BEST PICTURE

“Killers of the Flower Moon”
(Paramount Pictures + Apple Original Films)

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi


“American Fiction” (Orion Pictures)
“Barbie” (Warner Bros. Pictures)
“The Holdovers” (Focus Features)
“Maestro” (Netflix)
“Oppenheimer” (Universal Pictures)
“Past Lives” (A24)
“Poor Things” (Searchlight Pictures)
“Saltburn” (MGM)
“Spider-Man: Across the Spider-Verse” (Columbia Pictures)

Best Director

Christopher Nolan
“Oppenheimer” (Universal Pictures)

Produced by Emma Thomas, Charles Roven, and Christopher Nolan

BEST ACTOR IN A LEADING ROLE

Cillian Murphy
“Oppenheimer” (Universal Pictures)

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

BEST ACTRESS IN A LEADING ROLE

Emma Stone
“Poor Things” (Searchlight Pictures)

Directed by Yorgos Lanthimos
Produced by Yorgos Lanthimos, Emma Stone, Ed Guiney, and Andrew Lowe

BEST ACTOR IN A SUPPORTING ROLE

Ryan Gosling
“Barbie” (Warner Bros. Pictures)

Directed by Greta Gerwig
Produced by David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner

BEST ACTRESS IN A SUPPORTING ROLE

Da’Vine Joy Randolph
“The Holdovers” (Focus Features)

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

BEST ENSEMBLE ACTING

“Oppenheimer” (Universal Pictures)

Ensemble Cast including Cillian Murphy, Emily Blunt, Matt Damon, Robert Downey Jr.,
Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, and Kenneth Branagh

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

Best Original Screenplay

“The Holdovers” (Focus Features)

Written by David Hemingson

Directed by Alexander Payne
Produced by Mark Johnson, Bill Block, and David Hemingson

BEST SCREENPLAY ADAPTED FROM OTHER MATERIAL

“Killers Of The Flower Moon”
(Paramount Pictures + Apple Original Films)

Written by Eric Roth and Martin Scorsese
Based on “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI” by David Grann

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi

THE OVERLOOKED FILM OF THE YEAR

“The Boys in the Boat” (MGM)

Directed by George Clooney
Produced by Grant Heslov and George Clooney

BEST ANIMATED FILM

“Spider-Man: Across the Spider-Verse”
(Columbia Pictures)

Directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson
Produced by Chris Miller, Phil Lord, Amy Pascal, Avi Arad, and Christina Steinberg

BEST FOREIGN LANGUAGE FILM

Anatomy of a Fall (NEON)

Directed by Justine Triet
Produced by Marie-Ange Luciani, Philippe Martin, and David Thion

BEST DOCUMENTARY

“Still: A Michael J. Fox Movie”
(Apple Original Films)

Directed by Davis Guggenheim
Produced by Davis Guggenheim, Annetta Marion, and Jonathan King

BEST ORIGINAL SONG

“I’m Just Ken” from “Barbie”
(Warner Bros. Pictures)

Written by Mark Ronson, Andrew Wyatt, Ryan Gosling, Slash, and Wolfgang Van Halen

Directed by Greta Gerwig
Produced by David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner

BEST ORIGINAL SCORE

“Oppenheimer” (Universal Pictures)

Composed by Ludwig Göransson

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

BEST CINEMATOGRAPHY

“Oppenheimer” (Universal Pictures)

Cinematography by Hoyte van Hoyema, ASC

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

BEST FILM EDITING

“Oppenheimer” (Universal Pictures)

Edited by Jennifer Lame

Directed by Christopher Nolan
Produced by Emma Thomas, Charles Roven, and Christopher Nolan

BEST PRODUCTION DESIGN

“Barbie” (Warner Bros. Pictures)

Production Design by Sarah Greenwood | Set Decoration by Katie Spencer

Directed by Greta Gerwig
Produced by David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner

BEST COSTUME DESIGN

“Barbie” (Warner Bros. Pictures)

Costume Design by Jacqueline Durran

Directed by Greta Gerwig
Produced by David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner

BEST VISUAL EFFECTS

“The Creator” (20th Century Studios)

Visual Effects by Jay Cooper, Ian Comley, Andrew Roberts, and Neil Corbould

Directed by Gareth Edwards
Produced by Gareth Edwards, Kiri Hart, Jim Spencer, and Arnon Milchan

BREAKTHROUGH PERFORMANCE

Lily Gladstone
“Killers Of The Flower Moon”
(Paramount Pictures + Apple Original Films)

Directed by Martin Scorsese
Produced by Martin Scorsese, Dan Friedkin, Bradley Thomas, and Daniel Lupi

BEST PERFORMANCE BY A YOUTH

Abby Ryder-Fortson
“Are You There, God? It’s Me Margaret” (Lionsgate)

Directed by Kelly Fremon Craig
Produced by Julie Ansell, James L. Brooks, Julie Ansell, Richard Sakai, Kelly Fremon Craig,
Judy Blume, Amy Brooks, and Aldric La’Auli Porter

Phoenix Film Critics Society

BEST PICTURE:
BEST DIRECTOR:
BEST ACTOR:
BEST ACTRESS:
BEST SUPPORTING ACTOR:
BEST SUPPORTING ACTRESS:
BEST ENSEMBLE ACTING:
BEST ORIGINAL SCREENPLAY:
BEST ADAPTED SCREENPLAY:

BEST ANIMATED FILM:
BEST FOREIGN LANGUAGE FEATURE:
BEST DOCUMENTARY:
BEST ORIGINAL SONG:
BEST ORIGINAL SCORE:
BEST CINEMATOGRAPHY:
BEST EDITING:
BEST PRODUCTION DESIGN:
BEST COSTUME DESIGN:
BEST VISUAL EFFECTS:
BREAKTHROUGH PERFORMANCE:
BEST PERFORMANCE BY A YOUTH:
OVERLOOKED FILM OF THE YEAR:

“Killers of the Flower Moon”
Christopher Nolan — “Oppenheimer”
Cillian Murphy — “Oppenheimer”
Emma Stone — “Poor Things”
Ryan Gosling — “Barbie”
Da’Vine Joy Randolph — “The Holdovers”
“Oppenheimer”
“The Holdovers” — David Hemingson
“Killers Of The Flower Moon” — Eric Roth and Martin Scorsese
“Spider-Man: Across the Spider-Verse”
“Anatomy of a Fall”
“Still: A Michael J. Fox Movie”
“I’m Just Ken” from “Barbie”
“Oppenheimer” — Ludwig Göransson
“Oppenheimer” — Hoyte van Hoyema
“Oppenheimer” — Jennifer Lame
“Barbie” — Sarah Greenwood and Katie Spencer
“Barbie” — Jacqueline Durran
“The Creator”
Lily Gladstone — “Killers Of The Flower Moon”
Abby Ryder-Fortson – “Are You There, God? It’s Me Margaret”
“The Boys in the Boat”

ABOUT THE Phoenix Film Critics Society

Founded in October 2000 by David Ramsey and Roger Tennis. We started with ten original members. The PFCS quickly gained attention from the major film studios and independent film distributors. One of the reasons for the recognition was that all members are established film critics in Arizona.

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