
THE LION KING (2019)





Robert Legato | Adam Valdez | Andrew R. Jones | Elliot Newman

In Africa, future king Simba is born, but the ensuing battle for Pride Rock is marred by betrayal and tragedy, resulting in the young cub’s exile. With help from a curious pair of newfound friends, Simba soon finds he must grow up and take back what is rightfully his.






POSSIBLE
The experts and I think “1917” holds the front-runner status on this category, but when you actually sit down and think about it, which films are dependent on their visual effects. The titles that come to mind are “Avengers: Endgame” (which was beloved this year) and “The Lion King” (which is Disney and that name means a lot). This film would not exist without visual effects and it does a decent job of breaking some ground. That being said, I do not feel like it was popular enough to get enough members behind it.

Robert Legato
| 1995 (68th) | Best Visual Effects | “Apollo 13” | NOMINEE |
| 1997 (70th) | Best Visual Effects | “Titanic” | WON |
| 2011 (84th) | Best Visual Effects | “Hugo” | WON |
| 2016 (89th) | Best Visual Effects | “The Jungle Book” | WON |
Adam Valdez
| 2016 (89th) | Best Visual Effects | “The Jungle Book” | WON |
Andrew R. Jones
| 2004 (77th) | Best Visual Effects | “I, Robot” | NOMINEE |
| 2009 (82nd) | Best Visual Effects | “Avatar” | WON |
| 2016 (89th) | Best Visual Effects | “The Jungle Book” | WON |
Elliot Newman
| NONE |


RELEASE DATE
July 19, 2019
DIRECTOR
Jon Favreau
SCREENPLAY
Jeff Nathanson
BASED ON
Disney’s “The Lion King”
by
Irene Mecchi
Jonathan Roberts
Linda Woolverton
STUDIO
Walt Disney Pictures
PG
(for sequences of violence and peril, and some thematic elements)
ANIMATED
ADVENTURE
DRAMA
FAMILY
MUSICAL
118 minutes


OSCARS CHALLENGE
Viewed on February 2 2020
Streamed on Disney Plus
FILMS LEFT
16
DAYS LEFT
8









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