BEST PICTURE

“The Boy And The Heron” (GKIDS)

Directed by Hayao Miyazaki | Produced by Toshio Suzuki


Runner-Up: “May December” (Netflix)
“Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)
“Oppenheimer” (Universal Pictures)
“Past Lives” (A24)

Best Director

Todd Haynes
“May December” (Netflix)

Produced by Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney,
Sophie Mas, Natalie Portman, and Christine Vachon


Runner-Up: Christopher Nolan – “Oppenheimer” (Universal Pictures)
Wes Anderson – “Asteroid City” (Focus Features)
Jonathan Glazer – “The Zone of Interest” (A24)
Celine Song – “Past Lives” (A24)

Best Actor

Franz Rogowski
“Passages” (MUBI)

Directed by Ira Sachs
Produced by Saïd Ben Saïd and Michel Merkt


Runner-Up: Bradley Cooper – “Maestro” (Netflix)
Paul Giamatti – “The Holdovers” (Focus Features)
Cillian Murphy – “Oppenheimer” (Universal Pictures)
Andrew Scott – “All of Us Strangers” (Searchlight Pictures)

Best Actress

Lily Gladstone
“Killers Of The Flower Moon”
(Paramount Pictures + Apple Original Films)

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi


Runner-Up (TIE): Sandra Hüller – “Anatomy of a Fall” (NEON)
Runner-Up (TIE): Emma Stone – “Poor Things” (Searchlight Pictures)

Natalie Portman – “May December” (Netflix)
Teyana Taylor – “A Thousand and One” (Focus Features)

Best Supporting Actor

Charles Melton
“May December” (Netflix)

Directed by Todd Haynes
Produced by Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney,
Sophie Mas, Natalie Portman, and Christine Vachon


Runner-Up: Robert Downey Jr. – “Oppenheimer” (Universal Pictures)
Mark Ruffalo – “Poor Things” (Searchlight Pictures)
Dominic Sessa – “The Holdovers” (Focus Features)
Donnie Yen – “John Wick: Chapter 4” (Lionsgate)

Best Supporting Actress

Rachel McAdams
“Are You There God? It’s Me, Margaret” (Lionsgate)

Directed by Kelly Fremon Craig
Produced by Julie Ansell, James L. Brooks, Julie Ansell, Richard Sakai, Kelly Fremon Craig,
Judy Blume, Amy Brooks, and Aldric La’Auli Porter


Runner-Up: Da’Vine Joy Randolph – “The Holdovers” (Focus Features)
Emily Blunt – “Oppenheimer” (Universal Pictures)
Julianne Moore – “May December” (Netflix)
Sigourney Weaver – “Master Gardener” (Magnolia Pictures)

Best Ensemble

“Killers of the Flower Moon”
(Paramount Pictures + Apple Original Films)

Ensemble Cast including Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Tantoo Cardinal, John Lithgow and Brendan Fraser

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi


Runner-Up: “Asteroid City” (Focus Features)
“Barbie” (Warner Bros. Pictures)
“How To Blow Up A Pipeline” (NEON
“Oppenheimer” (Universal Pictures)

Best Original Screenplay

“Past Lives” (A24)

Written by Celine Song

Directed by Celine Song
Produced by David Hinojosa, Christine Vachon, and Pamela Koffler


Runner-Up: “Asteroid City” – Wes Anderson (Focus Features)
“Anatomy of a Fall” – Justine Triet and Arthur Harari (NEON)
“The Holdovers” – David Hemingson (Focus Features)

“May December” – Samy Burch (Netflix)

Best Adapted Screenplay

“Poor Things” (Searchlight Pictures)

Written by Tony McNamara

Directed by Yorgos Lanthimos
Produced by Yorgos Lanthimos, Emma Stone, Ed Guiney, and Andrew Lowe


Runner-Up: “Killers of the Flower Moon” – Eric Roth and Martin Scorsese
“Are You There God? It’s Me, Margaret” – Kelly Fremon Craig (Lionsgate)
“American Fiction” – Cord Jefferson (Orion Pictures)
“Oppenheimer” – Christopher Nolan (Universal Pictures)

Best Cinematography

“John Wick: Chapter 4” (Lionsgate)

Cinematography by John Laustsen

Directed by Chad Stahelski
Produced by Basil Iwanyk, Erica Lee, and Chad Stahelski


Runner-Up: “Oppenheimer” – Hoyte van Hoytema (Universal Pictures)
“Killers of the Flower Moon” – Rodrigo Prieto (Paramount Pictures + Apple Original Films)
“Poor Things” – Robbie Ryan (Searchlight Pictures)
“The Zone of Interest” – Lukasz Zal (A24)

Best Visual Effects

“Godzilla Minus One” (Toho International)

Directed by Takashi Yamazaki
Produced by Minami Ichikawa, Kazuaki Kishida, Keiichiro Moriya, and Kenji Yamada


Runner-Up (TIE): “The Creator” (20th Century Studios)
Runner-Up (TIE): “Oppenheimer” (Universal Pictures)

“Poor Things” (Searchlight Pictures)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)

Best Art Direction/Production

“Asteroid City” (Focus Features)

Production Design by Adam Stockhausen and Kris Moran

Directed by Wes Anderson
Produced by Wes Anderson, Steven Rales, and Jeremy Dawson


Runner-Up: “Poor Things” (Searchlight Pictures)
“Barbie” (Warner Bros. Pictures)
“Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)
“The Zone of Interest” (A24)

Best Score

The Boy and the Heron (GKIDS)

Composed by Joe Hisaishi

Directed by Hayao Miyazaki | Produced by Toshio Suzuki


Runner-Up: “Oppenheimer” – Ludwig Göransson (Universal Pictures)
“Killers of the Flower Moon” – Robbie Robertson
 (Paramount Pictures + Apple Original Films)
“Spider-Man: Across the Spider-Verse” – Daniel Pemberton (Sony Pictures)
“A Thousand and One” – Gary Gunn (Focus Features)

Best Documentary

“Menus-Plaisir – Les Troisgros”
(Zipporah Films)

Directed by Frederick Wiseman
Produced by Frederick Wiseman, Karen Konicek, and Olivier Giel


Runner-Up: “The Eternal Memory” (MTV Documentary Films)
“Kokomo City” (Magnolia Pictures)
“Little Richard: I Am Everything” (Magnolia Pictures)
“Still: A Michael J. Fox Movie” (Apple Original Films)

Best International Film

“Anatomy of a Fall” (NEON)

Directed by Justine Triet
Produced by Marie-Ange Luciani, Philippe Martin, and David Thion


Runner-Up: “The Zone of Interest” (A24)
“The Boy and the Heron” (GKIDS)
“Godzilla Minus One” (Toho International)

Best Animated Film

“The Boy and the Heron” (GKIDS)

Directed by Hayao Miyazaki | Produced by Toshio Suzuki


“Robot Dreams” (NEON)
“Spider-Man: Across the Spider-Verse” (Sony Pictures)
“Suzume” (Crunchyroll)
“Teenage Mutant Ninja Turtles: Mutant Mayhem” (Paramount Pictures)

Best First Film

“Past Lives” (A24)

Directed by Celine Song
Produced by David Hinojosa, Christine Vachon, and Pamela Koffler


Runner-Up: “A Thousand and One” – A.V. Rockwell (Focus Features)
“All Dirt Roads Taste of Salt” – Raven Jackson (A24)
“American Fiction” – Cord Jefferson (Orion Pictures)
“Blue Jean” – Georgia Oakley (Magnolia Pictures)

Breakout Award

Lily Gladstone
“Killers Of The Flower Moon”
(Paramount Pictures + Apple Original Films)

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi


Runner-Up (TIE): Charles Melton – “May December” (Netflix)
Runner-Up (TIE): Celine Song – “Past Lives” (A24)

Dominic Sessa – “The Holdovers” (Focus Features)
Cailee Spaeny – “Priscilla” (A24)

Golden Orange

D. Smith
“Kokomo City” (Magnolia Pictures)


Runner-Up: Alex Mechanik – “May December” (Netflix)
Eric Bendick – “Path of the Panther” (Grizzly Creek Films)

Florida Film Critics Circle

BEST PICTURE:
BEST ACTOR:
BEST ACTRESS:
BEST SUPPORTING ACTOR:
BEST SUPPORTING ACTRESS:
BEST ENSEMBLE:
BEST DIRECTOR:
BEST ORIGINAL SCREENPLAY:
BEST ADAPTED SCREENPLAY:
BEST CINEMATOGRAPHY:
BEST VISUAL EFFECTS:
BEST ART DIRECTION/PRODUCTION:
BEST SCORE:
BEST DOCUMENTARY:
BEST INTERNATIONAL FILM:
BEST ANIMATED FILM:
BEST FIRST FILM:
BREAKOUT AWARD:
GOLDEN ORANGE:

“The Boy And The Heron”
Franz Rogowski — “Passages”
Lily Gladstone — “Killers Of The Flower Moon”
Charles Melton — “May December”
Rachel McAdams — “Are You There God? It’s Me, Margaret”
“Killers of the Flower Moon”
Todd Haynes — “May December”
“Past Lives” — Celine Song
“Poor Things” — Tony McNamara
“John Wick: Chapter 4” — John Laustsen
“Godzilla Minus One”
“Asteroid City”
“The Boy And The Heron” — Joe Hisaishi
“Menus-Plaisir – Les Troisgros”
“Anatomy Of A Fall”
“The Boy And The Heron”
“Past Lives” — Celine Song
Lily Gladstone — “Killers Of The Flower Moon”
D. Smith – “Kokomo City”

ABOUT THE Florida Film Critics Circle

The Florida Film Critics Circle is an organization of 25 writers from Florida-based print and online publications. Founded in 1996, the FFCC strives to recognize outstanding work in film, further the cause of good movies, and maintain the highest level of professionalism among film critics in Florida. Allison Hazlett of FlickDirect has served as chair of the organization since the beginning of 2020.

Leave a Reply

Trending

Discover more from No Bad Movie

Subscribe now to keep reading and get access to the full archive.

Continue reading