Cannes, France
May 14 — 25, 2024

MAY 14, 2024

CÉRÉMONIE D’OUVERTURE
OPENING CEREMONY

(19.15)

Main Competition Jury

Greta Gerwig (Jury President)
American actress, screenwriter, & director

August 4, 1983
Sacramento, California

4-Time Academy Award Nominee

Known for:
◊ “Frances Ha” (2012)
◊ “Lady Bird” (2017)
◊ “Little Women” (2019)
◊ “Barbie” (2023)

J. A. Bayona
Spanish filmmaker

May 9, 1975
Barcelona, Spain

BAFTA Award Nominee

Known for:
◊ “The Orphanage” (2007)
◊ “The Impossible” (2012)
◊ “Jurassic World: Fallen Kingdom” (2019)
◊ “Society of the Snow” (2023)

Ebru Ceylan
Turkish actress & screenwriter

January 26, 1976
Ankara, Turkey

Known for:
◊ “Once Upon a Time in Anatolia” (2011)
◊ “Winter Sleep” (2014)
◊ “About Dry Grasses” (2023)

Pierfrancesco Favino
Italian actor & producer

August 24, 1969
Rome, Lazio, Italy

Known for:
◊ “Angels & Demons” (2009)
◊ “World War Z” (2013)
◊ “The Traitor” (2019)
◊ “Adagio” (2023)

Lily Gladstone
American actress

August 2, 1986
Kalispell, Montana

Academy Award Nominee

Known for:
◊ “Certain Women” (2016)
◊ “First Cow” (2019)
◊ “The Unknown Country” (2022)
◊ “Killers of the Flower Moon” (2023)

Eva Green
French actress

July 6, 1980
Paris, France

BAFTA Award Winner

Known for:
◊ “The Dreamers” (2003)
◊ “Casino Royale” (2006)
◊ “Sin City: A Dame to Kill For” (2014)
◊ “The Three Musketeers: D’Artagnan” (2023)

Hirokazu Kore-eda
Japanese filmmaker & producer

June 6, 1962
Tokyo, Japan

BAFTA Award Nominee

Known for:
◊ “Nobody Knows” (2004)
◊ “Like Father, Like Son” (2013)
◊ “Shoplifters” (2018)
◊ “Monster” (2023)

Nadine Labaki
Lebanese actress & filmmaker

February 18, 1974
Baabdat, Mount Lebanon, Lebanon

BAFTA Award Nominee

Known for:
◊ “Caramel” (2007)
◊ “Where Do We Go Now?” (2011)
◊ “Capernaum” (2018)

Omar Sy
French actor

January 20, 1978
Trappes, France

Known for:
◊ “Intouchables” (2011)
◊ “Jurassic World” (2015)
◊ “Lupin” (2021)
◊ “The Book of Clarence” (2023)

Un Certain Regard JURY

Xavier Dolan (Jury President)
Canadian actor & filmmaker

March 20, 1989
Montreal, Quebec, Canada

Known for:
◊ “I Killed My Mother” (2009)
◊ “Mommy” (2014)
◊ “Bad Times at the El Royale” (2018)
◊ “It: Chapter Two” (2019)

Maïmouna Doucouré
French-Senegalese filmmaker

1985
Paris, France

Known for:
◊ “Cuties” (2020)
◊ “Hawa” (2022)

Asmae El Moudir
Moroccan filmmaker & producer

February 16, 1990
Morocco

Known for:
◊ “The Postcard” (2020)
◊ “The Mother Of All Lies” (2023)

Vicky Krieps
Luxembourgish-German actress

October 4, 1983
Hesperange, Luxembourg

Known for:
◊ “Hanna” (2011)
◊ “Phantom Thread” (2017)
◊ “Bergman Island” (2021)
◊ “The Three Musketeers: D’Artagnan” (2023)

Todd McCarthy
American filmmaker, writer & film critic

February 16, 1950
Evanston, Illinois

PrimeTime Emmy Award Winner

Known for:
◊ “Visions Of Light” (1992)
◊ “Claudia Jennings” (1995)
◊ “Forever Hollywood” (1999)
◊ “Pierre Rissient: Man of Cinema” (2007)

Cinéfondation and Short Films Competition JURY

  • Lubna Azabal, Belgian actress – Jury President
  • Marie-Castille Mention-Schaar, French filmmaker and producer
  • Paolo Moretti, Italian programmer
  • Claudine Nougaret, French producer
  • Vladimir Perišić, Serbian filmmaker

Caméra d’Or JURY

  • Baloji, Belgian-Congolese singer and filmmaker – Jury Co-President
  • Emmanuelle Béart, French actress – Jury Co-President
  • Pascal Buron, French TSF board member
  • Nathalie Chifflet, French journalist
  • Gilles Porte, French cinematographer and filmmaker
  • Zoé Wittock, Belgian filmmaker

L’Œil d’Or JURY

  • Nicolas Philibert, French filmmaker and actor – Jury President
  • Dyana Gaye, French-Senegalese filmmaker
  • Elise Jalladeau, French producer and executive director of the Thessaloniki International Film Festival
  • Mina Kavani, Iranian-French actress
  • Francis Legault, Canadian filmmaker and director at Ici Radio-Canada Première

Critics’ Week JURY

  • Sylvie Pialat, French producer – Jury President
  • Ben Croll, Canadian film critic and journalist
  • Iris Kaltenbäck, French filmmaker
  • Virginie Surdej, Belgian cinematographer
  • Eliane Umuhire, Rwandan actress

Queer Palm JURY

  • Lukas Dhont, Belgian filmmaker – Jury President
  • Hugo Bardin, French singer and director
  • Sophie Letourneur, French filmmaker
  • Juliana Rojas, Brazilian filmmaker
  • Jad Salfiti, British-Palestinian journalist
Festival director Thierry Fremaux, left, Meryl Streep and festival president Iris Knobloch, right, pose for photographers upon arrival at the awards ceremony and the premiere of the film ‘The Second Act’ during the 77th international film festival, Cannes, southern France, Tuesday, May 14, 2024. (Photo by Scott Garfitt/Invision/AP)

Honorary Palme d’Or
Presented by Juliette Binoche

MERYL STREEP

*OPENING FILM*
Out of Competition

The Second Act
Le deuxième acte

Quentin Dupieux • France • 1h25
(20.15)

Florence wants to introduce David, the man with whom she is madly in love, to her father Guillaume. But David is not attracted to Florence and wants to get rid of it by throwing her into the arms of his friend Willy. The four characters find themselves in a restaurant in the middle of nowhere. Starring Léa Seydoux, Louis Garrel, Vincent Lindon, and Raphaël Quenard.

Quentin Dupieux’s previous films include “Rubber” (2010), “Wrong” (2012), “Wrong Cops” (2013), “Reality” (2014), and “Smoking Causes Coughing” (2022).

MAY 15, 2024

Cinéma de la Plage

After Hours1985Martin ScorseseUnited States
Exils2004Tony GatlifFrance
Indigènes (Days of Glory)2006Rachid BoucharebFrance
Moi Aussi (Me Too) (short film)2024Judith Godrèche
My Way2024Lisa Azuelos & Thierry TestonFrance
Les Neuf Reines (Nine Queens)2000Fabián BielinskyArgentina
Opération Condor1991Jackie ChanChina
Phantom of the Paradise1974Brian De PalmaUnited States
Porco Rosso1992Hayao MiyazakiJapan
Silex and the City2024Jean-Paul Guigue & Julien BerjeautFrance
Slocum Et Moi (A Boat in the Garden)2024Jean-François LaguionieLuxemburg, France
Tales from Earthsea2006Gorô MiyazakiJapan
Transmitzvah2024Daniel BurmanArgentina
Trainspotting1995Danny BoyleUnited Kingdom

Cinéma de la Plage

L’Œil d’or

MY WAY

Documentaries about Cinema

Lisa Azuelos & Thierry Teston • France • 1h18

My Way is much more than a song; this major score has crossed eras, borders and generations. It’s an anthem that has become part of us and a permanent part of music history. My Way is also one of the most covered songs ever, from Sid Vicious to Tom Jones, not to mention Nina Simone or Pavarotti. However, many people are unaware that it was initially conceived in France, by the pool of Claude François’ mansion on a summer afternoon in 1967, and that a succession of fortuitous meetings and sleepless nights had guided her across the Atlantic towards the man who would make her a Legend. In a form of a biopic, the documentary MY WAY tells the story of the genesis of a mythical song and how it became part of the Hall of fame.

Critics’ Week

Caméra d’Or

SIMON OF THE MOUNTAIN
Simon de la montaña

Federico Luis • Argentina, Chile, Uruguay • 1h38
(11.30)

Seeking change, 21-year-old Simon finds purpose by befriending two disabled children who teach him to embrace life’s joys. Together, they navigate a world not designed for them, inventing their own rules for love and happiness.

RENDEZ-VOUS AVEC / WITH MERYL STREEP

(14.30)

CANNES CLASSICS

Seven Samurai

RESTORED PRINT

1954 • Akira Kurosawa • Japan • 3h27
(09.00)

70 years of the Seven Samurai. A presentation by Toho Global Ltd. Digital restoration by Toho Co.,Ltd. For 4K restoration, the 35mm copy was provided by Toho and made by Toho Archive Co., Ltd. Images and sounds respectively digitized by Aarriscan and Sondor Resonances. Restoration to celebrate the 70th anniversary of the film’s first Japanese release. Distributed in France by The Jokers Films.

In the presence of Shion Komatsu (Toho).

TASIO

RESTORED PRINT

1984 • Montxo Armendáriz • Spain • 1h36
(14.45)

Tasio has been working as a coal miner since the age of 14, in a small village in Navarra. Life is changing, but the mountain is still the same: abrupt and majestial. The mountain is the theater of his childhood games, but it is also the place where he finds bread for his family. When he becomes an adult, he will add charcoal poaching. Although it is a time of rural exodus, emigration to cities, in search of a better future, Tasio prefers to stay and live in the mountains, in absolute loneliness to safeguard his freedom.

A presentation of the Basque Cinematheque. 4K restoration from the original negative financed by the Basque Government and supervised by the director Montxo Armendoriz and with the agreement of the production company Enrique Cerezo, PC. Release in theaters in France by Tamasa in 2025.

In the presence of Montxo Armendoriz.

THE DECLIC YEARS

RESTORED PRINT

1984 • Raymond Depardon • France • 1h07
(17.00)

A presentation of the Diamond Films. 4K restoration operated under the supervision of Claudine Nougaret and Raymond Depardon at the TransPerfect Media laboratory from negative image and magnetic and negative sound 35mm.

In the presence of Claudine Nougaret and Raymond Depardon.

Palme d’Or
In Competition

Caméra d’Or

WILD DIAMOND
Diamant brut

Agathe Riedinger • France • 1h43
(16.00)

Liane, 19, reckless and incandescent, lives with her mother and her little sister under the dusty sun of Fréjus. Obsessed with beauty and the need to become someone, she sees reality television as the opportunity to be loved. Fate seems to smile at her when she casts “Miracle Island”. Starring Malou Khebizi, Idir Azougli, Andréa Bescond, Ashley Romano, Alexis Manenti, Kilia Fernane, Léa Gorla, and Alexandra Noisier.

Quinzaine des cinéastes
Directors’ Fortnight

THIS LIFE OF MINE
Ma Vie ma Gueule

Sophie Fillières • France • 1h39
(19.00)

Barbie will open this year’s Quinzaine! This Barbie, played
by Agnès Jaoui, is the protagonist of Sophie Fillières’ magnificent final film, This Life of Mine. A midlife crisis in three acts:
a comedy, a tragedy and an epiphany, delivered wholeheartedly, with the breaks in tone and the high-wire dialogue that
are the hallmark of Fillières’ cinema. The filmmaker has left us a self-portrait, as exquisite as it is intimate, to which Agnès Jaoui lends body and soul.

Out of Competition

FURIOSA: A MAD MAX SAGA

George Miller • Australia, United States • 2h28
(19.00)

In a world in decline, the young Furiosa is torn from the Green Earth with the Innumerable Mothers and captured by a horde of motorcyclists led by the fearsome warlord, Dementus. As they cross the Devastated Lands, they discover the Citadel ruled by Immortan Joe. While the two tyrants compete for dominance, Furiosa faces many challenges in finding their way home. Starring Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Alyla Brown, and Elsa Pataky.

Un Certain Regard

When the Light Breaks

Rúnar Rúnarsson • Iceland • 1h22
(19.30)

The day breaks over a long summer day in Iceland. From one sunset to the other, Una, a young art student, meets love, friendship, grief and beauty.

ACID
(Association for the Distribution of Independent Cinema)

KYUKA: BEFORE SUMMER’S END

Kostis Charamountanis • Greece, North Macedonia • 1h45
(20.00)

A single dad orchestrates a sailboat vacation for his twin adult children, secretly planning for them to meet their birth mom.

CANNES CLASSICS

L’Œil d’or

FAYE

Documentaries about Cinema

Laurent Bouzereau • United States • 1h31
(20.15)

In FAYE, the first feature-length documentary on the film icon Faye Dunaway, the Oscar actress speaks with sincerity of the triumphs of her illustrious career, with prominent roles in Bonnie and Clyde, Chinatown and Network, while reflecting on the film she even watches today as her fall, Mom Très dear. Through these reflections, she courageously explores new personal discoveries: her struggles against bipolar disorder, the history of her family and how the intensity of the characters she embodies always has an impact on who she is in her real life. Join Faye, his son Liam, colleagues and friends such as Sharon Stone, Mickey Rourke, James Gray and many others.

In the presence of Faye Dunaway and Laurent Bouzereau.

Palme d’Or
In Competition

THE GIRL WITH THE NEEDLE
Pigen med nålen

Magnus von Horn • Denmark, Poland, Sweden • 1h55

Copenhagen, 1919. Karoline, a young worker, struggles to survive. As she becomes pregnant, she meets Dagmar, a charismatic woman who runs a clandestine adoption agency. A strong bond is created between the two women and Karoline accepts a nanny role alongside her. Starring Vic Carmen Sonne, Trine Dyrholm, Besir Zeciri, Ava Knox Martin, Joachim Fjelstrup, Tessa Hoder, and Ari Alexander.

Magnus von Horn’s previous films include “The Here After” (2015), which was a nominee for the Golden Camera award at the 2015 Cannes Film Festival, and “Sweat” (2020).

MAY 16, 2024

Quinzaine des cinéastes
Directors’ Fortnight

SOMETHING OLD, SOMETHING NEW, SOMETHING BORROWED

Hernán Rosselli • Argentina • 1h40
(08.45)

In a working-class suburb of Buenos Aires, the Felpetos – the Sopranos next door – run a well-established underground betting business. Following the father’s death, the family business has become matriarchal. Hernán Rosselli’s real-life childhood neighbour, Maribel, entrusted the filmmaker with her old family videos and agreed, alongside her family, to become a bookmaker in his filmic universe. Game theory and the shape of the network are interwoven with both individual memories and a country’s history.

CANNES CLASSICS

L’Œil d’or

François Truffaut, My Life, a Screenplay

Documentaries about Cinema

David Teboul • France • 1h33
(11.00)

François Truffaut’s films “move like trains, you understand? Like trains in the night.” His life followed the same rhythm; he was 52 when the words The End appeared. A few months earlier, the director had started to share the story of his youth with his old friend Claude de Givray, delving deeply into his family history. But time ran short and he could not complete this autobiography, which he had planned to call “the Screenplay of My Life.” David Teboul’s film, brimming with never-before-seen letters and documents, reveals part of this last narrative.

Un Certain Regard

THE DAMNED
Les Damnés

Roberto Minervini • Belgium, Italy, United States • 1h28
(11.00)

Winter 1862. During the Civil War, the U.S. Army sent a volunteer company to the West to patrol unexplored areas. As their mission changes course, they question the meaning of their engagement. Starring René W. Solomon, Jeremiah Knupp, Cuyler Ballenger, Timothy Carlson, and Noah Carlson. Roberto Minervini previous directed “Stop The Pounding Heart” (2013).

Critics’ Week

Caméra d’Or

LOCUST

KEFF • Taiwan, France, United States • 2h15
(11.30)

Against the backdrop of the 2019 Hong Kong protests, Zhong-Han, a silent twenty-something in Taiwan, balances a day job at a family restaurant with nightly gang activities, until the restaurant’s ownership changes hands.

ACID
(Association for the Distribution of Independent Cinema)

IT DOESN’T MATTER

Josh Mond • United States, France • 1h26
(11.30)

A dramedy exploring the redemptive bond between a lost Staten Island man and a young filmmaker

ACID
(Association for the Distribution of Independent Cinema)

CE N’EST QU’UN AU REVOIR

Guillaume Brac • France • 1h06
(11.30)

Can high school friendships last a lifetime? One thing is certain, in a short time Aurore, Nours, Jeanne, Diane and the others will say goodbye to their boarding room, to swimming in the Drôme, to the holidays in the mountains. Louison will cut his dreads and the small family will burst. For some of them, this is not the first time and it hurts even more…

Quinzaine des cinéastes
Directors’ Fortnight

IN HIS OWN IMAGE
À Son Image

Thierry de Peretti • France • 1h53
(11.45)

An adaptation of a novel by Jérôme Ferrari, Thierry de Peretti takes a non-didactic look at the history of Corsica at the end of the 20th century: as embodied by Antonia, a young press photographer in love with an independence fighter. The film does not sidestep the impasses of nationalism, and nor does it deny the Corsican cause: rather, it delicately and quietly captures its singularity. It is, though, above all, a formidable portrait of a woman forging her own path.

Un Certain Regard

ON BECOMING A GUINEA FOWL

Rungano Nyoni • Ireland, United Kingdom, United States, Zambia • 1h35
(14.00)

On a deserted road in the middle of the night, Shula falls on her uncle’s body. As a funeral is being prepared, Shula and her cousins shed light on the secrets of their middle-class family. In this surreal and vibrant film, filmmaker Rungano Nyoni probes the lies we tell ourselves. Starring

CANNES CLASSICS

LAW AND ORDER

RESTORED PRINT

1969 • Frederick Wiseman • United States • 1h21
(14.30)

Frederick Wiseman surveys the wide range of work the police are asked to perform: enforcing the law, maintaining order, and providing general social services. The incidents shown illustrate how training, community expectations, socio-economic status of the subject, the threat of violence, and discretion affect police behavior.

A presentation and restoration by zipporah films in association with Steven Spielberg, with the participation of the Library of Congress. New version restored in 4K from the negative 16mm image and the original sound. Digitization and calibration carried out at DuArt and Goldcrest laboratories. Calibration and restoration carried out by Jane Tolmachyov, under the supervision of Frederick Wiseman and Karen Konicek. Retrospectives worldwide and distribution in France by Météore films from autumn 2024.

In the presence of Frederick Wiseman.

JOHNNY GOT HIS GUN

RESTORED PRINT

1971 • Dalton Trumbo • United States • 1h52
(16.30)

On the last day of World War I, Joe Bonham, a volunteer, is torn to pieces by a shell. He has no arms, legs or face. Deprived of all sensory organs, he only has his brain that thinks and dreams. He tries to communicate with the nurse, but when he manages to do so in Morse with his head, the military doctors reject his pleas and keep him alive against his will.

A Gaumont presentation. New 4K digital copy, made by GP Archives. Distributed in theaters in France by Malavida on 2 October 2024.

In the presence of Nicolas Seydoux, President of Gaumont.

Quinzaine des cinéastes
Directors’ Fortnight

THE HYPERBOREANS
Los hiperbóreos

Cristóbal León & Joaquín Cociña • Chile • 1h02
(15.00)

Following their first feature-length animated film The Wolf House (2018), the Chilean duo are back, mixing puppets, stop-motion and live-action, theatre, science fiction, and real and fabricated biopic. In the liminal space of a big studio, our only guide is a woman – by turns storyteller, actress and illusionist – who interacts with Méliès-style cardboard sets and effigies, following in the footsteps of a very real man: the Chilean neo-Nazi dandy Miguel Serrano (1917-2009), a writer and the originator of delirious esoteric theories. Should he be viewed as a fascinating anomaly or symbolic of a deeper evil?

Palme d’Or
In Competition

QUEER PALM

BIRD

Andrea Arnold • United Kingdom, France, Germany, United States • 1h59
(15.30)

12-year-old Bailey lives with her single dad Bug and brother Hunter in a squat in North Kent. Bug doesn’t have much time for his kids and Bailey who is approaching puberty seeks attention and adventure elsewhere. Starring Barry Keoghan, Franz Rogowski, James Nelson-Joyce, Sarah Beth Harber, Jasmine Jobson, Rhys Yatesm and Joanne Matthews.

Andrea Arnold’s previous films include “Red Road” (2005), which was a Palme d’Or nominee and won the Jury Prize at the 59th Cannes Film Festival, “Fish Tank” (2009), which was a Palme d’Or nominee and tied for the Jury Prize at the 62nd Cannes Film Festival, and “American Honey” (2016), which was a Palme d’Or nominee and won the Jury Prize at the 69th Cannes Film Festival. Arnold won an Oscar for Best Live Action Short film “Wasp” (2004) at the 77th Academy Awards.

SPECIAL SCREENINGS

AN UNFINISHED FILM

Lou Ye • Singapore, Germany • 1h46
(16.00)

January 2020. A film crew met at a hotel near Wuhan to resume production of a film interrupted ten years earlier. As rumors of a strange disease circulate, the team is confined with their screens as the only contact with the outside world.

ACID
(Association for the Distribution of Independent Cinema)

A Fireland
Un Pays en flammes

Mona Convert • France • 1h10
(16.30)

In the Landes forest, a family passes down the secrets of fire from generation to generation. Under the eyes of animals, the days and the nights succeed one another. The father, Patrick, eats fat. The daughter, Margot, explodes. The child, Jean, codes firefly arrangements.

Palme d’Or
In Competition

Megalopolis

Francis Ford Coppola • United States • 2h18
(19.00)

Megalopolis is a Roman epic in an imaginary modern America in full decline. The city of New Rome must absolutely change, creating a major conflict between Caesar Catilina, a genius artist with the power to stop time, and the arch-conservative mayor Franklyn Cicero. The first dream of an ideal utopian future, while the latter remains strongly attached to a regressive status quo that protects greed, privilege, and private militias. The daughter of the mayor and jet-setteuse Julia Cicero, in love with Caesar Catilina, is torn between the two men and will have to discover what seems best for the future of humanity. Starring Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Jason Schwartzman, Talia Shire, Grace VanderWaal, Laurence Fishburne, Kathryn Hunter, and Dustin Hoffman.

Francis Ford Coppola’s previous films include “The Godfather” trilogy (1972-1990), “The Conversation” (1974), and “Apocalypse Now” (1979). He’s been nominated for 14 Academy Awards, winning 5 of them. Four of his films were in competition at the Cannes Film Festival, with “The Conversation” and “Apocalypse Now” both winning the Palme d’Or.

CANNES CLASSICS

L’Œil d’or

ELIZABETH TAYLOR: THE LOST TAPES

Documentaries about Cinema

Nanette Burstein • United States • 1h41
(19.30)

ELIABETH TAYLOR: THE PERDUS REGISTRATIONS offers an unprecedented exploration of the life of Elizabeth Taylor, the iconic Hollywood icon. With unprecedented access to Taylor’s personal archives and 70 hours of recently rediscovered intimate audio, the documentary unveils the facets of one of the most immutable icons in cinema, in disagreement with its public image and aspiring to respect. By renouncing traditional interviews, the film allows Elizabeth to narrate her story and challenges viewers to reconsider her legacy, presenting her not only as a film icon but also as a pioneer who has used her fame for humanitarian works, leading to real change in the world.

A production by zipper Bros Films, Gerber Pictures, Sutter Road Picture Company, Bad Robot. Thanks to access to Elizabeth Taylor’s personal archives, and 70 hours of recently discovered intimate recordings, Nanette Burstein’s film, hosted in Cannes a few years ago for The Kid Stays in the Picture, which she co-directed with Brett Morgen, lifted the veil on the star, revealing a woman away from her public image.

In the presence of Nanette Burstein.

Critics’ Week | Special Screenings

Caméra d’Or

GHOST TRAIL
Les Fantômes

Jonathan Millet • France, Germany, Belgium • 1h46
(19.45)

Hamid is part of a secret group pursuing the Syrian regime’s fugitive leaders. His mission takes him to France, on the trail of his former torturer, whom he must confront. In this manhunt thriller inspired by true events, the past and present collide, exploring themes of justice and redemption.

SPECIAL SCREENINGS

L’Œil d’or

THE INVASION

Sergei Loznitsa • France, Netherlands, Ukraine, United States • 2h25
(19.45)

10 years after the release of his epic film “Maidan”, Sergei Loznitsa continues his Ukrainian chronicles and documents his country’s struggle against the Russian invasion. Shot over a 2-year period, the film portrays the life of the civilian population all over Ukraine and presents a unique and ultimate statement of Ukrainian resilience in the face of a barbaric invasion. In the second part of his Ukrainian diptych, Loznitsa paints a monumental canvas of a nation determined to defend its right to exist.

CANNES PREMIERE

Meeting with Pol Pot

Rithy Panh • France, Cambodia, Taiwan, Qatar, Turkey • 1h52
(20.00)

For three years, Cambodia, now Democratic Kampuchea, has been under the yoke of Pol Pot and its Khmer Rouge. The country is economically devastated, and nearly two million Cambodians have died in genocide as you. Three Frenchmen accepted the regime’s invitation and hope to get an exclusive interview with Pol Pot: a country-famous journalist, a photographer, and a sympathizing intellectual of revolutionary ideology. But the reality they perceive under the propaganda and treatment that are reserved for them will gradually tip out everyone’s certainties.

CANNES CLASSICS

L’Œil d’or

WALKING IN THE MOVIES

Documentaries about Cinema

Lyang Kim • South Korea • 1h30
(21.45)

Portrait of one of the main actors of Korean film branding: Kim Dong-ho, founder of the Busan International Film Festival. This documentary describes his commitment and creativity in the service of cinema, and wonders: How could a senior official fall in love with cinema? A co-production: Kookje Daily News, with the participation of Busan’s Committee for Local Press. Portrait of Kim Dong-ho, who contributed to the notoriety of Korean cinema and founded the Busan Film Festival or “How could a senior official fall in love with cinema like this?”

In the presence of Dong-ho Kim and Lyang Kim.

MIDNIGHT SCREENING

TWILIGHT OF THE WARRIORS: WALLED IN
(CITY OF DARKNESS)

Soi Cheang • China, Hong Kong • 2h05
(22.45)

In the 1980s, the only place in Hong Kong where British law did not apply was the dreaded Kowloon Citadel, an enclave left to gangs and trafficking of all kinds. Fleeing the mighty boss of the Triads Mr. Big, the clandestine migrant Chan Lok-kwun takes refuge in Kowloon where he is caught under the protection of Cyclone, leader of the Citadel. Together with the other proscribed of his clan, they will have to face the invasion of Mr. Big and protect the refuge that the fortified city has become for them.

MAY 17, 2024

Quinzaine des cinéastes
Directors’ Fortnight

DESERT OF NAMIBIA

Yôko Yamanaka • Japan • 2h17
(08.45)

Yôko Yamanaka’s second feature follows a 21-year-old Japanese woman of vacillating and unpredictable humour as she swaps one boyfriend for another. A beautician with little commitment to her work and no real desire to achieve anything, she can sometimes be cruel and aggressive. A wild child? She is simply alive. Nevertheless, unconvincing doctors diagnose her with bipolar disorder. With its dry editing and zooms, the film conveys the disarray of a woman battling against a society that is still rigid and patriarchal.

Un Certain Regard

QUEER PALM

THE SHAMELESS

Konstantin Bojanov • India, Bulgaria, France, Switzerland, Taiwan • 1h55
(11.00)

Nadira (27) escapes from a brothel in Delhi after stabbing an abusive policeman to death. She takes temporary refuge in a community of Devadasi sex workers in southern India, where she takes the Indian name from Renuka. She falls in love with Devika, a 17-year-old emotionally fragile girl. His encounter with Renuka led Devika to confront his mother and rebel against the secular and oppressive institution of religious consecrations.

Critics’ Week

L’Œil d’or

THE BRINK OF DREAMS

Nada Riyadh & Ayman El Amir • Egypt, France, Denmark, Qatar, Saudi Arabia • 1h42
(11.30)

This documentary chronicles the lives of a group of young Egyptian girls from a very conservative small village in Upper Egypt who formed an all-female acting troupe despite family rejection.

ACID
(Association for the Distribution of Independent Cinema)

MI BESTIA

Camila Beltrán • Colombia, France • 1h15
(11.30)

Bogotá 1996. The city is frightened by rumours of the arrival of the Devil. Mila, 13, feels that she herself is changing.

Quinzaine des cinéastes
Directors’ Fortnight

CHRISTMAS EVE IN MILLER’S POINT

Tyler Taormina • United States • 1h46
(12.30)

An iridescent Christmas bauble, at once comforting and melancholic: for his third feature, Tyler Taormina films
a Christmas’s Eve get-together for the members of an eccentric Italian-American family. As the night wears on and generational tensions arise, one of the teenagers sneaks out with her friend to claim the wintry suburb for her own. Producer and actor Michael Cera plays an unlikely policeman straight out of Superbad or Twin Peaks. Francesca Scorsese
and Sawyer Spielberg will also be in attendance.

Un Certain Regard

Caméra d’Or

HOLY COW
Vingt Dieux!

Louise Courvoisier • France • 1h30
(14.00)

Totone, 18, spends most of her time drinking beers and skimming the Jura balls with his band of friends. But reality catches up with him: he has to take care of his seven-year-old sister and find a way to earn a living. He then took the lead in manufacturing the best county in the region, the one with which he would win the gold medal in the agricultural competition and 30,000 euros.

Critics’ Week

QUEER PALM | SPECIAL SCREENING

ACROSS THE SEA
La mer au loin

Saïd Hamich Benlarbi • France, Morocco, Belgium, Qatar • 1h57
(14.15)

Nour a 27-year-old emigrates illegally to Marseille and lives off petty crime with friends leading marginal lives, and partying hard.

CANNES CLASSICS

SHANGHAI BLUES

RESTORED PRINT

1984 • Tsui Hark • Hong Kong, China • 1h42
(14.30)

A fateful night in 1937, in the midst of the bombing of Shanghai, Tung, a young soldier, and Shu found solace under the bridge. Although unable to be clearly seen, the young couple felt an immediate attraction for each other and planned to be reunited at the end of the war.

Ten years have passed. Tung is a future songwriter, while Shu manages alone as a showgirl in a nightclub. Stool, a young girl looking for her family, did unsuccessful research until she crossed the path of Shu, which welcomed her home. The two girls soon formed a close and fraternal relationship.

By a stroke of fate, Tung settled in the same building as the two women. Stool falls in love with Tung. Meanwhile, Shu and Tung are attracted to each other, unaware that they have already met.

A film workshop presentation on the occasion of the company’s 40th anniversary. 4K restoration of the original negative supervised by Tsui Hark and Nansun Shi, in collaboration with L’Immagine Ritrovata, soundtrack remixed by One Cool Sound.

In the presence of Sylvia Chang, actress.

GILDA

RESTORED PRINT

1946 • Charles Vidor • United States • 1h50
(18.15)

The legendary Rita Hayworth shines with sensuality and magnetism when she sings “Put the Blame on Mame” and performs a dazzling performance as the seductive tempting Gilda. Johnny Farrell (Glenn Ford) worked for Ballin Mundson (George Macready), the owner of a clandestine casino in a South American city, and quickly became Mundson’s henchman. Everything goes well until Mundson returns from a trip with his new wife Gilda – a woman of Johnny’s past. Mundson, ignoring their former affair, entrusted Farrell with the task of making Gilda a faithful wife. Full of hatred, Gilda does her best to upset, intimidate and arouse Farrell’s jealousy.

A Sony Pictures Entertainment presentation. Restoration from the original 35mm nitrate negative and an interngative nitrate 35 mm. 4K digitization and digital restoration image Cineric, Inc. John Polito audio restoration at Audio Mechanics from the sound track of the original 35mm nitrate negative. Color correction, conformation, additional image restoration, creation of a DCP by Motion Picture Imaging and colorist Sheri Eisenberg. Restoration supervised by Grover Crisp.

In the presence of Tom Rothman, Chairman and CEO, Sony Pictures Entertainment Motion Picture Group.

THE CHURNING

RESTORED PRINT

1976 • Shyam Benegal • India • 2h14
(20.45)

By contributing Rs. 2, 500,000 farmers gathered to finance Manthan’s production. Demonstrating the power of the collective momentum, Shyam Benegal’s film tells the tumultuous winds of change blowing over a village when an idealistic veterinarian from the city to settle there is a farmer around a dairy cooperative project. By proposing notions of equitable distribution of profits without distinction as to class and caste and the abolition of dependence vis-à-vis exploitative intermediaries, the movement arouses a vortex of mistrust, anger and resistance and the permanence of a social hierarchy rooted and discriminating for generations between feudal owners and peasants.

A presentation by Film Heritage Foundation. Restoration from the original 35mm camera negative held at NFDC-National Film Archive of India and a scanned sound from an operating copy held at the Film Heritage Foundation, Gujarat Co-operative Milk Marketing Federation Ltd, made by Film Heritage Foundation at Prasad Corporation Pvt. Ltd.’s Post – Studios, Chennai and at the Lab L’Immagine Ritrovata in association with Gujarat Co-operative Milk Marketing Federation Ltd., the chief operator Govind Nihalani and the director Shyam Benegal.

In the presence of actor Naseeruddin Shah, the family of actress Smita Patil, the producers of the film, and Shivendra Singh Dungarpur, director, Film Heritage Foundation.

Palme d’Or
In Competition

QUEER PALM

THREE KILOMETRES TO THE END OF THE WORLD
Trei Kilometri Pana La Capatul Lumii

Emanuel Pârvu • Romania • 1h45
(15.00)

Adi, 17, spends the summer in his native village nestled in the Danube Delta. One evening, he is violently assaulted in the street. The next day, his world is completely upset. His parents no longer looked at him as before and the apparent tranquillity of the village began to crack.

Tribute Events

SCÉNARIOS

Jean-Luc Godard • France, Japan • 18m
(16.45)

Scenarios, directed by Jean-Luc Godard the day before his voluntary death, is composed in diptych: DNA, fundamental elements, and MRI, Odyssée. Between these two aspects, which evoke in a strictly materialistic fashion, genesis and decline, unfolds a story made of notes and images condensed in 18 minutes, a narrative haunted by death, because the film is also a farewell. The second part ends with a JLG self-portrait sitting on his bed, with a bare torso, putting his film to the end of his film – his latest images will be.

Palme d’Or
In Competition

KINDS OF KINDNESS

Yorgos Lanthimos • Ireland, United Kingdom, United States • 2h45
(18.00)

KINDS OF KINDNESS is a triptych fable, following a man without choice who tries to take control of his own life; a policeman who is alarmed that his wife who was missing-at-sea has returned and seems a different person; and a woman determined to find a specific someone with a special ability, who is destined to become a prodigious spiritual leader.

Special Screenings

L’Œil d’or | QUEER PALM

The Belle from Gaza
La Belle de Gaza

Yolande Zauberman • France • 1h16
(18.30)

They were a fleeting vision in the night. I was told that one of them had walked from Gaza to Tel Aviv. In my head I called her The belle from Gaza.

Cannes Premiere

EVERYBODY LOVES TOUDA

Nabil Ayouch • Belgium, Denmark, France, Morocco, Norway, Sweden • 1h42
(19.45)

Touda only dreams of one thing: being a Sheikha, a traditional Moroccan performer. She belts out songs about resistance, love and emancipation, passed down from generation to generation. Every evening, she performs in bars under the gaze of men in her tiny village while hoping for a better future for her and her son. Disrespected and shamed, she sets her sights on leaving for the bright lights of Casablanca…

Palme d’Or
In Competition

OH, CANADA

Paul Schrader • United States • 1h35
(22.00)

A famed Canadian documentary filmmaker, gives a final interview to one of his former students to tell the whole truth about his life. A confession filmed right in front of his wife…

Midnight Screening

THE SURFER

Lorcan Finnegan • Australia, Ireland • 1h39
(00.15)

A man returns to the idyllic beach of his childhood to surf with his son, but is humiliated by a group of powerful locals and drawn into a conflict that rises with the punishing heat of the summer and pushes him right to his breaking point.

MAY 18, 2024

Quinzaine des cinéastes
Directors’ Fortnight

UNIVERSAL LANGUAGE
Une Langue universelle

Matthew Rankin • Canada • 1h29
(08.45)

In order to visit his ailing mother, the introverted Matthew leaves Montreal to return to his native Winnipeg. But time and space seem to have been inverted in this absurdist, deadpan comedy: strangely enough, everyone in the isolated Canadian metropolis speaks Farsi. And look: like in a Kiarostami’s film, two children are embarking on a quest that Matthew gets caught up in, too. Both a declaration of love to Iranian culture and a meditation on the curious geographical and mental space of the elusive giant that is Canada.

Un Certain Regard

BLACK DOG

Guan Hu • China • 1h46
(11.15)

On the edge of the Gobi desert in Northwest China, Lang returns to his hometown after being released from jail. While working for the local dog patrol team to clear the town of stray dogs before the Olympic Games, he strikes up an unlikely connection with a black dog. These two lonely souls now embark on a new journey together.

Critics’ Week

Caméra d’Or

JULIE KEEPS QUIET
Julie zwijgt

Leonardo Van Dijl • Belgium, Sweden • 1h37
(11.15)

A player in a prestigious sports club, Julie dedicates herself fully to tennis, her sport, her training, and her career. When her coach is suspended, rumors start spreading and voices, other than Julie’s, are heard. Focused on her sports goals, Julie chooses to keep quiet as Belgian director, Leonardo van Dijl, follows her each step of the way, one ball after the next, respecting her decision, always choosing the right angle, keeping the right distance, that is to say the most accurate and – most importantly – the fairest.

Quinzaine des cinéastes
Directors’ Fortnight

VISITING HOURS
La Prisonnière de Bordeaux

Patricia Mazuy • France • 1h48
(11.30)

Two women cross paths in the waiting room of a prison where each has come to visit “their man”. One is a wealthy bourgeois woman, the other, a mother of two children who has to work hard to put food on the table. The former, who lives much closer to the prison, offers the latter a room in her large house. Is this a friendship, a romance, a pact? The film follows the unlikely pair, their dreams of female emancipation, and the reverberations of the gulf that separates them. Nothing is black-and-white here, nor half-hearted.

ACID
(Association for the Distribution of Independent Cinema)

QUEER PALM

MOST PEOPLE DIE ON SUNDAYS
Los domingos mueren más personas

Iair Said • Argentina, Italy, Spain • 1h15
(11.30)

David, a 30-year-old, overweight, homosexual and having a sick fear of the plane, reluctantly returns to his native Argentina to attend his uncle’s funeral. He will reconnect with his mother and Jewish family, while embarking on a quest through Buenos Aires to soothe his anxiety through driving lessons, cheap health care and trying to sleep with any man who pays some attention to him.

Un Certain Regard

Caméra d’Or

ARMAND

Halfdan Ullmann Tøndel • Norway, Netherlands, Germany, Sweden • 1h56
(14.00)

Julie is turning thirty and her life is an existential mess. Several of her talents have gone to waste and her older boyfriend, Aksel – a successful graphic novelist – is pushing for them to settle down. One night, she gatecrashes a party and meets the young and charming Eivind. Before long, she has broken up with Aksel and thrown herself into yet another new relationship, hoping for a new perspective on her life. But she will come to realize that some life choices are already behind her.

Director Halfdan Ullmann Tondel and cast members Renate Reinsve and Ellen Dorrit Petersen pose during a photocall for the film “Armand” in competition for the category Un Certain Regard at the 77th Cannes Film Festival in Cannes, France, May 18, 2024. REUTERS/Yara Nardi

Critics’ Week

Caméra d’Or | QUEER Palm

QUEENS OF DRAMA
Les Reines du drame

Alexis Langlois • France, Belgium • 1h55
(14.00)

Pop diva Mimi Madamour’s career peaks in 2005 before spiraling downwards due to her tumultuous love affair with punk icon Billie Kohler, their passionate and rage-fueled relationship playing out on stage for half a century.

CANNES CLASSICS

ARMY OF SHADOWS
L’Armée des ombres

RESTORED PRINT

1969 • Jean-Pierre Melville • France, Italy • 2h31
(14.30)

Philippe Granier escapes from Gestapo headquarters in Paris where he is to be interrogated on his resistance activity. Returning to his organization in Marseilles, he executes the traitor who betrayed him. But the Gestapo is on the alert and Philippe is soon arrested once more.

A Studiocanal presentation. 4K restoration created from the original 35mm negative and sound negative carried out by L’Image Retrouvée. To be released theatrically in France on June 5 by Carlotta Films.

Screening in the presence of Juliette Hochart, EVP of Library, and Thierry Lacaze, Head of French theatrical, video and VOD distribution, Studiocanal.

ROSAURA AT 10 O’CLOCK
Rosaura a las diez

RESTORED PRINT

1958 • Mario Soffici • Argentina • 1h42
(17.30)

Out of the blue, a meek, old painter begins receiving love letters from Rosaura. This intrigues his fellow boarding house tenants, so they involve themselves into his relationship until one day the mysterious Rosaura appears.

An Argentina Sono Film presentation. Restored in 4K by Cubic Restauration in collaboration with the Society for Audiovisual Heritage, coordinated by Fernando Madedo and supervised by Luis Alberto Scalella. Restored in the original AlexScope 2.35 format from the original 35mm negatives in the archives of Argentina Sono Film, the owner of the film.

Screening in the presence of Luis Alberto Scalella, president of Argentina Sono Film.

Quinzaine des cinéastes
Directors’ Fortnight

L’Œil d’or

SAVANNA AND THE MOUNTAIN
A savana e a montanha

Paulo Carneiro • Portugal • 1h17
(14.45)

Once upon a time, there was a revolution in Covas do Barroso, a village in northern Portugal. A hybrid documentary in which, between songs and Western imagery, the villagers stage their own struggle – which is still going on – against the industrial project that threatens their land. The British firm Savannah Resources hopes to develop and exploit what would become the largest open-cast lithium mine in Europe. It’s a ballad of resistance that at times evokes the cinema of Luc Moullet or Alain Guiraudie.

Palme d’Or
In Competition

CAUGHT BY THE TIDES

Jia Zhangke • China • 1h51
(15.00)

An enduring but fragile love story shared by Qiaoqiao and Bin, set in China, from the early 2000s to the present day. Caught up in each other, Qiaoqiao and Bin enjoyed all that the city had to offer, singing and dancing. Until one day, Bin finds himself wanting to try his luck in a bigger place than Datong. He left without any notice. Some time later, Qiaoqiao decides to go on a journey to look for him. Traversing all of his past films, Jia Zhangke delivers an epic look at the romantic destiny of his perennial heroine, Qiaoqiao. Spanning 21 years of a country going through profound transformation, the film gives a new perspective to look into the contemporary China as well as the individual experiences under the turbulent emotional and social changes.

Special Screenings

SAUVAGES

Claude Barras • Switzerland, France, Belgium • 1h27
(15.15)

In Borneo, at the edge of the tropical forest, Kéria is given a baby orangutan that has been rescued from the oil palm plantation where her father works. At the same time, her young cousin Selaï has come to live with them, seeking refuge from the conflict between his nomadic family and the logging companies. Together, Kéria, Selaï and the little ape will battle the destruction of their ancestral forest home, now under greater threat than ever. But for Kéria, the fight will also allow her to discover the truth of her own origins.

CANNES, FRANCE – MAY 19: Komeok Joe, Sailyvia Paysan, Martin Verset, Babette De Coster, Claude Barras, Nelly Tungang and Laetitia Dosch attend the “Sauvages” (Savages) photocall at the 77th annual Cannes Film Festival at Palais des Festivals on May 19, 2024 in Cannes, France. (Photo by Stephane Cardinale – Corbis/Corbis via Getty Images)

ACID
(Association for the Distribution of Independent Cinema)

IN RETREAT

Maisam Ali • India, France • 1h15
(17.00)

Somewhere between late autumn and early winter, a man returns home to a small mountain town. With his fifties, still absent and late, having missed his brother’s funeral, he lingers on the threshold of the old house – what more can he hope to delay his arrival by one night?

Palme d’Or
In Competition

QUEER PALM

EMILIA PÉREZ

Jacques Audiard • France, Mexico • 2h10
(18.30)

Overqualified and undervalued, Rita is a lawyer at a large firm that is more interested in getting criminals off the hook than bringing them to justice. One day, she is given an unexpected way out, when cartel leader Manitas hires her to help him withdraw from his business and realize a plan he has been secretly preparing for years: to become the woman he has always dreamt of being.

CANNES CLASSICS

L’Œil d’or

JIM HENSON IDEA MAN

Documentaries about Cinema

Ron Howard • United States • 1h51
(19.00)

Jim Henson Idea Man takes us into the mind of this singular creative visionary, from his early years puppeteering on local television to the worldwide success of Sesame Street, The Muppet Show, and beyond. Academy Award-winning filmmaker Ron Howard captures Henson’s restless creativity, ambition, and artistic evolution in the style and spirit of his complex subject, an artist who revolutionized television, inspired generations, and created some of the world’s most beloved characters. Featuring new interviews with Henson’s closest collaborators and children, as well as never-before-seen materials from his personal archives—including home movies, photographs, sketches, and diaries— Howard brings us an entertaining and insightful look at a man whose boundless imagination changed the world.

Cannes Premiere

It’s Not Me
C’est Pas Moi

Leos Carax • France • 41m
(19.30)

For an exhibition, that in the end never took place, the Pompidou Museum asked the filmmaker to reply, in pictures, to the question:
Where are you at, Leos Carax?
He attempts an answer – full of questions.
About himself and “his” world:
I don’t know, but if I did, I’d reply that…
—Leos Carax

Out of Competition

RUMOURS

Guy Maddin, Evan Johnson & Galen Johnson • Canada, Germany • 1h58
(21.45)

At their annual G7 summit, the seven leaders of the world’s wealthiest liberal democracies get lost in the woods at night while attempting to draft their provisional statement.

CANNES CLASSICS

L’Œil d’or

Once Upon a Time Michel Legrand
Il Était Une Fois Michel Legrand

Documentaries about Cinema

David Hertzog Dessites • France • 2h
(22.00)

“Once Upon a Time: Michel Legrand” is a captivating portrait of the famous jazz musician and film composer, Michel Legrand. Using exclusive personal archives captured in super 8 format, the film takes us through the last two years of his life, revealing public moments during major events in cities like Paris, Moscow, Lodz, and others. It also shows intimate moments with his collaborators, friends, and his wife, as well as solitary moments dedicated to his writing.

Out of Competition

THE BALCONETTES
Les Femmes au Balcon

Noémie Merlant • France • 1h45
(00.30)

As a heat wave brings a Marseille neighbourhood to the boil, three roommates gleefully meddle in the lives of their neighbours from their balcony. Until a late night drink turns into a bloody affair.

MAY 19, 2024

Quinzaine des cinéastes
Directors’ Fortnight

Caméra d’Or

EEPHUS

Carson Lund • United States • 1h38
(08.45)

Unity of time and action in a New England stadium, where an amateur baseball game is being played in front of empty stands, from morning until nightfall. It’s the team’s last match: tomorrow, the demolition of the stadium will begin. One doesn’t need to know the rules of baseball to grasp the finesse of Eephus’s mise-en-scène: a film that choreographs the end of a certain American, rural and masculinist world. The first feature by Carson Lund who forms part of the Omnes Films collective, which represents an American independent cinema that is breaking new ground.

Un Certain Regard

Caméra d’Or

DOG ON TRIAL
Le Procès du chien

Lætitia Dosch • Switzerland, France • 1h25
(11.00)

April, an idealistic lawyer dedicated to lost causes, agrees to defend Cosmos, a dog that has bitten three people, leading to the first canine trial. She has no choice but to win the case, as otherwise, her unusual client will be put down.

Critics’ Week

Caméra d’Or

BLUE SUN PALACE

Constance Tsang • United States • 1h57
(11.30)

The romantic relationship between a man and a woman in the Chinese community of Queens is disrupted by a sudden disappearance, thus cementing a new, unexpected bond. Rooting her story in a massage parlour staffed with Chinese migrants, Constance Tsang created a beautiful melodrama that explores the feelings of loss, displacement, and exile. With a touching cast, which includes the brilliant Ke-xi Wu, Lee Kang-sheng (Tsai Ming-liang’s favourite actor), and Haipeng Xu, this modern and personal reinterpretation of great tales of grief and loss moves us with its deep and potent tenderness.

ACID
(Association for the Distribution of Independent Cinema)

CHÂTEAU ROUGE

Hélène Milano • France • 1h47
(11.30)

Goutte d’Or district, Paris, Château Rouge metro station, Georges Clemenceau secondary school. Teenagers, burdened with their carelessness and their wounds, have to grow up. They are shaping their personalities, losing their way, searching for themselves. Adults try to guide them despite the violence of the system.

Quinzaine des cinéastes
Directors’ Fortnight

SISTER MIDNIGHT

Karan Kandhari • India • 1h50
(11.45)

An arranged marriage in Mumbai: the husband is limp and spineless and, once the wife arrives in the marital hovel, she assumes a particularly crude form of misanthropy. Trapped in the hell of coupledom, Uma is transformed into a disturbing and ruthless figure, giving free rein to her own feral impulses. A fantastical punk comedy, Sister Midnight is packed with American references, both formally, and in its inventive and surprising soundtrack that comprises country music and hard rock.

Un Certain Regard

QUEER PALM

MY SUNSHINE

Hiroshi Okuyama • France, Japan • 1h30
(14.00)

On a small Japanese island, life revolves around the changing seasons. Winter is time for ice hockey at school, but Takuya isn’t too thrilled about it. His real interest lies in Sakura, a figure skating rising star from Tokyo, for whom he starts to develop a genuine fascination. Coach and former champion Arakawa, spots potential in Takuya, and decides to mentor him to form a duo with Sakura for an upcoming competition. As winter persists, feelings grow, and the two children form an harmonious bond. But even the first snow eventually melts away.

Palme d’Or
In Competition

LIMONOV: THE BALLAD

Kirill Serebrennikov • France, Italy, Spain • 2h18
(14.30)

A revolutionary militant, a thug, an underground writer, a butler to a millionaire in Manhattan. But also a switchblade waving poet, a lover of beautiful women, a warmonger, a political agitator and a novelist who wrote of his own greatness. Eduard Limonov’s life story is a journey through Russia, America and Europe during the second half of the 20th century.

CANNES CLASSICS

BONA

RESTORED PRINT

1980 • Lino Brocka • Philippines • 1h26
(14.30)

A young, middle-class girl from the Philippines, Bona drops out of high school to follow Gardo, a minor actor in low-budget films. This decision angers her father, who kicks her out. Hoping for romance, Bona moves in with Gardo, but is treated like a maid, forced to endure his flings.

A Kani Releasing and Carlotta Films presentation. New version restored in 4K by Carlotta Films and Kani Releasing at the Cité de Mémoire laboratory (Paris) from the original 35mm image and sound negatives preserved by LTC Patrimoine. Sound restoration carried out at L.E. DIAPASON. Special thanks to Pierre Rissient and José B. Capino. French theatrical release: September 25, 2024.

Screening in the presence of Vincent Paul-Boncour, director and co-founder of Carlotta Films.

FOUR NIGHTS OF A DREAMER

RESTORED PRINT

1971 • Robert Bresson • France, Italy • 1h23
(18.30)

In Paris, Jacques saves Marthe from a fateful leap off the Pont-Neuf. As they open their hearts, they agree to meet each other again. Over the course of four nights, Jacques finds himself falling deeply. But what does Marthe think about Jacques?

A mk2 presentation. Restored in 4K by mk2 Films with the support of the CNC from the image negative and magnetic sound at ECLAIR CLASSICS, Paris/Bologna. Restoration and color grading supervised by Mylène Bresson. Color grading by Christophe Bousquet. Sound restoration by L.E. DIAPASON. French theatrical release by mk2.Alt and Carlotta first quarter of 2025. International distribution: mk2 films.

Screening in the presence of Nathanaël Karmitz, Chairman of the board of mk2.

Quinzaine des cinéastes
Directors’ Fortnight

L’Œil d’or

THE FALLING SKY
A queda do céu

Eryk Rocha & Gabriela Carneiro da Cunha • Brazil, France • 1h50
(14.45)

Shaman and leader in Brazil of the Amazonian Yanomami people, Davi Kopenawa was made famous by his book The Falling Sky, co-written with Bruce Albert. The filmmakers constantly vary the distances between landscapes and close-ups, individuals and groups, moments of stillness and beautiful vistas. Little by little, the cosmology of the Yanomani is revealed, as is their anger at the “commodity people” who are killing the forest and killing them.

Special Screenings

L’Œil d’or

APPRENDRE

Claire Simon • France • 1h45
(16.15)

In the Makarenko public elementary school in the Paris outskirts, children want to learn and to be cheered while teachers know they do not only teach, they also educate. With care, tenacity and efforts, children are trained to become not only responsible citizens but also human beings.

Un Certain Regard

The Story of Souleymane
L’Histoire de Souleymane

Boris Lojkine • France • 1h32
(16.30)

As he pedals through the streets of Paris to deliver meals, Souleymane repeats his story. In two days, he has to go through his asylum application interview, the key to obtaining papers. But Souleymane is not ready.

CANNES CLASSICS

L’Œil d’or

JACQUES ROZIER: FROM ONE WAVE TO ANOTHER

Documentaries about Cinema

Emmanuel Barnault • France • 1h
(16.45)

Jacques Rozier’s filmmaking stands out for its originality, innovation, and nonconformity. JACQUES ROZIER: FROM ONE WAVE TO ANOTHER delves into Rozier’s impromptu creativity and direct approach. This exploration offers a captivating look into his unique storytelling perspective, highlighting the enduring relevance and influence of his work in contemporary cinema.

An INA and mk2 Films production, with the participation of Ciné+ and the CNC. Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.

Screening in the presence of Emmanuel Barnault and Laurent Vallet, president of INA.

Out of Competition

HORIZON: AN AMERICAN SAGA
CHAPTER 1

Kevin Costner • United States • 3h01
(18.00)

With his film HORIZON: AN AMERICAN SAGA, Oscar-winning director Kevin Costner chronicles the incredible epic journey of the expansion of the American West, before and after the Civil War. Between the Native Americans who saw their lands getting colonized and those who were determined to settle there, sometimes at any cost, history is being written. In a flamboyant fresco where multiple destinies intertwine, dreams and hopes face obstacles and cruelty to offer a cinematic spectacle of exceptional scope and emotional depth.

Special Screenings

L’Œil d’or

LULA

Oliver Stone & Rob Wilson • United States, Brazil • 1h30
(18.45)

An intimate and revelatory portrait of one of the world’s most influential political figures, LULA explores the rise, fall and triumphant return of beloved Brazilian leader Luiz Inácio “Lula” da Silva, chronicling his extraordinary journey in 2022 to regain the Brazilian presidency after spending nineteen months in prison.

With unprecedented access to Lula and his closest advisors, Oliver Stone sheds new light on the charismatic politician in a series of unfiltered interviews and reveals the inside story of “Operation Car Wash” with the hacker and the Snowden Files journalist whose reporting led to Lula’s release from prison.

Timely and compelling, the film is a cautionary tale of the increasing danger lawfare poses to democracies around the world and an examination of one of the great political comeback stories of our time.

Cannes Premiere

THE MARCHING BAND
En Fanfare

Emmanuel Courcol • France • 1h43
(19.00)

Thibaut is an internationally renowned conductor who travels the world. When he learns he was adopted, he discovers the existence of a younger brother, Jimmy, who works in a school cafeteria and plays the trombone in a small marching band. Everything seems to set them apart, except their love of music. Sensing his brother’s exceptional talent, Thibaut decides to remedy the injustice of fate. Jimmy begins to dream of a different life…

Critics’ Week

COURTS MÉTRAGES
SÉANCE SPÉCIALE

(20.00)

SOUTHERN BRIDES

SHORT FILM | QUEER PALM

Elena López Riera • Switzerland, Spain • 40m

Mature women talk about their wedding, their first time, their intimate relationship with sex. In repeating these age-old rituals, the director questions her own condition as an unmarried woman with no children, and therefore the end of a mother-daughter chain-relationship.

SAUNA DAY

SHORT FILM | QUEER PALM

Anna Hints & Tushar Prakash • Estonia • 13m

Sauna Day invites you into the world of Southern Estonian men who go to the dark-intimate space of a smoke sauna after a hard day’s work. Beneath their tough exteriors lies a desire for connection, veiled in secrecy.

1996

SHORT FILM

Lucie Borleteau • France • 31m

1996, 16-year-old Solveig longs for her first kiss…

World Cinema Project

CAMP DE THIAROYE

1988 • Ousmane Sembène & Thierno Faty Sow • Senegal, Algeria, Tunisia • 2h33
(20.45)

CAMP DE THIAROYE represents a further development in Sembène’s approach to language. The film, written and directed with Thierno Faty Sow, is a forceful epic political drama, based on real events and on their own experiences. The story deals with injustice, hypocrisy, colonialism, and racism, culminating in a massacre. CAMP DE THIAROYE shows white oppression resuming as a regiment of West African Armed Forces soldiers return to an army post in Senegal from the European warfront where they faced death every day, only to now face indignities and racism from the French they helped liberate from fascism.

CANNES CLASSICS

L’Œil d’or

HAYAO MIYAZAKI AND THE HERON

Documentaries about Cinema

Kaku Arakawa • Japan • 2h
(21.30)

Hayao Miyazaki and the Heron is a two-hour documentary that chronicles the making of The Boy and the Heron, filmed with exclusive access to Studio Ghibli across an astonishing seven years. It is also a record of the collaboration between filmmaker Hayao Miyazaki and producer Toshio Suzuki as they perform an intricate dance of deception and friendship, mirroring that of Mahito and the Heron, as Suzuki pushes Miyazaki ever further into his creativity, ultimately delivering an unprecedented masterpiece.

Palme d’Or
In Competition

THE SUBSTANCE

Coralie Fargeat • United Kingdom, United States, France • 2h20
(22.15)

Have you ever dreamt of a better version of yourself?
You. Only better in every way.
Seriously.
You’ve got to try this new product. It’s called The Substance.
IT CHANGED MY LIFE.

It generates another you.
A new, younger, more beautiful, more perfect, you.
And there’s only one rule: You share time.
One week for you. One week for the new you.
Seven days each. A perfect balance.
Easy. Right?
If you respect the balance… what could possibly go wrong?

MAY 20, 2024

Quinzaine des cinéastes
Directors’ Fortnight

Caméra d’Or

MONGREL

Chiang Wei Liang & You Qiao Yin • Taiwan • 2h08
(08.45)

Like many Vietnamese, Filipinos, Indonesians and Thais, Oom is an illegal worker in a rough province of Taiwan. Under the thumb of an unscrupulous boss, he can’t refuse any of the jobs he’s given. There are menial tasks, but there are also more worthy vocations: he helps a sick old woman and a mentally handicapped man at home, with patience and gentleness, perhaps recognising in them his own imprisonment. A stark film, with bursts of intense light.

Un Certain Regard

Caméra d’Or

THE KINGDOM
Le Royaume

Julien Colonna • France • 1h48
(11.00)

Corsica, 1995. It’s Lesia’s first summer as a teenager. One day a man bursts into her life and takes her to an isolated villa where she finds her father, in hiding, surrounded by his clan. An underworld war erupts. The noose is tightening around them. Death strikes. Forced to go on the run, father and daughter will learn to face one another, to understand and love each other…

Critics’ Week

Caméra d’Or | QUEER PALM

BLOCK PASS
La Pampa

Antoine Chevrollier • France • 1h43
(11.30)

Willy and Jojo are childhood friends who never leave each other’s side. Training at the motocross track is their way to beat boredom. One evening, Willy discovers Jojo’s secret.

Quinzaine des cinéastes
Directors’ Fortnight

THE OTHER WAY AROUND
Volveréis

Jonás Trueba • Spain, France • 1h54
(12.15)

Ale is a film director and Alex is an actor. After fifteen years together, they decide to go their separate ways and begin to act on an old joke made by Ale’s father, that separations – and not unions – are cause for celebration. They announce their break-up party to numerous members of friends and family, in a bid to try and convince themselves of the reality of their separation. Coupledom – whether getting together, staying together, making up, or breaking up – is synonymous with filmmaking.

Un Certain Regard

SANTOSH

Sandhya Suri • India, France, Germany, United Kingdom • 2h
(14.00)

A government scheme sees newly widowed Santosh inherit her husband’s job as a police constable in the rural badlands of Northern India. When a low-caste girl is found raped and murdered, she is pulled into the investigation under the wing of charismatic feminist inspector Sharma.

Critics’ Week

COURTS MÉTRAGES
(COMPÉTITION 1)

(14.15)

SUPERSILLY

SHORT FILM

Veronica Martiradonna • France • 10m

Having crept into a tent, a young girl steps out of it grown and strangely dressed as a bunny rabbit. An inner journey through which the young woman tries to understand the drama at the root of all her suffering.

DANCING IN THE CORNER

SHORT FILM

Jan Bujnowski • Poland • 14m

After the fall of communism in 1989, colour TVs are no longer a luxury good in Poland. The screens in many Polish homes are beginning to look more like the reality outside the window. But is reality truly colourful?

NOKSAN
(ABSENT)

SHORT FILM

Cem Demirer • Turkey • 24m

Mert, a 30-year-old male, is employed at an abandoned-looking amusement park. He is grappling with an internal duality, while sensing a lurking identity bent on undermining him. Throughout the film, Mert interacts with various people and creatures, struggling to understand what’s going wrong with his mental health. Despite his persistent pursuit of answers, Mert confronts a daunting struggle to delve into the depths of his psyche, hindered by a hesitancy to fully confront the mysteries within.

WHAT WE ASK OF A STATUE IS THAT IT DOESN’T MOVE

SHORT FILM

Daphné Hérétakis • Greece, France • 32m

Nothing seems to be moving in Athens and the people are as still as statues. But elsewhere in the city, a caryatid escapes the museum and a small groupuscule demands the destruction of all antiquities. Perhaps filming is the only way to avoid turning into stone.

MY SENSES ARE ALL I HAVE TO OFFER

SHORT FILM | QUEER PALM

Isadora Neves Marques • Portugal • 20m

Lourdes and Lana met telepathically using “sensory pills”, a technology that allows access to other people’s sensations from a distance. After months of relationship, Lourdes decides to visit the country house of her parents, Vicente and Carl, and introduce them to her girlfriend.

Honorary Palme d’Or
Presented by J.A. Bayona
(15.30)

STUDIO GHIBLI

Represented by Gorō Miyazaki

Quinzaine des cinéastes
Directors’ Fortnight

Caméra d’Or

GOOD ONE

India Donaldson • United States • 1h30
(15.30)

In this calm yet tense debut feature, a 17-year-old girl agrees to go hiking in the forest with her father and an old friend of his. While apparently without revelation or great traumas, the impact of these men nevertheless becomes increasingly heavy as the film goes on. The girl, who has been regarded as the ‘good one’, the trouble-free child, takes it all in her stride until she can take no more. Good One’s brilliant actress is one to watch.

Palme d’Or
In Competition

THE APPRENTICE

Ali Abbasi • Canada, Denmark, Ireland, United States • 2h
(18.30)

THE APPRENTICE is a dive into the underbelly of the American empire. It charts a young Donald Trump’s ascent to power through a Faustian deal with the influential right-wing lawyer and political fixer Roy Cohn.

Special Screenings

L’Œil d’or

Ernest Cole: Lost and Found

Raoul Peck • France, United States • 1h45
(18.45)

Ernest Cole, a South African photographer was the first to expose the horrors of apartheid to a world audience. His book House of Bondage, published in 1967 when he was only 27 years old, led him into exile in NYC and Europe for the rest of his life, never to find his bearings. Raoul Peck recounts his wanderings, his turmoil as an artist and his anger, on a daily basis, at the silence or complicity of the Western world in the face of the horrors of the Apartheid regime. He also recounts how, in 2017, 60,000 negatives of his work were discovered in the safe of a Swedish bank.

Cannes Classics

BYE BYE BRAZIL

RESTORED PRINT

1979 • Carlos Diegues • Brazil, France, Argentina • 1h42
(19.00)

Salomé, Lord Cigano and Andorinha are three itinerant artists who travel across the country together with the Rolidei Caravan, performing for the humblest sector of the Brazilian population who don’t have access to television. They are escorted on their journey by accordionist Ciço and his wife, Dasdô.

A presentation and restoration by Lucy and Luiz Carlos Barreto for Produções Cinematográficas LC Barreto, in association with Quanta, Alexandre Rocha and Marcelo Pedrazzi, financed by Rede D’Or.

Screening in the presence of Lucy and Luiz Carlos Barreto, Paula Barreto.

Cannes Premiere

QUEER PALM

MISERICORDIA
Miséricorde

Alain Guiraudie • France, Portugal, Spain • 1h42
(19.30)

Jérémie returns to his hometown for the funeral of his former boss, the village baker. He decides to stay for a few days with Martine, the man’s widow. A mysterious disappearance, a threatening neighbor and a priest with strange intentions make Jérémie’s short stay in the village take an unexpected turn…

Palme d’Or
In Competition

THE SHROUDS

David Cronenberg • France, Canada • 1h56
(21.45)

Karsh, 50, is a prominent businessman. Inconsolable since the death of his wife, he invents GraveTech, revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated. Karsh sets out to track down the perpetrators.

Midnight Screening

I, the Executioner
Veteran 2

Ryoo Seung-wan • South Korea • 1h58
(00.30)

Detective Seo Do-cheol (HWANG Jung-min) and his Major Crime Investigation Division tirelessly track down criminals day and night, often at the expense of their personal lives. When the murder of a professor reveals links to past cases, suspicions of a serial killer arise, plunging the country into turmoil. As Major Crimes delves into the investigation, the killer taunts them by publicly releasing a teaser online, indicating the next victim, and intensifying the chaos. To tackle the escalating threat, the team brings in idealistic rookie officer Park Sun-woo (JUNG Hae-in), leading to unexpected twists in the case’s trajectory.

MAY 21, 2024

Quinzaine des cinéastes
Directors’ Fortnight

GHOST CAT ANZU

Yôko Kuno & Nobuhiro Yamashita • Japan • 1h37
(08.45)

After the death of his wife, a Japanese bad boy entrusts his 11-year-old daughter, Karin, to his father, a monk who lives in a rural temple with Anzu, an oversized 37-year-old “ghost cat” who is as ingenious as he is sarcastic. Other spirits come to populate the local pantheon: a frog who is squatting a local golf course, a mushroom with a beard, a “god of misfortune”. An animated film that, in both its storytelling and the variety of its designs, will win over fans of Spirited Away and My Neighbors the Yamadas.

Cannes Classics

THE ROSE OF THE SEA
La rose de la mer

RESTORED PRINT

1947 • Jacques de Baroncelli • France • 1h26
(11.00)

Captain Romain is co-owner with his nephew Jérôme of a boat called ‘The Rose of the Sea’. To scuttle the ship and defraud the insurance company, he hires a crew of high-seas thugs. But Jérôme disagrees and stands up to the rest of the crew.

A Pathé presentation. 4K restoration, based on the original nitrate negatives, an image negative and an optical sound negative, as well as a 1st generation standard brown. Work carried out by the L’Image Retrouvée laboratory (Paris-Bologna).

Screening in the presence of Sophie Seydoux, President of the Jérôme Seydoux-Pathé Foundation.

Un Certain Regard

Caméra d’Or

THE VILLAGE NEXT TO PARADISE

Mo Harawe • Austria, France, Somalia • 2h13
(11.15)

In a windy Somali village, a newly assembled family must navigate between their different aspirations and the complex world surrounding them. Love, trust and resilience will power them through their life paths.

Critics’ Week

QUEER PALM

BABY

Marcelo Caetano • Brazil, France, Netherlands • 1h46
(11.30)

After being released from a juvenile detention center, Wellington finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. He encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion.

Quinzaine des cinéastes
Directors’ Fortnight

QUEER PALM

EAT THE NIGHT

Caroline Poggi & Jonathan Vinel • France • 1h46
(11.45)

Pablo and his teenage sister, Apolline, have grown up together playing Darknoon, an online heroic fantasy video game. Darknoon announces the imminent disappearance of its universe, while Pablo’s relationship with a man called Night takes on increasing importance, and not just because they make and deal party drugs together. Part-thriller, part-romance, between digital and desiring bodies, a film about the loss of childhood innocence: Ready Player Love.

Critics’ Week

COURTS MÉTRAGES
(COMPÉTITION 2)

(14.15)

THE GIRL & THE POT

SHORT FILM

Valentina Homem • Brazil • 21m

Her building is in danger of collapse. She must move out.

ALAZAR

SHORT FILM

Beza Hailu Lemma • Ethiopia, France, Canada • 35m

In contemporary Ethiopia, a farming community’s exodus is disrupted when the patriarch of a prominent family disappears from his grave. Tessema, his son, begins to question the church’s divine explanation, forcing him to launch his own investigation.

MONTSOURIS PARK

SHORT FILM

Guil Sela • France • 14m

On a beautiful autumn day, in Montsouris Park in Paris, Jacques and Nathan are looking for interesting people to shoot their documentary. They chance upon Pierre and Martin, two odd dodos about to have an unusual experience.

SHE STAYS

SHORT FILM

Marinthia Gutiérrez Velazco • Mexico • 10m

Throughout a night out in downtown Tijuana, Laura waits for her destiny to arrive.

RADIKALS

SHORT FILM

Arvin Belarmino • Philippines, United States, Bangladesh, France • 21m

A young rookie from a bizarre chicken-dance group faces a heckler after being the worst dancer at a performance — leading him to a series of strange events that reveal what the group does to their weakest link.

Un Certain Regard

Caméra d’Or

SEPTEMBER SAYS

Ariane Labed • France, Germany, Greece, Ireland, United Kingdom • 1h38
(14.30)

Sisters July and September are thick as thieves, though very different -September is protective and distrustful of others, while July is open to and curious about the world. Their dynamic is a concern to their single mum, Sheela, who is unsure what to do with them. When September is suspended from their school, July is left to fend for herself and begins to assert her own independence – which does not go unnoticed by September. Tension among the three women builds when they take refuge in an old holiday home in Ireland, where July finds her bond with September shifting in ways she cannot entirely understand or control – and a series of surreal encounters test the family to their limit.

Cinéfondation

SÉLECTION LA CINEF
(PROGRAMME 1)

(14.30)

WITHERED BLOSSOMS

SHORT FILM

Lionel Seah • AFTRS, Australia • 14m

After evading and attempting to conceal her separation from a long-term partner for two weeks, a young woman finally visits her Grandma who is grappling with age.

IN SPIRITO

SHORT FILM

Nicolò Folin • Centro Sperimentale di Cinematografia, Italy • 14m

Traveling through 15th century Italy, a young courtier faces the mystery of a girl with stigmata.

PLEVEL
(WEEDS)

SHORT FILM

Pola Kazak • FAMO, Czech Republic • 14m

A gardener tends a small garden in a field overgrown with weeds. What begins as an innocent encounter turns into a fight for survival and an attempt to preserve the existing world at any cost.

SUNFLOWERS WERE THE FIRST ONES TO KNOW…

SHORT FILM

Chidananda S Naik • FTII Pune, India • 16m

The sun never rises again after an elderly woman steals the village’s rooster, which throws the community into disarray. To bring the rooster back, a prophecy is invoked, sending the old lady’s family into exile.

PRAEIS (IT’LL PASS)

SHORT FILM

Dovydas Drakšas • London Film School, United Kingdom • 27m

A daughter of a cigarette smuggler reevaluates the memories of her father, questioning the childhood myth she built around him and getting to know him anew.

Palme d’Or
In Competition

ANORA

Sean Baker • United States • 2h18
(15.00)

Anora, a young sex worker from Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled.

CANNES CLASSICS

Le Siècle de Costa-GavraS
(episode 3)
La Vérité est Révolutionnaire – l’Aveu

Documentaries about Cinema

Yannick Kergoat • France • 2h
(16.45)

The Costa-Gavras Century Episode 3 dedicated to “The Confession,” 1970. Edwy Plenel narrates, using archival footage, excerpts from the film, and present-day interviews with Costa-Gavras, how it was a political event: the first popular film to confront the issue of Stalinist trials and pave the way for the moral crisis of communism.

Michèle Ray-Gavras presents a KG Productions production with the support of INA, Gaumont Pathé Archives, ERT. Presentation of one of the ten episodes of the documentary series « Le Siècle de Costa-Gavras », dedicated to the history of the film L’Aveu.

Screening in the presence of Costa-Gavras, Edwy Plenel and Yannick Kergoat.

Quinzaine des cinéastes
Directors’ Fortnight

EAST OF NOON
Sharq 12

Hala Elkoussy • Egypt • 1h49
(17.15)

Set in an industrial wasteland in the middle of nowhere, East of Noon is a folktale somewhere between The Arabian Nights and Ubu roi, in which a bunch of brilliant youngsters find ways to survive the autocracy of a childish tyrant whose currency is lottery tickets and sugar cubes. The second feature film by an Egyptian artist, this baroque and excessive film stands out within African and Arab cinemas, invoking the spirits of the “new cinemas” of the sixties and seventies.

Palme d’Or
In Competition

QUEER PALM

MARCELLO MIO

Christophe Honoré • France, Italy • 2h
(19.00)

This is the story of a woman named Chiara. She is an actress, the daughter of Marcello Mastroianni and Catherine Deneuve. During a summer that sees her reality fall into disarray, Chiara decides to live as her father. She dresses like him. She speaks like him. She breathes like him. Chiara’s impersonation is so convincing that people around her begin to believe. They call her “Marcello.”

Special Screenings

An Ordinary Case
Le fil

Daniel Auteuil • France • 1h55
(19.15)

Jean Monier is a disillusioned lawyer, appointed to defend Nicolas Milik, a man accused of murdering his wife. While everything points to his guilt, Monier takes up the case, convinced of his innocence.
As his investigations kept him back to the night of the murder and the family dynamics, he also gets closer to his client, adding to the pressure to defend him.
What is such an ordinary case will put him to the test.

CANNES CLASSICS

L’Œil d’or

OLYMPIQUES ! LA FRANCE DES JEUX

Documentaries about Cinema

Mickaël Gamrasni • France • 1h39
(19.30)

27 Olympic and Paralympic champions, aged 20 to 100, share their stories with us. As heirs to previous generations, they trace the incredible genealogy of French Olympism. OLYMPICS! THE FRENCH GAMES revisits over a century of French participation in the Olympics, from their inception in 1896 to the recent feats that have elevated our nation to the summit. It’s a human adventure, brimming with memories, acts of bravery, and epic emotions: the collective narrative of France winning.

Cannes Premiere

BEING MARIA

Jessica Palud • France • 1h40
(20.00)

Maria is a young, struggling actress with promise. When an emerging Italian director casts her to headline a new film alongside an American superstar, her dreams are coming true. But what seems like a big breakthrough turns out to be the start of a living hell. That movie is THE LAST TANGO IN PARIS. The actress is Maria Schneider.

Palme d’Or
In Competition

PARTHENOPE

Paolo Sorrentino • Italy, France • 2h16
(22.15)

The long journey of Parthenope’s life, from her birth in 1950 till today. A feminine epic, devoid of heroism but brimming with an inexorable passion for freedom, Naples, and the faces of love—all those true, pointless, and unspeakable loves. The perfect Capri summer, the lightheartedness of youth. Which ends in ambush. And then all the others—the Neapolitans, men and women, observed and loved, disillusioned and vital, their waves of melancholy, their tragic ironies and dejected glances. Life, be it ordinary or memorable, knows how to be very long. The passing of time offers up a vast repertoire of emotions. And there in the background, so close and so very far, is Naples, this ineffable city that bewitches, enchants, screams, laughs, and always knows how to hurt you.

MAY 22, 2024

Quinzaine des cinéastes
Directors’ Fortnight

TO A LAND UNKNOWN

Mahdi Fleifel • Palestine, Denmark • 1h45
(08.45)

After fleeing a camp in Lebanon, two Palestinian cousins, are stranded in Athens, living in an underground limbo. Desperately seeking a way to reach Germany, they find themselves caught in an uncontrollable spiral. Nourished by New York cinema (notably Midnight Cowboy), To a Land Unknown races along like an edgy thriller, tragic but stripped back. A compelling, uncompromising and nuanced look at the living conditions of migrants.

Un Certain Regard

QUEER PALM

VIET AND NAM
Trong lòng đất

Minh Quý Trương • Vietnam, Philippines, Singapore, France, Netherlands • 2h09
(11.00)

In the depths of the underground coal mines, where danger awaits and darkness prevails, Nam and Viêt, both young miners, cherish fleeting moments, knowing that one of them will soon leave for a new life across the sea. But the departure cannot happen as lying somewhere deep within the earth, in the far-off forest is Nam’s father, a soldier, whose remains they’re compelled to find. Together, following the mysteries of memories and dreams, they retrace the path to the past.

Cinéfondation

SÉLECTION LA CINEF
(PROGRAMME 2)

(11.00)

THE DEER’S TOOTH

SHORT FILM

Saif Hammash • Dar Al-Kalima University, Palestine • 16m

A young man from a refugee camp embarks on a perilous journey in order to fulfil his little brother’s wish: to throw his milk tooth into the sea.

OUT THE WINDOW THROUGH THE WALL

SHORT FILM

Asya Segalovich • Columbia University, United States • 22m

As people try to adapt to the new reality of present-day Russia, a cartographer encounters a young man who has recently escaped from an adult psycho-neurological facility.

ECHOES

SHORT FILM

Robinson Drossos • ENSAD, France • 7m

Strange places take shape in the glow of a torchlight, and the sound of water droplets on the ground punctuates our footsteps. In the distance, we hear muffled music, where does it come from?

BANISHED LOVE

SHORT FILM

Xiwen Cong • Beijing Film Academy, China • 40m

In her early twenties, Ding Han is wondering if all places are the same as her homeland, where the only way for people to express their feelings is through mutual aggression.

Quinzaine des cinéastes
Directors’ Fortnight

Caméra d’Or

GAZER

Ryan J. Sloan • United States • 1h54
(11.30)

A young mother, contending with a rare brain condition and desperate to save money for her daughter’s future, takes a risky job from a mysterious woman with a dark past, and gets entangled in a web of revenge, deceit, and murder. Shot on a shoestring budget but in magnificent 16mm, and co-written with the magnetic lead actress, Ariella Mastroianni, Gazer gazes back on the masters of the paranoid thriller of the 70s and 80s.

Cinéfondation

SÉLECTION LA CINEF
(PROGRAMME 3)

(14.00)

TERMINAL

SHORT FILM

East Elliott • NYU, United States • 18m

In an effort to reconcile with his ex-girlfriend, Charlie lies about being diagnosed with cancer, complicating his relationship with the love of his life, Jess, and his best friend, Alex.

FOREST OF ECHOES

SHORT FILM

Yoori Lim • Korea National University of Arts, South Korea • 22m

Once upon a time, there was a little girl who ran away into a forbidden forest to die. In the forest, Ogyeon meets somebody- her friend who moved away years ago. In the midst of all the secrets, what choice will she make?

CROW MAN

SHORT FILM

Yohann Abdelnour • ALBA, Lebanon • 8m

Deep within the dark woods, on the shores of a lake, a little girl and her grandfather live in a humble wooden cabin. The old man is ill, and Death, a strange creature, comes to take him away. The girl, aware and determined, wants to confront Death.

THE CHAOS SHE LEFT BEHIND

SHORT FILM

Nikos Kolioukos • Aristotle University of Thessaloniki, Greece • 33m

Anna feels like her life is slipping through her hands. A ticket to a music school in Paris might be the last chance to pursue her dream, but her self-destructive alcoholic father stands in her way.

Un Certain Regard

FLOW

Gints Zilbalodis • Belgium, France, Latvia • 1h25
(14.15)

The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as its home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.

Quinzaine des cinéastes
Directors’ Fortnight

SPECIAL SCREENING

American Stories: Food, Family and Philosophy

Chantal Akerman • Belgium • 1h32
(14.45)

On the occasion of its restoration, the Fortnight is delighted to present this major and yet still too-little-known film by Chantal Akerman. A cello performance by Sonia Wieder-Atherton – who created the film’s score which is inspired by the chants of Jewish prayer, blending with the voices of the characters in American Stories – will precede the screening.

Palme d’Or
In Competition

GRAND TOUR

Miguel Gomes • Portugal, France, Italy • 2h09
(15.00)

An enduring but fragile love story shared by Qiaoqiao and Bin, set in China, from the early 2000s to the present day. Caught up in each other, Qiaoqiao and Bin enjoyed all that the city had to offer, singing and dancing. Until one day, Bin finds himself wanting to try his luck in a bigger place than Datong. He left without any notice. Some time later, Qiaoqiao decides to go on a journey to look for him. Traversing all of his past films, Jia Zhangke delivers an epic look at the romantic destiny of his perennial heroine, Qiaoqiao. Spanning 21 years of a country going through profound transformation, the film gives a new perspective to look into the contemporary China as well as the individual experiences under the turbulent emotional and social changes.

Director Miguel Gomes poses during a photocall for the film “Grand Tour” in competition at the 77th Cannes Film Festival in Cannes, France, May 23, 2024. REUTERS/Yara Nardi

Special Screenings

Into the Wonderwoods
Angelo, dand la Forêt Mystérieuse

Vincent Paronnaud & Alexis Ducord • France, Luxembourg • 1h21
(15.30)

10-year-old Angelo, an aspiring explorer, hits the road with his family to visit his beloved granny. When his distracted parents leave him behind at a rest stop, he is left to his own devices and decides to cut through the forest in search of his family. He then enters a mysterious world inhabited by strange and wonderful creatures, some friendlier than others…

RENDEZ-VOUS AVEC / WITH VALERIA GOLINO

(16.00)

Out of Competition

The Count of Monte Cristo
Le Comte de Monte-Cristo

Alexandre De La Patellière & Matthieu Delaporte • France • 2h58
(18.30)

In the year 1815, within the confines of Marseille, Edmond Dantès finds himself incarcerated within the formidable walls of the Château d’If for a crime he did not commit. Enduring fourteen years of imprisonment, he eventually engineers his escape, embarking on a meticulously crafted quest for vengeance. Assuming multiple identitities – “the Count of Monte Cristo” among them – Dantès first courts his enemies, now highly placed dignitaries, the better to strike them down. But the price of revenge is heavy for one’s soul …

Special Screenings

Filmlovers!
Spectateurs!

Arnaud Desplechin • France • 1h28
(18.45)

Celebrating movie theaters’ magic, a film enthusiast follows the footsteps of Paul Dédalus. Memories, fiction, and discoveries intertwine in a torrential flow of cinematic imagery.

Cannes Premiere

Jim’s Story
Le Roman de Jim

Arnaud Larrieu & Jean-Marie Larrieu • France • 1h41
(19.00)

Aymeric runs into Florence, a former coworker, one evening in Saint-Claude in the Haut-Jura. She is six months pregnant and single. When she gives birth to Jim, Aymeric is there. They spend happy years together until Christophe, Jim’s biological father, shows up… It could be the start of a melodrama, it’s also the start of an odyssey into fatherhood.

CANNES CLASSICS

SLAP THE MONSTER ON PAGE ONE
Sbatti il mostro in prima pagina

RESTORED PRINT

1972 • Marco Bellocchio • France, Italy • 1h28
(19.15)

On the eve of the elections, a news case provides the perfect pretext to divert the public’s attention from the real political issues. Bellocchio’s Milan is “a gloomy city, where the revolution has already failed and the strategy of tension is being prepared, between Feltrinelli’s funeral and Msi party’s rallies. And memorable characters and actors emerge: starting with Volonté, who flaunts a luciferous charm and is priceless when he does the semiological analysis of article titles.” (P. Mereghetti)

A Fondazione Cineteca di Bologna presentation. Restored in 4K by the Fondazione Cineteca di Bologna in collaboration with Surf Film and Kavac Film, under the supervision of Marco Bellocchio. The original camera and sound negatives have been scanned at Augustus Color and restored at L’Immagine Ritrovata laboratory.

Screening in the presence of Marco Bellocchio and Gian Luca Farinelli, Director of the Fondazione Cineteca di Bologna.

CANNES CLASSICS

L’Œil d’or

Jacques Demy, The Pink and the Black
Jacques Demy, le Rose et le Noir

Documentaries about Cinema

Florence Platarets • France • 1h28
(21.30)

Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists. An Ex Nihilo, Ciné-Tamaris, ARTE France and INA production, with the participation of Ciné +, Cineventure 9, and the CNC. International distribution by mk2 Films.

Screening in the presence of Florence Platarets and Frédéric Bonnaud (screenwriter).

Critics’ Week

CLOSING FILM

ANIMALE

Emma Benestan • France, Belgium • 1h40
(20.00)

Camargue, France – Infamous for its traditional bull race, an exhilarating and graceful challenge of agility and respect between man and beast. Surrounded by men, 22-year-old Nejma trains hard to fulfill her dream of winning the upcoming annual competition, but news of a rogue and violent bull on the loose terrifies the community. Young men are being murdered everywhere, and the beast is nowhere to be seen.

Palme d’Or
In Competition

QUEER PALM

MOTEL DESTINO

Karim Aïnouz • Brazil, France, Germany • 1h55
(22.30)

The neon-hued Motel Destino, a roadside sex hotel steaming under the burning blue skies of the northeastern coast of Brazil, is run by hot-headed Elias and his restless younger wife Dayana. The unexpected arrival of 21-year-old Heraldo, on the run after a botched hit, disrupts the established order. As the tropical noir plays out, loyalties and desires intertwine to reveal that destiny has its own enigmatic design.

MAY 23, 2024

Un Certain Regard

Caméra d’Or

NORAH

Tawfik Alzaidi • Saudi Arabia • 1h34
(11.00)

Set in a small remote Saudi Arabian village, in the 90s when artistic expression was banned, NORAH is a story about the basic human need to communicate through art, in all its forms. Nader, a new schoolteacher and an artist in secret, arrives at the village and meets Norah, a young woman who ignites the creativity inside him and inspires him to paint again. At great risk, they develop a delicate connection and a quiet bond. Nader enlightens Norah on the wider world outside of her tiny community and she realises she must leave, to find a place where she can be free to express her artistic self.

Cinéfondation

SÉLECTION LA CINEF
(PROGRAMME 4)

(11.00)

THREE

SHORT FILM | QUEER PALM

Amie Song • Columbia University, United States • 15m

At a gathering, a Chinese woman who has recently moved to the United States to live with her daughter, tries to keep her daughter’s secrets from her new church friends.

MAUVAIS COTON (US & THEM)

SHORT FILM

Nicolas Dumaret • La Fémis, France • 20m

On a night of wandering, Chris meets Sissi. A cohabitation is dawning between these two disused beings.

BUNNYHOOD

SHORT FILM

Mansi Maheshwari • NFTS, United Kingdom • 9m

Mum would never lie to me, would she? Innocent Bobby discovers the answer to this question when she is surprised by a last-minute trip to the hospital.

IT’S NOT TIME FOR POP

SHORT FILM

Amit Vaknin • Tel Aviv University, Israel • 14m

Finding an apartment in Tel Aviv is never easy, especially on Memorial Day.

ELEVACION (ELEVATION)

SHORT FILM

Gabriel Esdras • University of Guadalajara, Mexico • 28m

Fugazi, a depressed girl, and Samuel, a boy looking for his missing brother, spend their days watching their city being taken by the army. Meanwhile, an uprising is growing on the streets…

ACID
(Association for the Distribution of Independent Cinema)

FOTOGENICO

Marcia Romano & Benoit Sabatier • France • 1h34
(11.30)

Raoul rushes to Marseille where his daughter is dead, with nothing but a few names of people she hung out with and addresses of places they went to. Nothing matches: it’s all bullshit. Nothing seems real except for the album she recorded. By diving into the ruckus of Agnès’ life, is he rushing towards death or the beginning of something new?

Quinzaine des cinéastes
Directors’ Fortnight

PROGRAMME COURTS 1

(11.45)

EXTREMELY SHORT

SHORT FILM

Kōji Yamamura • Japan • 5m

The shortest film in the selection, but by no means the least intense, is by a master of Japanese animation, Kōji Yamamura. Somewhere between calligraphy, embryology and words from beyond the grave, a convulsive poem wraps itself around the Japanese syllable ‘da’ – a breath that could just as well be the first as the last.

IMMACULATA

SHORT FILM | QUEER PALM

Kim Lêa Sakkal • Germany, Lebanon • 22m

The assistant of a creepy power couple inexplicably finds herself pregnant. Immaculata feels like an unexpected offshoot of Rosemary’s Baby, between its half-open doors and a phobia of fluids.

After the Sun

SHORT FILM

Rayane Mcirdi • France, Algeria • 25m

A summer at the end of the 1980s. An Algerian family takes to the road from the Paris suburbs, where they live, to reach Marseille. On the horizon, a mythical ferry, the port of Algiers, a holiday “back home” to a place the children have never experienced. In the overloaded van, a mixture of joy and excitement, freedom and nostalgia.

WHEN THE LAND RUNS AWAY

SHORT FILM

Frederico Lobo • Portugal • 29m

Europe’s largest lithium mine is about to start operating in Trás-os-Montes, much to the dismay of the local inhabitants. Frederico Lopo induces an earthy sensuality and contrasts two geologies: that of mining prospection and machines, and that of roots and people.

OUR OWN SHADOW

SHORT FILM

Agustina Sánchez Gavier • Germany, Argentina • 19m

Somewhere in Argentina: as an eclipse of the sun is predicted and the surrounding forest continues to be devastated by logging, only a few women and a little boy are left to fend for themselves. When everything collapses, one clings to the slightest hint of vitality.

Un Certain Regard

Caméra d’Or

NIKI

Céline Sallette • France • 1h38
(14.00)

Paris, 1952. Niki has recently moved from the US with her husband and daughter. Despite this newfound distance from a family and country that were suffocating her, disturbing flashbacks of her childhood continue to invade her thoughts. From the hell she is about to discover, Niki de Saint Phalle will find in her art a weapon to free herself.

Critics’ Week

INVITATION AU FESTIVAL INTERNATIONAL DU FILM DE MORELIA

(14.30)

Extinction of the Species

SHORT FILM

Matthew Porterfield & Nicolasa Ruiz • Mexico • 25m

Esther, an 18-year-old from the North of Mexico, wakes up in Mexico City overwhelmed and alone. She completes her morning rituals and leaves her apartment to look for work. Wandering the city streets looking for a job, she attempts to connect with a young delivery man whom she follows discreetly to the house of a mysterious woman. There, Esther finds a kindred spirit and a companion for the end of the world.

HA

SHORT FILM

María Almendra Castro Camacho • Mexico • 27m

Amidst soap and water, two women are working in a steam bath. Surrounded by a crowd of naked men and whispers that sing the secrets that are behind these steam curtains, Alma and Ha are forced to reveal their truth.

The Navel
Xquipi (Ombligo)

SHORT FILM

Juan Pablo Villalobos Díaz • Mexico • 28m

Coral and her pregnant sister Luz live in an old house without running water. In their yard, three masons are building a cistern. During the excavation, the men find an ancient grave and an archaeologist is called in. By night, while Luz is giving birth, the workers make another unexpected discovery.

CANNES CLASSICS

THE UMBRELLAS OF CHERBOURG

RESTORED PRINT

1964 • Jacques Demy • France, West Germany • 1h32
(15.00)

Geneviève Emery, whose mother runs an umbrella store, is in love with Guy Foucher. Mrs. Emery does not approve of her daughter’s romance with the young mechanic. Guy is drafted into the army, and Geneviève gives herself to him the night before he departs for the Algerian War. Now she’s pregnant, and Guy does not write often. At her mother’s insistence, Geneviève agrees to marry Roland Cassard, a wealthy jeweler. Several years later, one Christmas night, the snow is falling and…

A presentation by Ciné-Tamaris. 4K restoration under the supervision of Mathieu Demy and Rosalie Varda-Demy from the original negative, scanned in immersion to reduce the effects of time on the film by the Eclair Classics and L.E. Diapason laboratories in Paris. Sound restoration based on a three-track stereophonic mix of music and vocals.

Screening in the presence of Rosalie Varda-Demy and Mathieu Demy.

THE SUGARLAND EXPRESS

RESTORED PRINT

1974 • Steven Spielberg • United States • 1h50
(21.00)

Small-time crook Lou Jean Poplin (Goldie Hawn) convinces her husband, Clovis (William Atherton), to break out of prison in order to kidnap their young son before he is placed in foster care. As they flee across Texas, they take police officer Maxwell Slide (Michael Sacks) hostage. With a massive dragnet in pursuit, headed up by Highway Patrol Chief Tanner (Ben Johnson), the couple become unlikely folk heroes and even start to bond with the captive policeman.

A presentation and restoration by Universal Pictures. Special thanks to Steven Spielberg for his oversight of the 4K restoration of this film.

Screening in the presence of Cassandra Moore, Vice President, Mastering & Archive at NBCUniversal.

Quinzaine des cinéastes
Directors’ Fortnight

PROGRAMME COURTS 2

(15.30)

THE MOVING GARDEN

SHORT FILM

Inês Lima • Portugal • 18m

A visit to a botanical reserve, in the company of two young women guides. As they are introduced to groups of tourists, the plants radiate languor and eroticism. A film in which desire floats like pollen.

VERY GENTLE WORK

SHORT FILM

Nate Lavey • United States, France • 24m

In this film that combines documentary, fiction and essay, a man relates, in methodical voice-over, an alternative map of Manhattan based around acts of revolutionary violence that have taken place there. Very Gentle Work’s penchant for topography and archive is reminiscent of Sebald’s literature.

MULBERRY FIELDS

SHORT FILM

Nguyễn Trung Nghĩa • Vietnam • 24m

In Vietnam, a woman in her late sixties struggles to inhabit the off-plan apartment she bought in an unfinished building, while getting entangled in a self-improvement pyramid scheme. In the shadows of the building – merely a skeleton of reinforced concrete – her movements and those of a young man who has also found refuge there appear to shadow each other.

Antoine, Élise & Léandre

SHORT FILM

Jules Follet • France • 27m

Antoine has taken over his parents’ farm. His partner, Élise, who is totally committed to the project, is careful to define her role as precisely as possible. With a skilful use of music, this French documentary captures the vitality and evolution of a world so often reduced to its socio-economic difficulties.

Palme d’Or
In Competition

BEATING HEARTS
L’Amour Ouf

Gilles Lellouche • France, Belgium • 2h46
(18.00)

1980s. Northern France. Jackie and Clotaire grow up in the same town, at the same high school, around the same harbour docks. She studies, he bunks off. Then their paths cross and they fall madly in love. Life tries its best to keep them apart, but they are like two halves of the same beating heart…

PALMARÈS LA CINEF

(18.00)

Sunflowers Were the First Ones to Know…

Special Screenings

NASTY: MORE THAN JUST TENNIS

Tudor Giurgiu, Cristian Pascariu & Tudor D. Popescu • Romania • 1h44
(19.15)

1972. Ilie Nastase wins his first US Open, while reaching both the Wimbledon and Davis Cup finals, and enters tennis history. NASTYexplores his highs and lows, the controversies that surrounded the 1973 world number one ranked player, and the enduring impact he has had on the world of tennis. Lovable, charming and generous, yet temperamental, arrogant and obscene – Nastase disrupted the sport’s antiquated etiquette with a great sense of showmanship on the court,and became its first rebel rock star.

Quinzaine des cinéastes
Directors’ Fortnight

CLOSING FILM

PLASTIC GUNS
Les Pistolets en Plastique

Jean-Christophe Meurisse • France • 1h35
(19.30)

Any resemblance to a suspected murderer is not accidental. A man kills his entire family, disappears into thin air and flees abroad, where he lives a life of leisure. Inspired by one of the most notorious French news stories of recent years, Plastic Guns is a highly amusing theatre of cruelty, carried by an energetic cast. There’s a criminal profiler, as admired as he is phlegmatic; a duo of amateur female web investigators who go wild during their pilgrimage to the scene of the crime; a misogynistic nobody who is mistaken for the murderer on his way to take part in a country dance competition… A certain tradition of French comedy enhanced by macabre humour.

Cannes Premiere

QUEER PALM

TO LIVE, TO DIE, TO LIVE AGAIN
Vivre, Mourir, Renaître

Gaël Morel • France • 1h49
(19.45)

Emma loves Sammy who loves Cyril who loves him too. What could have been a romantic love triangle at the end of the last century will be disrupted by the upcoming of AIDS. As they expected the worse, the destiny of each character will take an unexpected turn.

Palme d’Or
In Competition

ALL WE IMAGINE AS LIGHT

Payal Kapadia • India, France, Italy, Luxembourg, Netherlands • 1h54
(22.00)

In Mumbai, Nurse Prabha’s routine is troubled when she receives an unexpected gift from her estranged husband. Her younger roommate, Anu, tries in vain to find a spot in the city to be intimate with her boyfriend. A trip to a beach town allows them to find a space for their desires to manifest.

MAY 24, 2024

Short Films
IN Competition

COURTS MÉTRAGES
EN COMPÉTITION

(11.00)

VOLCELEST

SHORT FILM

Éric Briche • France • 15m

Winter is here. To survive, Fuseline, forced by the lack of food, flees her wild environment and settles near an isolated farm and its chickens. Her arrival threatens the precarious existence of the man who lives here.

OOTIDĖ (OOTID)

SHORT FILM

Razumaitė Eglė • Lithuania • 9m

Girls at summer camp raise different versions of what happened to one of their friends who had to leave the camp and go home.

SANKI YOXSAN

SHORT FILM

Azer Guliev • Azerbaijan • 15m

When Samir and Leyla decide to flee their families’ discord, Samir disappears the next morning. Leyla’s quest ensnares her, entwining her fate with his mysterious disappearance, becoming part of the mystery herself.

LES BELLES CICATRICES

SHORT FILM

Raphaël Jouzeau • France • 15m

Gaspard is still very much in love with Leïla. They meet in a crowded bar a month after she left him. The conversation turns awry and Gaspard seeks refuge under the tablecloth, away from prying eyes and closer to his memories.

RRUGËS (EN ROUTE / ON THE WAY

SHORT FILM

Samir Karahoda • Kosovo • 15m

Amid bureaucratic obstacles, with little or no hope for real political and social changes in the country, a father and son find comfort and strength in their shared optimism for the future.

PERFECTLY A STRANGENESS

SHORT FILM

Alison McAlpine • Canada • 15m

In the dazzling incandescence of an unknown desert, three donkeys discover an abandoned astronomical observatory and the universe. A sensorial, cinematic exploration of what a story can be.

ACROSS THE WATERS

SHORT FILM

Viv Li • China, France • 15m

Sandstorm blows, waters scarce. In a remote mining town without any radio signals, a quirky teenage girl gets curious about a passing truck driver.

TEA (THÉ)

SHORT FILM

Blake Rice • United States • 12m

While rehearsing asking out the girl of his dreams, a lonely and highly allergic Circuit-Shack employee gets stung in the throat by a hornet.

Yellow (AMARELA)

SHORT FILM

André Hayato Saito • Brazil • 15m

On the day of the World Cup final between Brazil and France, Erika Oguihara, a Japanese-Brazilian teenager who rejects her family traditions, experiences a violence that seems invisible and plunges into a painful sea of emotions.

THE MAN WHO COULD NOT REMAIN SILENT

SHORT FILM

Nebojša Slijepčević • Croatia • 13m

February 27, 1993, Strpci, Bosnia and Herzegovina. A passenger train from Belgrade to Bar is stopped by paramilitary forces in an ethnic cleansing operation. As they haul off innocent civilians, only one man out of 500 passengers dares to stand up to them. This is the true story of a man who could not remain silent.

BAD FOR A MOMENT
(Mau Por Um Momento)

SHORT FILM

Daniel Soares • Portugal • 15m

A team-building event goes wrong and brings the owner of an architect studio face-to-face with the lower-class neighborhood that his company is gentrifying.

RENDEZ-VOUS AVEC / WITH George Lucas

(14.30)

Palme d’Or
In Competition

THE SEED OF THE SACRED FIG

Mohammad Rasoulof • Iran, Germany, France • 2h48
(15.00)

Investigating judge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes, he suspects his wife and daughters, imposing draconian measures that strain family ties as societal rules crumble.

CANNES CLASSIC

PARIS, TEXAS

RESTORED PRINT

1984 • Wim Wenders • West Germany, France • 2h28
(16.30)

A gaunt man in a suit and a red baseball cap appears out of nowhere in the burning heat of the desert between the US and Mexico. The locals call this inhospitable area “The Devil’s Playground”. Travis might seem to be mute and amnesiac, but he’s driven by the desire to reconnect with his family. Wim Wenders’ iconic Cannes winner from 1984, exquisitely photographed by Dutch master Robby Müller, is a powerful statement on self-discovery, loss and redemption and the unbreakable bonds of love. Outstanding performances by Harry Dean Stanton and Nastassja Kinski, a masterful screenplay by Sam Shepard and Ry Cooder’s haunting soundtrack have contributed to PARIS, TEXAS’ cult film status and its spell, even 40 years later. The new 4K restoration makes it shine more than ever.

A Wim Wenders Stiftung presentation. A 4K restoration commissioned by the Wim Wenders Stiftung under the supervision of Wim Wenders and with the kind collaboration of Argos Films. Distribution France Tamasa, release July 3, 2024.

Screening in the presence of Wim Wenders.

Palme d’Or
In Competition

THE MOST PRECIOUS OF CARGOES
La plus précieuse des marchandises

Michel Hazanavicius • France, Belgium • 1h21
(19.30)

Once upon a time, a poor woodcutter and his wife lived in a great forest. Cold, hunger, poverty and a war raging all around them meant their lives were very hard. One day, the woodcutter’s wife rescues a baby. A baby girl thrown from one of the many trains that constantly pass through the forest. This baby, this “most precious of cargoes”, will transform the lives of the poor woodcutter’s wife and her husband, as well as those whose paths the child will cross – including the man who threw her from the train. And some will try to protect her, whatever the cost. Their story will reveal the worst and the best in the hearts of men.

CLOSING CEREMONY
(Un Certain Regard)

(20.00)

Out of Competition

SHE’S GOT NO NAME

Peter Chan • China, Hong Kong • 2h30
(22.15)

She’s Got No Name is based on one of the most famous unsolved murder cases in China. Taking place in a bustling alleyway during the Japanese occupation of Shanghai in the 1940’s, the film centres on a wife, Zhan-Zhou (Zhang Ziyi), charged with the bloody dismemberment of her husband – a killing that seems impossible for her to have committed alone. The murder thrusts Zhan-Zhou into the spotlight and the court of public opinion, forcing her towards a fate intertwined with that of her own country.

MAY 25, 2024

Honorary Palme d’Or
Presented by Francis Ford Coppola

GEORGE LUCAS

CLOSING CEREMONY

(18.45)

WINNERS

Director Sean Baker, Palme d’Or award winner for the film “Anora”, poses for a family photo next to George Lucas, Greta Gerwig, Jury President of the 77th Cannes Film Festival and other winners at the end of the closing ceremony of the 77th Cannes Film Festival in Cannes, France, May 25, 2024. REUTERS/Stephane Mahe

Feature Films

Palme d’or

ANORA
Sean BAKER

Grand Prix

ALL WE IMAGINE AS LIGHT
Payal KAPADIA

Jury Prize

EMILIA PÉREZ
Jacques AUDIARD

Best Director

Miguel GOMES
for GRAND TOUR

Special Award

MOHAMMAD RASOULOF
for THE SEED OF THE SACRED FIG

Best Performance By An Actor

Jesse PLEMONS
in KINDS OF KINDNESS directed by Yorgos LANTHIMOS

Best Performance By An Actress

Adriana PAZ
Zoe SALDAÑA
Karla Sofía GASCÓN
Selena GOMEZ
in EMILIA PÉREZ directed by Jacques AUDIARD

Best Screenplay

Coralie FARGEAT
for THE SUBSTANCE

Short Films

Palme d’or

THE MAN WHO COULD NOT REMAIN SILENT
Nebojša SLIJEPČEVIĆ

Special Mention

BAD FOR A MOMENT
Daniel SOARES

Un Certain Regard

Un Certain Regard Prize

BLACK DOG
Guan Hu

Jury Prize

L’HISTOIRE DE SOULEYMANE
Boris Lojkine

Best Director
ex-aequo

ROBERTO MINERVINI
The Damned

RUNGANO NYONI
On Becoming a Guinea Fowl

Best Actress

ANASUYA SENGUPTA
The Shameless

Best Actor

ABOU SANGARÉ
L’Histoire de Souleymane

Youth Award

HOLY COW
Louise Courvoisier
1st film

Special mention

NORAH
Tawfik Alzaidi
1st film

Caméra d’or

Caméra d’or Prize

ARMAND
HALFDAN ULLMANN TØNDEL
Un Certain Regard

Special Mention

MONGREL
WEI LIANG CHIANG & YOU QIAO YIN
Quinzaine des Cinéastes

La Cinef

First Prize

SUNFLOWERS WERE THE FIRST ONES TO KNOW…
Chidananda S Naik
FTII, Pune, India

Joint Second Prize

OUT THE WINDOW THROUGH THE WALL
Asya Segalovich
Columbia University, United States

THE CHAOS SHE LEFT BEHIND
Nikos Kolioukos
Aristotle University of Thessaloniki, Greece

Third Prize

BUNNYHOOD
Mansi Maheshwari
NFTS, United Kingdom

Superior Technical Commission

The CST AWARD FOR BEST ARTIST-TECHNICIAN is granted to DARIA D’ANTONIO, Director of Photography on Paolo Sorrentino’s film PARTHENOPE

The 2024 CST award for best artist-technician is granted to Daria d’Antonio, director of photography on Paolo Sorrentino’s film, “Parthenope”. Daria’s images offer the perfect cinematography to Parthenope with grace and beauty.

The CST AWARD FOR BEST YOUNG FEMALE FILM TECHNICIAN is granted to EVGENIA ALEXANDROVA, Director of photography on THE BALCONETTES by Noémie Merlant

The jury of the 2024 CST award for best young female film technician is proud to grant this year’s prize to Evgenia Alexandrova, director of photography on Noémie Merlant’s film “The Balconettes” for the quality of her saturated colours and her assertive management of the lighting which transports us from comedy to genre.

FIPRESCI Prizes

In Competition

The Seed of the Sacred Fig
Mohammad Rasoulof

Un Certain Regard

The Story of Souleymane
Boris Lojkine

Parallel Section (1st films)

Desert of Namibia
Yôko Yamanaka

Critics’ Week

Grand Prize

Simon of the Mountain
Federico Luis

French Touch Prize of the Jury

Blue Sun Palace
Constance Tsang

Leitz Cine Discovery Prize for Short Film

Montsouris Park
Guil Sela

Louis Roederer Foundation Rising Star Award

Ricardo Teodoro
Baby

Gan Foundation Award for Distribution

Julie Keeps Quiet
Leonardo Van Dijl

Canal+ Award for Short Film

Absent
Cem Demirer

SACD Award

Julie Keeps Quiet
Leonardo Van Dijl

Directors’ Fortnight

Audience Award

Universal Language
Matthew Rankin

Europa Cinemas Label Award for Best European Film

The Other Way Around
Jonás Trueba

SACD Prize for Best French Film

This Life of Mine
Sophie Fillières

Golden Coach

Andrea Arnold

L’Œil d’or

Ernest Cole: Lost and Found
Raoul Peck

The Brink of Dreams
Nada Riyadh and Ayman El Amir

Queer Palm

Three Kilometres to the End of the World
Emanuel Pârvu

Best Short Film

Southern Brides
Elena López Riera

Prix de la Citoyenneté

Citizenship Prize

Bird
Andrea Arnold

Prix des Cinémas Art et Essai

AFCAE Art House Cinema Award

The Seed of the Sacred Fig
Mohammad Rasoulof

PALM DOG

Kodi
Dog on Trial

Grand Jury Prize

Xin
Black Dog

Mutt Moment

Bird
Kinds of Kindness
Megalopolis

Trophée Chopard

Mike Faist
Sophie Wilde

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