
AD ASTRA





Gary Rydstrom | Tom Johnson | Mark Ulano

Astronaut Roy McBride embarks on a mission across the solar system to uncover the truth about his missing father and his doomed space expedition that now, 30 years later, threatens the universe.






UNLIKELY
“Ad Astra” was one of this year’s outliers, a film that was nominated nothing but one random award. In this case, it was nominated for Best Sound Mixing and kudos to the team for getting that recognition despite the film not landing anywhere in the Oscars. Will it win? Probably not. But it definitely has merits to be here. The entire category is filmed with Best Picture nominated film and right now it comes down to “1917” and “Ford v Ferrari” for the win.

Gary Rydstrom
| 1991 (64th) | Best Sound | “Backdraft” | NOMINEE |
| 1991 (64th) | Best Sound Effects Editing | “Backdraft” | NOMINEE |
| 1991 (64th) | Best Sound | “Terminator 2: Judgment Day” | WON |
| 1991 (64th) | Best Sound Effects Editing | “Terminator 2: Judgment Day” | WON |
| 1993 (66th) | Best Sound | “Jurassic Park” | WON |
| 1993 (66th) | Best Sound Effects Editing | “Jurassic Park” | WON |
| 1997 (70th) | Best Sound | “Titanic” | WON |
| 1998 (71st) | Best Sound | “Saving Private Ryan” | WON |
| 1998 (71st) | Best Sound Effects Editing | “Saving Private Ryan” | WON |
| 1999 (72nd) | Best Sound | “Star Wars Episode I: The Phantom Menace” | NOMINEE |
| 2001 (74th) | Best Sound Editing | “Monsters, Inc.” | NOMINEE |
| 2002 (75th) | Best Sound Editing | “Minority Report” | NOMINEE |
| 2003 (76th) | Best Sound Editing | “Finding Nemo” | NOMINEE |
| 2006 (79th) | Best Animated Short | “Lifted” | NOMINEE |
| 2011 (84th) | Best Sound Editing | “War Horse” | NOMINEE |
| 2011 (84th) | Best Sound Mixing | “War Horse” | NOMINEE |
| 2012 (85th) | Best Sound Mixing | “Lincoln” | NOMINEE |
| 2015 (88th) | Best Sound Mixing | “Bridge Of Spies” | NOMINEE |
Tom Johnson
| 1991 (64th) | Best Sound | “Terminator 2: Judgment Day” | WON |
| 1994 (67th) | Best Sound | “Forrest Gump” | NOMINEE |
| 1997 (70th) | Best Sound | “Contact” | NOMINEE |
| 1997 (70th) | Best Sound | “Titanic” | WON |
| 1999 (72nd) | Best Sound | “Star Wars Episode I: The Phantom Menace” | NOMINEE |
| 2000 (73rd) | Best Sound | “Cast Away” | NOMINEE |
| 2004 (77th) | Best Sound Mixing | “The Polar Express” | NOMINEE |
| 2011 (84th) | Best Sound Mixing | “War Horse” | NOMINEE |
Mark Ulano
| 1997 (70th) | Best Sound | “Titanic” | WON |
| 2009 (82nd) | Best Sound Mixing | “Inglourious Basterds” | NOMINEE |


RELEASE DATE
September 20, 2019
DIRECTOR
James Gray
SCREENPLAY
James Gray
Ethan Gross
STUDIO
20th Century Fox
PG-13
(for some violence and bloody images, and for brief strong language)
ADVENTURE
DRAMA
MYSTERY
SCI-FI
THRILLER
123 minutes


OSCARS CHALLENGE
Viewed on February 8, 2020
Streamed on MacBook Pro
FILMS LEFT
3
DAYS LEFT
2









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