BEST FILM

“The Irishman”
BEST DIRECTOR


Benny and Josh Safdie — “Uncut Gems”
BEST SCREENPLAY

“Once Upon A Time In Hollywood” — Quentin Tarantino
BEST ACTOR


Antonio Banderas — “Pain And Glory”
BEST ACTRESS


Lupita Nyong’o — “Us”
BEST SUPPORTING ACTOR


Joe Pesci — “The Irishman”
BEST SUPPORTING ACTRESS



Laura Dern — “Marriage Story” & “Little Women”
BEST CINEMATOGRAPHY

“Portrait of a Lady on Fire” — Claire Mathon
BEST ANIMATED FILM

“I Lost My Body”
BEST NON-FICTION FILM

“Honeyland”
BEST FOREIGN LANGUAGE FILM

“Parasite” (South Korea)
BEST FIRST FILM

“Atlantics”
SPECIAL AWARDS
Indie Collect
SPECIAL AWARDS
Randy Newman
QUICK LIST
Best Film: “The Irishman”
Best Director: Benny and Josh Safdie — “Uncut Gems”
Best Screenplay: “Once Upon A Time In Hollywood” — Quentin Tarantino
Best Actress: Lupita Nyong’o — “Us”
Best Actor: Antonio Banderas — “Pain And Glory”
Best Supporting Actor: Joe Pesci — “The Irishman”
Best Supporting Actress: Laura Dern — “Marriage Story” & “Little Women”
Best Cinematography: “Portrait of a Lady on Fire” — Claire Mathon
Best Animated Film: “I Lost My Body”
Best Documentary: “Honeyland”
Best Foreign Language Film: “Parasite”
Best First Film: “Atlantics”
Special Award: Indie Collect
Special Award: Randy Newman
NEW YORK FILM CRITICS CIRCLE
The New York Film Critics Circle is an organization of film reviewers from New York-based publications that exists to honor excellence in U.S. and world cinema.
Founded in 1935, the Circle’s membership includes critics from daily newspapers, weekly newspapers, magazines, and qualifying online general-interest publications. Every year in December the organization meets in New York to vote on awards for the previous calendar year’s films.
Among the categories: best picture, director, screenplay, actor, actress, supporting actor, supporting actress, cinematography, animated film, and best first feature. Special standalone awards are also given to individuals and organizations that have made substantial contributions to the art of cinema, including producers, directors, actors, writers, critics, historians, film restorers, and service organizations.
The Circle’s awards are often viewed as harbingers of the Oscar nominations, which are announced each February. The Circle’s awards are also viewed, perhaps more accurately, as a principled alternative to the Oscars, honoring aesthetic merit in a forum that is immune to commercial and political pressures.






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