BEST PICTURE

“Killers of the Flower Moon”
(Paramount Pictures + Apple Original Films)

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi

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“Barbie” (Warner Bros. Pictures)
“May December” (Netflix)
“Oppenheimer” (Universal Pictures)
“Poor Things” (Searchlight Pictures)

Best Director

Christopher Nolan
“Oppenheimer” (Universal Pictures)

Produced by Emma Thomas, Charles Roven, and Christopher Nolan

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Greta Gerwig — “Barbie” (Warner Bros. Pictures)
Todd Haynes — “May December” (Netflix)
Yorgos Lanthimos — “Poor Things” (Searchlight Pictures)
Martin Scorsese — “Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)

Best Actor

Paul Giamatti
“The Holdovers” (Focus Features)

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

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Leonardo DiCaprio — “Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)
Cillian Murphy — “Oppenheimer” (Universal Pictures)
Andrew Scott — “All of Us Strangers” (Searchlight Pictures)
Teo Yoo — “Past Lives” (A24)

Best Actress

Emma Stone
“Poor Things” (Searchlight Pictures)

Directed by Yorgos Lanthimos
Produced by Yorgos Lanthimos, Emma Stone, Ed Guiney, and Andrew Lowe

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Lily Gladstone — “Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)
Sandra Hüller — “Anatomy of a Fall” (NEON)
Natalie Portman — “May December” (Netflix)
Margot Robbie — “Barbie” (Warner Bros. Pictures)

Best Supporting Actor

Charles Melton
“May December” (Netflix)

Directed by Todd Haynes
Produced by Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney,
Sophie Mas, Natalie Portman, and Christine Vachon

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Robert Downey Jr. — “Oppenheimer” (Universal Pictures)
Ryan Gosling — “Barbie” (Warner Bros. Pictures)
Glenn Howerton — “BlackBerry” (IFC Films)
Mark Ruffalo — “Poor Things” (Searchlight Pictures)

Best Supporting Actress

Da’Vine Joy Randolph
“The Holdovers” (Focus Features)

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

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Jodie Foster — “Nyad” (Netflix)
Sandra Hüller — “The Zone of Interest” (A24)
Rachel McAdams — “Are You There, God? It’s Me, Margaret” (Lionsgate)
Julianne Moore — “May December” (Netflix)

Best Original Screenplay

“May December” (Netflix)

Written by Samy Burch

Directed by Todd Haynes
Produced by Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney,
Sophie Mas, Natalie Portman, and Christine Vachon

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“Anatomy of a Fall” — Justin Triet and Arthur Harari (NEON)
“Barbie” — Greta Gerwig and Noah Baumbach (Warner Bros. Pictures)
“The Holdovers” — David Hemingson (Focus Features)
“Past Lives” — Celine Song (A24)

Best Adapted Screenplay

“Killers of the Flower Moon”
(Paramount Pictures + Apple Original Films)

Written by Eric Roth and Martin Scorsese
Based on “Killers Of The Flower Moon” by David Grann

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi

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“Are You There, God? It’s Me, Margaret” — Kelly Fremon Craig (Lionsgate)
“Oppenheimer” – Christopher Nolan (Universal Pictures)
“Poor Things” — Tony McNamara (Searchlight Pictures)
“The Zone of Interest” — Jonathan Glazer (A24)

BEST ANIMATED FEATURE

“The Boy and the Heron” (GKIDS)

Directed by Hayao Miyazaki | Produced by Toshio Suzuki

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“Leo” (Netflix)
“Robot Dreams” (Neon)
“Spider-Man: Across the Spider-verse” (Columbia Pictures)
“Teenage Mutant Ninja Turtles: Mutant Mayhem” (Paramount Pictures)

Best Documentary

“Kokomo City” (Magnolia Pictures)

Directed by D. Smith | Produced by D. Smith, Harris Doran, and Bill Butler

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“20 Days in Mariupol” (PBS)
“Beyond Utopia” (Roadside Attractions)
“Menus-Plaisirs – Les Troisgros” (Zipporah Films)
“Still: A Michael J. Fox Movie” (Apple Original Films)

BEST FOREIGN LANGUAGE FILM

“The Zone of Interest” (A24)

Directed by Jonathan Glazer
Produced by James Wilson, Ewa Puszczyńska, Jim Wilson, and Ewa Puszczynska

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“Anatomy of a Fall” (NEON)
“The Boy and the Heron” (GKIDS)
“Godzilla Minus One” (Toho)
“The Teachers Lounge” (Sony Pictures Classics)

Best Cinematography

“Oppenheimer” (Universal Pictures)

Cinematography by Hoyte van Hoyema, ASC

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

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“Asteroid City” — Robert D. Yeoman (Focus Features)
“Killers of the Flower Moon” — Rodrigo Prieto (Paramount Pictures + Apple Original Films)
“Poor Things” — Robbie Ryan (Searchlight Pictures)
“The Zone of Interest” — Lukasz Zal (A24)

Best Editing

“Oppenheimer” (Universal Pictures)

Edited by Jennifer Lame, ACE

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

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“All Dirt Roads Taste of Salt” — Lee Chatametikool (A24)
“John Wick Chapter 4” — Nathan Orloff (Lionsgate)
“Killers of the Flower Moon” — Thelma Schoonmaker (Paramount Pictures + Apple Original Films)
“Mission: Impossible: Dead Reckoning – Part One” — Eddie Hamilton (Paramount Pictures)

BEST ART DIRECTION/PRODUCTION DESIGN

“Barbie” (Warner Bros. Pictures)

Production Design by Sarah Greenwood | Set Decoration by Katie Spencer

Directed by Greta Gerwig
Produced by David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner

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“Asteroid City” (Focus Features)
“Killers of the Flower Moon” (Paramount Pictures + Apple Original Films)
“Oppenheimer” (Universal Pictures)
“Poor Things” (Searchlight Pictures)

BEST COSTUME DESIGN

“Poor Things” (Searchlight Pictures)

Costume Design by Holly Waddington

Directed by Yorgos Lanthimos
Produced by Yorgos Lanthimos, Emma Stone, Ed Guiney, and Andrew Lowe

—
“Asteroid City” — Milena Canonero (Focus Features)
“Barbie” — Jacqueline Durran (Warner Bros. Pictures)
“Killers of the Flower Moon” — Jacqueline West (Paramount Pictures + Apple Original Films)
“Priscilla” — Stacey Battat (A24)

Best Original Score

“Killers of the Flower Moon”
(Paramount Pictures + Apple Original Films)

Composed by Robbie Robertson

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi

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“Barbie” — Mark Ronson & Andrew Wyatt (Warner Bros. Pictures)
“Oppenheimer” — Ludwig Goransson (Universal Pictures)
“Poor Things” — Jerskin Fendrix (Searchlight Pictures)
“The Zone of Interest” — Mica Levi (A24)

BEST USE OF VISUAL EFFECTS

“Godzilla Minus One” (Toho International)

Directed by Takashi Yamazaki
Produced by Minami Ichikawa, Kazuaki Kishida, Keiichiro Moriya, and Kenji Yamada

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“Barbie” (Warner Bros. Pictures)
“Mission: Impossible: Dead Reckoning – Part One” (Paramount Pictures)
“Oppenheimer” (Universal Pictures)
“Poor Things” (Searchlight Pictures)

MOST PROMISING PERFORMER

Charles Melton
“May December” (Netflix)

Directed by Todd Haynes
Produced by Jessica Elbaum, Will Ferrell, Grant S. Johnson, Pamela Koffler, Tyler W. Konney,
Sophie Mas, Natalie Portman, and Christine Vachon

—
Abby Ryder Fortson — “Are You There, God? It’s Me, Margaret” (Lionsgate)
Milo Machado Graner — “Anatomy of a Fall” (NEON)
Dominic Sessa — “The Holdovers” (Focus Features)
Teo Yoo — “Past Lives” (A24)

MILOS STEHLIK AWARD FOR BREAKTHROUGH FILMMAKER

Celine Song
“Past Lives” (A24)

Produced by David Hinojosa, Christine Vachon, and Pamela Koffler

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Kyle Edward Ball — “Skinamarink” (IFC Midnight)
Raven Jackson — “All Dirt Roads Taste of Salt” (A24)
Cord Jefferson — “American Fiction” (Orion Pictures)
A.V. Rockwell — “A Thousand and One” (Focus Features)