer
Foley Editor: Ellie Bowler
Foley Artist: Rory Joseph
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“Baby Reindeer” (Episode: “7”) • Netflix
“The Bear” (Episode: “Doors”) • FX
“Only Murders in the Building” (Episode: “Blow Up”) • Hulu
“What We Do in the Shadows” (Episode: “Come Out and Play”) • FX


Outstanding Achievement in Music Editing | Broadcast Short Form
“Only Murders in the Building” • Hulu
(Episode: “My Best Friend’s Wedding”)
Music Editor: Michah Liberman
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“Baby Reindeer” (Episode: “1”) • Netflix
“The Bear” (Episode: “Doors”) • FX
“Shrinking” (Episode: “Last Drink”) • Apple TV+
“We Are Lady Parts” (Episode: “The Reason”) • Peacock

VIDEO GAMES


Outstanding Achievement in Sound Editing | Game Dialogue / ADR
“Call of Duty: Black Ops 6“
Audio Lead: Jacob Harley, Jeremiah Sypult, Brian Tuey
Audio Directors: Ian Mika
Supervising Sound Editor: Charles Deenen
Supervising Dialogue Editor: Robert Jackson
Senior Audio Artist: Ryan Garigliano
Dialogue Editors: Jessica Arkoff, Socrates Ayala, Kelli Baffoni, Tom Boyd, Roman Fusco, Cesar Marenco MPSE, Kevin Patel, Brandon Roos, Ruge Sun, Dani Turner, Rob Weiss, Maggie Wolf
Audio Artists: Justin Moreh, Darrell Tung
—
“Batman: Arkham Shadow”
“Final Fantasy VII: Rebirth”
“Star Wars Outlaws”
“Until Dawn”


Outstanding Achievement in Sound Editing | Game Music
“Star Wars Outlaws“
Audio Director: Simon Koudriavtsev
Senior Music Designer: Erik Jacobsson
Music Supervisor: Manu Bachet
—
“Call of Duty: Black Ops 6”
“Diablo IV: Vessel of Hatred”
“Dragon Age: The Veilguard”
“Helldivers 2”


Outstanding Achievement in Sound Editing | Game Effects / Foley
“Call of Duty: Black Ops 6“
Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey
Supervising Sound Editor: Charles Deenen
Lead Sound Designers: Collin Ayers, Jai Berger, Darren Blondin, John Drelick, Nick Martin, Kevin Sherwood
Sound Designers: Mark Camperell MPSE, Nick D’Amato, Tom David, James Evans, Daniel P. Francis MPSE, Luis Galdames MPSE, Nick Interlandi, Austin Krier MPSE, Jim Lecroy, James Miller, Garrett Montgomery MPSE, Josh Moore, Michael Newton, Dominik Ragančík, Jordan Ruhala, Matthew Schaff MPSE, Nick Spradlin, Darrell Tung, Bryan O. Watkins
Technical Sound Designers: Sunglae Park, William Wise III
Expert Sound Designers: Andy Bayless, Cameron Britton, Scott Eckert
Associate Lead Sound Designer: Jacob Harley
Sound Effects Editors: Landen Belardes, Cadmus Blackwood, Tyler Windsor
Senior Audio Artist: Corina Bello, Logan Byers, Ryan Garigliano, Jasmine Jia, James McCawley, Vadim Nuniyants, Tim Schlie, Lee Staples
Junior Audio Artists: Tommy Lee, Justin Moreh
Foley Editor: Rustam Himadiiev
Foley Artist: Bogdan Zavarzin
Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey
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“Batman: Arkham Shadow”
“Helldivers 2”
“LEGO Horizon Adventures”
“Star Wars Outlaws”

STUDENT FILMS

Outstanding Achievement in Sound Editing | Student Film (Verna Fields Award)
“Songbirds” • Savannah College of Art and Design
Supervising Sound Editor: Eugenio Mirafuentes
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“At the Riverbank” | Chapman University
“Brigham Young University: Student Accomplice” | Brigham Young University
“Bubble Boy” | National Film and Television School
“Intermission” | National Film & Television School
“Last Remembrances” | University of Southern California
“The Memories of Autumn” | Beijing Film Academy
“Wrestle-Off” | University of Southern California







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