CARRIE (2013)
BY CHRISTOPHER HASKELL
OCTOBER 19, 2013


Kimberly Peirce’s “Carrie” is self-indulgent from the moment you step in, playing to an audience that has already experienced the Stephen King novel and knows the ins and outs. Even the trailer suggests this, giving away the ending in a matter of two and a half minutes. As Carrie White (Chloe Moretz) discovers her telekinetic power right along with hitting puberty, Peirce’s version takes a much more modern approach, trading the nudity and torment for pure public ridicule and bullying. The problem with most of these performances is that they all feel “in” on the joke. They know they’re apart of a remake, not breathing new life but merely playing the parts already set out in front of them. That is, except for Chloe Grace Moretz’s performance as Carrie.
Chloe’s performance starts very stiff and becomes calculated. A perfect example of the woman she has become and displaying beauty and talent she has not yet reached in her roles previous to this. Yes, she gets drenched in blood on prom night, and, yes, this comes off as more of a graphic novel depiction than a heightened horror film for the season. “Carrie” meets the average standards for fare like this. With Julianna Moore delivering a sub-par performance and the mean girls, played by Gabriella Wilde and Portia Doubleday, who are a sight for sore eyes, the film stands on its own, feeling unneeded but, at the very least, well-produced.


RELEASE DATE
October 18, 2013
DIRECTOR
Kimberly Peirce
WRITTEN BY
Lawrence D. Cohen
Roberto Aguirre-Sacasa
BASED ON
“Carrie”
by Stephen King
STUDIO
Metro-Goldwyn-Mayer Pictures
Screen Gems
Sony Pictures Releasing
R
(for bloody violence, disturbing images, language and some sexual content)
DRAMA
HORROR
100 minutes






CINEMATOGRAPHER
Steve Yedlin
COMPOSER
Marco Beltrami
EDITOR
Lee Percy
CAST
Chloë Grace Moretz
Judy Greer
Portia Doubleday
Julianne Moore
Ansel Elgort
Katie Strain
Gabriella Wilde
PRODUCED BY
Kevin Misher
BUDGET
$30 million
