
We knew coming into the 93rd Academy Awards that this would be an unprecedented year. Not only was it the most extended Oscars season in history, but it took place during a time when shared theatrical experiences were nonexistent. This year’s Oscars made history. Chloé Zhao became the first female director of color to win Best Directing. Only the second female to ever win the honor. Her film, “Nomadland,” also won Best Picture. Youn Yuh-Jung became the first Korean actress to win an acting award. But then we also watched the wheels come off an Oscars ceremony that is already hurting to keep the limited viewers it does have.
Taking place at Union Station in Hollywood was a nice change of scenery. I wished they would change the location more often. I’m sick of seeing them in the same giant theater year in and year out. The choice to use cinematic cameras instead of “live television” cameras made a world of difference. It felt more cinematic and memorable. However, moving the Original Song performances to the pre-show (which I missed because I wasn’t aware) was a colossal misstep. Including the Humanitarian Awards and devoting so much time to them was exhausting, even as an Oscars fan. If I were a new Oscars viewer, I would have signed off. The lack of clips from the movies that were nominated felt wrong as well.
Then, the rearranging of the categories was a new low. Not only did it take the wind out of Chloé Zhao winning the big awards of the night, but it also left crickets chirping when it was all said and done. Frances McDormand winning Best Leading Actress felt like a whiff when you had Viola Davis and Andra Day, two actresses of color, worthy of winning that award. The producers had to have assumed Chadwick Boseman would win Best Leading Actor because they saved that category for last. After a rushed In Memoriam to an oddly upbeat song, it was a moment it felt like we needed. Having seen Boseman’s widow accept awards on his behalf all season, I had braced for her eventual speech that would bring me to tears. Instead, Anthony Hopkins, who wasn’t even in attendance, won. And then the show was over. Even if Riz Ahmed had one, we could have gotten a heartfelt speech about signing, and a man of color would be accepting an award. Instead, we got an old white man winning another award for a film that I won’t even be ranking in my top 20 of the year.
What started as such a promising, much-needed return to normalcy devolved into what I can only describe as the Cinderella carriage that stayed out past midnight.

BEST motion PICTURE of the year

“Nomadland”
Produced by Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao
Searchlight Pictures
NOMINEES

“The Father”
Sony Pictures Classics

“Judas and the Black Messiah”
Warner Bros. Pictures

“Mank”
Netflix

“Minari”
A24

“Promising Young Woman”
Focus Features

“Sound Of Metal”
Amazon Studios

“The Trial of the Chicago 7”
Netflix














Best Achievement in Music Written for Motion Pictures
(Original Score)

“Soul”
Composed by Trent Reznor, Atticus Ross, & Jon Batiste
Walt Disney Pictures + Pixar Animation
NOMINEES

“Da 5 Bloods”
Terence Blanchard

“Mank”
Trent Reznor and Atticus Ross

“Minari”
Emile Mosseri

“News Of The World”
James Newton Howard

Best Achievement in Music Written for Motion Pictures
(Original SONG)

“Fight For You” from “Judas and the Black Messiah”
Written by H.E.R., Dernst Emile II, Tiara Thomas
Performed by H.E.R.
Warner Bros. Pictures
NOMINEES

“Husavik” from “Eurovision Song Contest: The Story of Fire Saga”
Music and Lyrics by Savan Kotecha, Rickard Goransson & Fat Max Gsus
Performed by Molly Sandén and Will Ferrell

“Io Sì (Seen)” from “The Life Ahead”
Written by Diane Warren
Performed by Laura Pausini

“Speak Now” from “One Night In Miami”
Written by Leslie Odom, Jr. and Sam Ashworth
Performed by Leslie Odom Jr.

“Hear My Voice” from “The Trial of the Chicago 7”
Music by Daniel Pemberton
Lyrics by Daniel Pemberton and Celeste Waite
Performed by Celeste






best ADAPTED SCREENPLAY

“The Father”
Written by Christopher Hampton and Florian Zeller
Sony Pictures Classics
NOMINEES

“Borat Subsequent Moviefilm”
Sacha Baron Cohen & Anthony Hines & Dan Swimer & Peter Baynham & Erica Rivinoja & Dan Mazer & Jena Friedman & Lee Kern

“Nomadland”
Chloé Zhao

“One Night In Miami”
Kemp Powers

“The White Tiger”
Ramin Bahrani

