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CREED || The perfect “Rocky” sequel, “Creed” picks up years down the road as we find Apollo Creed had an illegitimate son that has grown up to be a fighter. Wanting to go legit, he quits his job, leaves the rich confines of his home with Apollo’s wife, Mary-Anne, and ventures to Philadelphia to see if pseudo-uncle Rocky Balboa will train him. There are so many emotions at play, so many nods to the original films, and so many technical feats, that the power of this film cannot be denied.
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THE DANISH GIRL || It’s all fun and games until your husband ends up coming out as trans-gendered. Oscar winning director Tom Hooper directs “The Danish Girl,” telling the remarkable love story inspired by the lives of Lili Elbe (Oscar winner Eddie Redmayne) and Gerda Wegener (Alicia Vikander). Gerda is a painter and dresses her husband up in drag to get some stunning paintings. But when her and her friend (Amber Heard) take it even further, it’s Lili that surprises them. Also starring Ben Whishaw and Matthias Schoenaerts, this is definitely Oscar fodder in so many ways.
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THEATER
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THE GOOD DINOSAUR || Not quite up to par as far as the revolutionary work that Pixar produces, “The Good Dinosaur” delivers some beautiful imagery and rich colors, but misfires on the story-telling and the characters. The imagery can be breath-taking, with nature shots that look live action and the firefly gag performing just as stunning as it appears on the billboards. But the story of Arlo the dinosaur having to find his way home takes some unneeded turns, and unnecessarily dark ones at that.
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KILLING THEM SAFELY || Apparently stun guns are not the safer alternative that were lead to believe. Fact of the day is that almost all Taser guns are produced by the same company and the people representing the company are “a bit off” as can be seen in the only interview in the trailer with a man that clearly shouldn’t be placed in front of a microphone. The rest of “Killing Them Safely” sets out to tell you why and how Taser guns are harmful.
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PASS
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VICTOR FRANKENSTEIN || Instead of being apart of Universal new monster movie cinematic universe, 20th Century Fox delivers “Victor Frankenstein,” and the only reason it remains watchable is with James McAvoy and Daniel Radcliffe at the helm, delivering what the is equivalence of Robert Downey Jr. and Jude Law in “Sherlock Holmes,” delivering the darkness and action that was first delivered by Guy Ritchie.
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RENT
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