April 13, 1964 Santa Monica Civic Center, Santa Monica, CA Hosted by Jack Lemmon
BEST PICTURE
“America America”
“Cleopatra”
“How the West Was Won”
“Lilies of the Field”
“Tom Jones”
DIRECTOR
Federico Fellini – “8½”
Elia Kazan – “America America”
Otto Preminger – “The Cardinal”
Tony Richardson – “Tom Jones”
Martin Ritt – “Hud”
ACTOR
Albert Finney – “Tom Jones”
Richard Harris – “This Sporting Life”
Rex Harrison – “Cleopatra”
Paul Newman – “Hud”
Sidney Poitier – “Lilies of the Field”
ACTRESS
Leslie Caron – “The L-Shaped Room”
Shirley MacLaine – “Irma la Douce”
Patricia Neal – “Hud”
Rachel Roberts – “This Sporting Life”
Natalie Wood – “Love with the Proper Stranger”
SUPPORTING ACTOR
Nick Adams – “Twilight of Honor”
Bobby Darin – “Captain Newman, M.D.”
Melvyn Douglas – “Hud”
Hugh Griffith – “Tom Jones”
John Huston – “The Cardinal”
SUPPORTING ACTRESS
Diane Cilento – “Tom Jones”
Edith Evans – “Tom Jones”
Joyce Redman – “Tom Jones”
Margaret Rutherford – “The V.I.P.s”
Lilia Skala – “Lilies of the Field”
ART DIRECTION (BLACK & WHITE)
“8½” Art Direction and Set Decoration: Piero Gherardi
“America America” Art Direction and Set Decoration: Gene Callahan
“Hud” Art Direction: Hal Pereira and Tambi Larsen; Set Decoration: Samuel M. Comer and Robert R. Benton
“Love with the Proper Stranger” Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Samuel M. Comer and Grace Gregory
“Twilight of Honor” Art Direction: George Davis and Paul Groesse; Set Decoration: Henry Grace and Hugh Hunt
ART DIRECTION (COLOR)
“The Cardinal” Art Direction: Lyle R. Wheeler; Set Decoration: Gene Callahan
“Cleopatra” Art Direction: John DeCuir, Jack Martin Smith, Hilyard M. Brown, Herman A. Blumenthal, Elven Webb, Maurice Pelling, and Boris Juraga; Set Decoration: Walter M. Scott, Paul S. Fox, and Ray Moyer
“Come Blow Your Horn” Art Direction: Hal Pereira and Roland Anderson; Set Decoration: Samuel M. Comer and James W. Payne
“How the West Was Won” Art Direction: George Davis, William Ferrari, and Addison Hehr; Set Decoration: Henry Grace, Don Greenwood Jr., and Jack Mills
“Tom Jones” Art Direction: Ralph W. Brinton, Ted Marshall, and Jocelyn Herbert; Set Decoration: Josie MacAvin
CINEMATOGRAPHY (BLACK & WHITE)
“The Balcony” – George J. Folsey
“The Caretakers” – Lucien Ballard
“Hud” – James Wong Howe
“Lilies of the Field” – Ernest Haller
“Love with the Proper Stranger” – Milton Krasner
CINEMATOGRAPHY (COLOR)
“The Cardinal” – Leon Shamroy
“Cleopatra” – Leon Shamroy
“How the West Was Won” – William Daniels, Milton Krasner, Charles Lang, and Joseph LaShelle
“Irma la Douce” – Joseph LaShelle
“It’s a Mad, Mad, Mad, Mad World” – Ernest Laszlo
COSTUME DESIGN (BLACK & WHITE)
“8½” – Piero Gherardi
“Love with the Proper Stranger” – Edith Head
“The Stripper” – Travilla
“Toys in the Attic” – Bill Thomas
“Wives and Lovers” – Edith Head
COSTUME DESIGN (COLOR)
“The Cardinal” – Donald Brooks
“Cleopatra” – Irene Sharaff, Vittorio Nino Novarese, and Renié
“How the West Was Won” – Walter Plunkett
“The Leopard” – Piero Tosi
“A New Kind of Love” – Edith Head
DOCUMENTARY (FEATURE)
“Le Maillon et la Chaine”
“Robert Frost: A Lover’s Quarrel with the World”
“The Yanks Are Coming”
DOCUMENTARY (SHORT SUBJECT)
“Chagall”
“The Five Cities of June”
“The Spirit of America”
“Thirty Million Letters”
“To Live Again”
FILM EDITING
“The Cardinal” – Louis R. Loeffler
“Cleopatra” – Dorothy Spencer
“The Great Escape” – Ferris Webster
“How the West Was Won” – Harold F. Kress
“It’s a Mad, Mad, Mad, Mad World” – Frederic Knudtson, Robert C. Jones, and Gene Fowler Jr.
FOREIGN LANGUAGE FEATURE
“8½” (Italy)
“Knife in the Water” (Poland)
“Los Tarantos” (Spain)
“The Red Lanterns” (Greece)
“Twin Sisters of Kyoto” (Japan)
SHORT SUBJECT (CARTOON)
“Automania 2000”
“The Critic”
“The Game”
“My Financial Career”
“Pianissimo”
SHORT SUBJECT (LIVE ACTION)
“The Concert”
“The Home-Made Car”
“An Occurrence at Owl Creek Bridge”
“Six-Sided Triangle”
“That’s Me”
Scoring of MUSIC (ADAPTATION OR TREATMENT)
“Bye Bye Birdie” – Johnny Green
“Irma la Douce” – André Previn
“A New Kind of Love” – Leith Stevens
“Sundays and Cybele” – Maurice Jarre
“The Sword in the Stone” – George Bruns
MUSIC SCORE (SUBSTANTIALLY ORIGINAL)
“55 Days at Peking” – Dimitri Tiomkin
“Cleopatra” – Alex North
“How the West Was Won” – Alfred Newman and Ken Darby
“It’s a Mad, Mad, Mad, Mad World” – Ernest Gold
“Tom Jones” – John Addison
SONG
“So Little Time” from “55 Days at Peking” Music by Dimitri Tiomkin; Lyrics by Paul Francis Webster
“Charade” from “Charade” Music by Henry Mancini; Lyrics by Johnny Mercer
“It’s a Mad Mad Mad Mad World” from “It’s a Mad, Mad, Mad, Mad World” Music by Ernest Gold; Lyrics by Mack David
“More” from “Mondo Cane” Music by Riz Ortolani and Nino Oliviero; Lyrics by Norman Newell
“Call Me Irresponsible” from “Papa’s Delicate Condition” Music by Jimmy Van Heusen; Lyrics by Sammy Cahn
SOUND
“Bye Bye Birdie” – Charles Rice
“Captain Newman, M.D.” – Waldon O. Watson
“Cleopatra” – James Corcoran and Fred Hynes
“How the West Was Won” – Franklin Milton
“It’s a Mad, Mad, Mad, Mad World” – Gordon E. Sawyer
SOUND EFFECTS
“A Gathering of Eagles” – Robert Bratton
“It’s a Mad, Mad, Mad, Mad World” – Walter Elliott
SPECIAL EFFECTS
“The Birds” – Ub Iwerks
“Cleopatra” – Emil Kosa Jr.
WRITING (ADAPTED SCREENPLAY)
“Captain Newman, M.D.” – Richard L. Breen, Phoebe Ephron, and Henry Ephron
“Hud” – Irving Ravetch and Harriet Frank Jr.
“Lilies of the Field” – James Poe
“Sundays and Cybele” – Antoine Tudal and Serge Bourguignon
“The Four Days of Naples” – Screenplay by Carlo Bernari, Pasquale Festa Campanile, Massimo Franciosa, and Nanni Loy; Story by Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy, and Vasco Pratolini
