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6 DEGREES OF HELL || Way too low budget, filled with melodramatic acting, and a sad revelation that Corey Feldman has hit rock bottom are three very big reasons not to see this film… so I won’t. |
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AMBER ALERT || Alright, you got me. When I first read what this film was, I rolled my eyes. When I found out it was found footage, I sighed, and even the amping up the trailer does is pretty ridiculous. But clear away all the gimmickry and this actually seems like an interesting, innovative film that I could possible see myself enjoying. |
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THE BAY || Found footage film of the week #2 that you can consider me intrigued to see. This one is “footage confiscated by the government”, trying to hide a major event on the east coast involving some weird creatures coming out of the water. This film could easily be unsuccessful at what it’s trying to do, but I will most likely give it a shot. |
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BONES BRIGADE: AN AUTOBIOGRAPHY || How did it take this long to make a documentary about Tony Hawk and his rise to fame in the skateboarding world? Granted this is about several influential skateboarders, including a favorite of mine, Rodney Mullens, but with heartfelt interviews and actual footage of the guys growing up, this looks like a pretty impacting documentary. |
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THE DETAILS || I came to a sad realization that I do not really care for Tobey Macguire as an actor. Perhaps it was after “The Amazing Spider-Man” where I realized that Andrew Garfield was so much better in that role and that I never really even enjoyed Macguire as Spider-Man. Whatever the reason, “The Details” is made harder to watch because of him. However, I really enjoy Elizabeth Banks and dark comedies, so I will most likely see this film regardless of my growing dislike for the lead actor. |
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GREGORY CREWDSON: BRIEF ENCOUNTERS || What makes me slightly want to see this film is to see the photographs that Gregory Crewdson meticulously labors over and that might just be enough to get me to see. |
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HIGH GROUND || As inspirational and with as many gorgeous views as this film seems to offer, I am not entirely invested enough to actually see this film. There feels to be something missing and I can’t quite put my finger on it, but perhaps it is trying to span too far and cover too many emotions without really hitting on any of them. |
PASS
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A LATE QUARTET || It is films like “A Late Quartet” that I live for. Small arthouse films with an extraordinary cast and a subtle, like between drama and dark humor. Phillip Seymour Hoffman is notorious for this small films and I haven’t been let down yet. Same with Catherine Keener and topping the big name cast off with Christopher Walken is nothing short of perfection. I am truly looking forward to seeing this film before it leaves theaters. |
THEATER
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MIAMI CONNECTION || Bringing old arthouse films back from the dead is the new thing apparently. However, this film should have stayed dead… |
PASS
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NORTH SEA TEXAS || The subject matter is nothing revolutionary, telling the coming of age story of a young gay boy where the idea of homosexuality is completely unknown of, or appears to be that way. What partially sells me on this film is the quality of cinematography, with gorgeous shot selection and a polished quality that lacks in many independent films. |
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