Personally, “Nefta Football Club” was my favorite short of the Oscars, just because it went places that I didn’t expect it to go and it was very humorous for what it was. The front-runner is “The Neighbors’ Window,” which I found to be a little too creepy for my liking.
Category: Oscars Challenge
“Learning to Skateboard in a Warzone (If You’re a Girl)” feels like the clear winner, as it broaches a topic that not only brings to light its topic but also entertains by capturing these dynamic young women. The only short that even has a chance of upsetting it would likely be the US’s “St. Louis Superman,” as its central character is extremely captivating.
The front-runner for this year’s Best Animated Short is the Sony Animations short, “Hair Love,” which played in front of “The Angry Birds Movie 2” and later “Jumanji: The Next Level” and was also my personal favorite. Pixar has it’s own short in contention with “Kitbull.” The rest of the contenders are foreign entries.
Every time a “Star Wars” film comes out and John Williams does the score, he gets nominated. The man now has 52 Academy Award nominations. Needless to say, he will not be winning his sixth Oscar this year, as the scores for “1917” and “Joker” are the front-runners.
What a year it is when we’re talking about a Martin Scorsese film being “unlikely” to win Best Picture. Top that off with a film that’s garnering ten nominations, at least as far as my projections, is “unlikely” to win all ten. I expect “The Irishman” to be completely shut out this year and that’s absolutely bonkers when you think of how prestigious Scorsese is. But it just goes to show you what kind of year we’ve had for movies.
Let’s just bask in the fact that absolutely no one nominated for this film has ever been nominated for an Academy Award before. Even the country of South Korea had yet to even gain a nomination. Now Bong Joon Ho and the rest of his crew can get their names in the history books. And “Parasite” is actually one of the Big Three, with runner-up status as we speak. The only reason it’s not front and center is because “1917” has been cleaning up the awards, from the PGA to the DGA to the Globes. “Parasite” has done well in its own right, winning the SAG Ensemble award as well as Best International Film at the Globes. It simply depends where the Academy leans.
Heading into the awards season this year, it felt like “Once Upon A Time In Hollywood” might end up being the film to beat. However, then “1917” and “Parasite” came on the scene and started winning everything. Now, “Once Upon A Time In Hollywood” is still apart of the Big Three, remaining in the conversation, but being overshadowed by those other two films, which have been sweeping the season thus far.
Even though it’s clearly the film that relies on Visual Effects the most, “Avengers: Endgame” is actually considered the runner-up to “1917.” There will definitely be a lot of love for “1917,” but if you stop and think about the impact of visual effects on both films, “Avengers: Endgame” is definitely the actual front-runner. It just depends where the Academy voters land.
“Parasite” has this category locked up, so almost anything else is a non-starter. Even if that’s not the case and something does upset, it’ll likely be “Pain and Glory” and not “Corpus Christi.” The experts actually have it placed dead last, so the chances for it are not good.
Not apart of the Big Three (“1917,” “Once Upon A Time In Hollywood,” and “Parasite”) there’s very little chance for “Jojo Rabbit” to win. However, it is a front-runner in the Best Adapted Screenplay category after winning the WGA Award. Scarlett Johansson is still in contention for the Best Actress in a Supporting Role, although she’ll have to upset Laura Dern. The rest of the categories its nominated for seem fairly unlikely.
Chances are, it’s not going to win Best Picture, as three other film (“1917,” “Once Upon A Time In Hollywood,” and “Parasite”) seem to have a bigger claim to it, but it’s definitely in the range of possibilities for Joaquin Phoenix to win for Best Leading Actor and Hildur Guðnadóttir to win for Best Original Score.