
27th Annual British Independent Film Awards
Sunday, December 8, 2024
The Roundhouse in London, England


Best British Independent Film
“KNEECAP” • Sony Pictures Classics
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Love Lies Bleeding” • A24
“On Becoming A Guinea Fowl” • A24
“The Outrun” • Sony Pictures Classics
“Santosh” • Metrograph Pictures


Best Director (Sponsored by Sky Cinema)
RUNGANO NYONI
“ON BECOMING A GUINEA FOWL” • A24
Produced by Tim Cole, Ed Guiney, and Andrew Lowe
—
Andrea Arnold | “Bird” • MUBI
Nora Fingscheidt | “The Outrun” • Sony Pictures Classics
Rose Glass | “Love Lies Bleeding” • A24
Rich Peppiatt | “Kneecap” • Sony Pictures Classics


Best Screenplay (Sponsored by Apple Original Films)
“SANTOSH” • Haut et Court
Written by Sandhya Suri
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Kneecap” • Sony Pictures Classics | Written By Rich Peppiatt
“Love Lies Bleeding” • A24 | Written By Rose Glass, Weronika Tofilska
“On Becoming A Guinea Fowl” • A24 | Written By Rungano Nyoni
“The Outrun” • Sony Pictures Classics | Written By Nora Fingscheidt, Amy Liptrot


Best British Short Film
“WANDER TO WONDER”
Directed by Nina Gantz
Produced by Maarten Swart
—
“Delivery”
“Housewarming”
“Meat Puppet”
“A Move”


Best Lead Performance
MARIANNE JEAN-BAPTISTE
“HARD TRUTHS” • Bleecker Street
Directed by Mike Leigh
Produced by Georgina Lowe
—
Radhika Apte | “Sister Midnight” • Griffin Pictures
Susan Chardy | “On Becoming A Guinea Fowl” • A24
Elliot Page | “Close To You” • Greenwich Entertainment
Saoirse Ronan | “The Outrun” • Sony Pictures Classics
Alicia Vikander | “The Assessment” • Capelight Pictures


Best Supporting Performance
FRANZ ROGOWSKI
“BIRD” • MUBI
Directed by Andrea Arnold
Produced by Lee Groombridge, Juliette Howell, and Tessa Ross
—
Michele Austin | “Hard Truths” • Bleecker Street
Elizabeth Chisela | “On Becoming A Guinea Fowl” • A24
Barry Keoghan | “Bird” • MUBI
Jack O’connell | “Back To Black” • Focus Features
Hayley Squires | “Hoard” • Sunrise Films


Best Joint Lead Performance
LIAM ÓG Ó HANNAIDH / NAOISE Ó CAIREALLÁIN / JJ Ó DOCHARTAIGH | “KNEECAP” • Sony Pictures Classics
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
Joseph Quinn / Saura Lightfoot Leon | “Hoard” • Sunrise Films
Katy O’brian / Kristen Stewart | “Love Lies Bleeding” • A24
Jason Patel / Ben Hardy | “Unicorns” • Maven Screen Media


Breakthrough Performance (Sponsored by Netflix)
SUSAN CHARDY
“ON BECOMING A GUINEA FOWL” • A24
Directed by Rungano Nyoni
Produced by Tim Cole, Ed Guiney, and Andrew Lowe
—
Nykiya Adams | “Bird” • MUBI
Saura Lightfoot-leon | “Hoard” • Sunrise Films
Ruaridh Mollica | “Sebastian” • Kino Lorber
Jason Patel | “Unicorns” • Maven Screen Media


The Raindance Discovery Award
“GRAND THEFT HAMLET” • Tull Stories
Directed by Pinny Grylls and Sam Crane
Produced by Julia Ton and Rebecca Wolff
—
“The Ceremony” • Strive Films
“Restless” • Haus Pictures
“Satu – The Year Of The Rabbit” • Jawbreaker Films
“Witches” • Montgomery Avenue


The Douglas Hickox Award (Best Debut Director) (Sponsored by BBC Film)
CHRISTOPHER ANDREWS
“BRING THEM DOWN” • Sony Pictures Classics
Directed by Christopher Andrews and Jonathan Hourigan
Produced by Ivana Mackinnon, Julianne Forde, Jacob Swan Hyam, and Ruth Treacy
—
Luna Carmoon | “Hoard” • Sunrise Films
James Krishna Floyd | “Unicorns” • Maven Screen Media
Karan Kandhari | “Sister Midnight” • Griffin Pictures
Rich Peppiatt | “Kneecap” • Sony Pictures Classics


Best Debut Screenwriter (Sponsored by Film4)
“KNEECAP” • Sony Pictures Classics
Written by Rich Peppiatt
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
James Krishna Floyd | “Unicorns • Maven Screen Media
Karan Kandhari | “Sister Midnight” • Griffin Pictures
Sandhya Suri | “Santosh” • Haut Et Court
Mrs & Mr Thomas (Nell Garfath-Cox and Dave Thomas) | “The Assessment” • Capelight Pictures


Best Debut Director | Feature Documentary
PINNY GRYLLS / SAM CRANE
“GRAND THEFT HAMLET” • Tull Stories
Produced by Julia Ton and Rebecca Wolff
—
Manon Ouimet / Jacob Perlmutter | “Two Strangers Trying Not To Kill Each Other” • Final Cut For Real
Rachel Ramsay | “Copa 71” • Greenwich Entertainment
Clair Titley | “The Contestant” • Hulu


Breakthrough Producer (Sponsored by Pinewood and Shepperton Studios)
BALTHAZAR DE GANAY / JAMES BOWSHER
“SANTOSH” • Metrograph Pictures
Directed by Sandhya Suri
Produced by Mike Goodridge and Alan McAlex
—
Hollie Bryan / Lucy Meer | “The Ceremony” • Strive Films
Jacob Swan Hyam | “Bring Them Down” • Sony Pictures Classics
Ben Toye | “Reading Water” • Big North Films
Rebecca Wolff | “Grand Theft Hamlet” • Tull Stories


Best Feature Documentary (Sponsored by Intermission Film)
“WITCHES” • Montgomery Avenue
Directed by Elizabeth Sankey
Produced by Manon Ardisson, Chiara Ventura, and Jeremy Warmsley
—
“The Contestant” • Hulu
“Grand Theft Hamlet” • Tull Stories
“Super/Man: The Christopher Reeve Story” • Warner Bros. Pictures
“Two Strangers Trying Not To Kill Each Other” • Final Cut For Real


Best International Independent Film (Sponsored by Champagne Taittinger)
“ANORA” • NEON
Directed by Sean Baker
Produced by Alex Coco, Samantha Quan, and Sean Baker
—
“All We Imagine As Light” • Sideshow | Janus Films
“La Chimera” • NEON
“No Other Land” • Antipode Films
“The Seed Of The Sacred Fig” • NEON


Best Casting (Sponsored by Casting Society & Spotlight)
“KNEECAP” • Sony Pictures Classics
Casting by Carla Stronge
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Bird” • MUBI | Casting By Lucy Pardee
“Hoard” • Sunrise Films | Casting By Heather Basten
“Love Lies Bleeding” • A24 | Casting By Mary Vernieu & Lindsay Graham Ahanonu
“On Becoming A Guinea Fowl” • A24 | Casting By Isabella Odoffin


Best Cinematography (Sponsored by Kodak & Molinare)
“LOVE LIES BLEEDING” • A24
Cinematography by Ben Fordesman
Directed by Rose Glass
Produced by Andrea Cornwell and Oliver Kassman
—
“Civil War” • A24 | Cinematography By Rob Hardy
“Kneecap” • Sony Pictures Classics | Cinematography By Ryan Kernaghan
“Lee” • Roadside Attractions/Vertical | Cinematography By Pawel Edelman
“The Outrun” • Sony Pictures Classics | Cinematography By Yunus Roy Imer


Best Costume Design
“FIREBRAND” • Roadside Attractions | Vertical
Costume Design by Michael O’Connor
Directed by Karim Aïnouz
Produced by Carolyn Marks Blackwood and Gabrielle Tana
—
“Civil War” • A24 | Costume Design By Meghan Kasperlik
“Kneecap” • Sony Pictures Classics | Costume Design By Zjena Glamocanin
“Love Lies Bleeding” • A24 | Costume Design By Olga Mill
“Unicorns” • Maven Screen Media | Costume Design By Nirage Mirage


Best Editing
“KNEECAP” • Sony Pictures Classics
Editing by Julian Ulrichs & Chris Gill
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Bird” • MUBI | Edited By Joe Bini
“Civil War” • A24 | Edited By Jake Roberts
“Made In England: The Films Of Powell And Pressburger” • Cohen Media Group | Edited By Margarida Cartaxo & Stuart Davidson
“The Outrun” • Sony Pictures Classics | Edited By Stephen Bechinger


Best Make-Up & Hair Design
“UNICORNS” • Maven Screen Media
Make-up & Hair Design by Lisa Mustafa
Directed by James Krishna Floyd and Sally El Hosaini
Produced by Philip Herd, Bill Pohlad, Celine Rattray, Kim Roth, Trudie Styler,
and Christa Zofcin Workman
—
“Back To Black” • Focus Features | Makeup/Hair By Peta Dunstall
“Firebrand” • Roadside Attractions/Vertical | Makeup/Hair By Jenny Shircore
“Love Lies Bleeding” • A24 | Makeup/Hair By Megan Daum & Frieda Valenzuela
“The Outrun” • Sony Pictures Classics | Makeup/Hair By Kat Morgan


Best Music Supervision
“KNEECAP” • Sony Pictures Classics
Music Supervision by Gary Welch & Jeanette Rehnstrom
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Back To Black” • Focus Features | Music Supervision By Iain Cooke & Giles Martin
“Sister Midnight” • Griffin Pictures | Music Supervision By Kle Savidge


Best Original Music (Sponsored by Universal Music Publishing Group)
“KNEECAP” • Sony Pictures Classics
Composed by Michael “Mikey J” Asante
Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling
—
“Bird” • MUBI | Composed By Burial
“Love Lies Bleeding” • A24 | Composed By Clint Mansell
“The Outrun” • Sony Pictures Classics | Composed By John Gürtler & Jan Miserre
“Unicorns” • Maven Screen Media | Composed By Stuart Earl


Best Production Design (Sponsored by ATC & Broadsword)
“THE ASSESSMENT” • Capelight Pictures
Production Design by Jan Houllevigue
Directed by Fleur Fortuné
Produced by Stephen Woolley, Elizabeth Karlsen, Shivani Rawat, Julie Goldstein, Jonas Katzenstein, Maximilian Leo, and Grant S. Johnson
—
“Civil War” • A24 | Production Design By Caty Maxey
“Hoard” • Sunrise Films | Production Design By Bobbie Cousins
“Kneecap” • Sony Pictures Classics | Production Design By Nicola Moroney
“Love Lies Bleeding” • A24 | Production Design By Katie Hickman


Best Sound (Sponsored by Halo)
“CIVIL WAR” • A24
Sound by Glen Freemantle
Directed by Alex Garland
Produced by Andrew Macdonald, Allon Reich, and Gregory Goodman
—
“Kneecap” • Sony Pictures Classics | Sound By Louise Burton, Brendan Rehill, Aza Hand, & Simon Kerr
“Lee” • Roadside Attractions/Vertical | Effects By Mike Prestwood Smith, Csaba Major, & Jimmy Boyle
“Love Lies Bleeding” • A24 | Sound By Paul Davies, Andrew Stirk, Linda Forsén, Rose Bladh, & Tim Burns
“The Outrun” • Sony Pictures Classics | Sound By Dominik Leube, Oscar Stiebitz, Jonathan Schorr, & Gregor Bonse


Best Effects
“CIVIL WAR” • A24
Effects by David Simpson
Directed by Alex Garland
Produced by Andrew Macdonald, Allon Reich, and Gregory Goodman
—
“Lee” • Roadside Attractions/Vertical | Effects By Glen Mcguigan & Ingo Putze
“Love Lies Bleeding” • A24 | Effects By James Allen

About the British Independent Film
BIFA (British Independent Film Awards) is an internationally renowned organisation that celebrates, promotes, and supports independent filmmaking and filmmakers in the UK.
Founded in 1998, BIFA has championed the best and most innovative independently funded British filmmaking for over 20 years, working at the heart of the industry to nurture emerging talent, promote fair practice, and develop a broader, more inclusive audience for British independent film.



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