27th Annual British Independent Film Awards
Sunday, December 8, 2024
The Roundhouse in London, England

Best British Independent Film

“KNEECAP” • Sony Pictures Classics

Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling


“Love Lies Bleeding” • A24
“On Becoming A Guinea Fowl” • A24
“The Outrun” • Sony Pictures Classics
“Santosh” • Metrograph Pictures

Best Director (Sponsored by Sky Cinema)

RUNGANO NYONI
“ON BECOMING A GUINEA FOWL” • A24

Produced by Tim Cole, Ed Guiney, and Andrew Lowe


Andrea Arnold | “Bird” • MUBI
Nora Fingscheidt | “The Outrun” • Sony Pictures Classics
Rose Glass | “Love Lies Bleeding” • A24
Rich Peppiatt | “Kneecap” • Sony Pictures Classics

Best Screenplay (Sponsored by Apple Original Films)

“SANTOSH” • Haut et Court

Written by Sandhya Suri

Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling


“Kneecap” • Sony Pictures Classics | Written By Rich Peppiatt
“Love Lies Bleeding” • A24 | Written By Rose Glass, Weronika Tofilska
“On Becoming A Guinea Fowl” • A24 | Written By Rungano Nyoni
“The Outrun” • Sony Pictures Classics | Written By Nora Fingscheidt, Amy Liptrot

Best British Short Film

“WANDER TO WONDER”

Directed by Nina Gantz
Produced by Maarten Swart


“Delivery”
“Housewarming”
“Meat Puppet”
“A Move”

Best Lead Performance

MARIANNE JEAN-BAPTISTE
“HARD TRUTHS” • Bleecker Street

Directed by Mike Leigh
Produced by Georgina Lowe


Radhika Apte | “Sister Midnight” • Griffin Pictures
Susan Chardy | “On Becoming A Guinea Fowl” • A24
Elliot Page | “Close To You” • Greenwich Entertainment
Saoirse Ronan | “The Outrun” • Sony Pictures Classics
Alicia Vikander | “The Assessment” • Capelight Pictures

Best Supporting Performance

FRANZ ROGOWSKI
“BIRD” • MUBI

Directed by Andrea Arnold
Produced by Lee Groombridge, Juliette Howell, and Tessa Ross


Michele Austin | “Hard Truths” • Bleecker Street
Elizabeth Chisela | “On Becoming A Guinea Fowl” • A24
Barry Keoghan | “Bird” • MUBI
Jack O’connell | “Back To Black” • Focus Features
Hayley Squires | “Hoard” • Sunrise Films

Best Joint Lead Performance

LIAM ÓG Ó HANNAIDH / NAOISE Ó CAIREALLÁIN / JJ Ó DOCHARTAIGH | “KNEECAP” • Sony Pictures Classics

Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling


Joseph Quinn / Saura Lightfoot Leon | “Hoard” • Sunrise Films
Katy O’brian / Kristen Stewart | “Love Lies Bleeding” • A24
Jason Patel / Ben Hardy | “Unicorns” • Maven Screen Media

Breakthrough Performance (Sponsored by Netflix)

SUSAN CHARDY
“ON BECOMING A GUINEA FOWL” • A24

Directed by Rungano Nyoni
Produced by Tim Cole, Ed Guiney, and Andrew Lowe


Nykiya Adams | “Bird” • MUBI
Saura Lightfoot-leon | “Hoard” • Sunrise Films
Ruaridh Mollica | “Sebastian” • Kino Lorber
Jason Patel | “Unicorns” • Maven Screen Media

The Raindance Discovery Award

“GRAND THEFT HAMLET” • Tull Stories

Directed by Pinny Grylls and Sam Crane
Produced by Julia Ton and Rebecca Wolff


“The Ceremony” • Strive Films
“Restless” • Haus Pictures
“Satu – The Year Of The Rabbit” • Jawbreaker Films
“Witches” • Montgomery Avenue

The Douglas Hickox Award (Best Debut Director) (Sponsored by BBC Film)

CHRISTOPHER ANDREWS
“BRING THEM DOWN” • Sony Pictures Classics

Directed by Christopher Andrews and Jonathan Hourigan
Produced by Ivana Mackinnon, Julianne Forde, Jacob Swan Hyam, and Ruth Treacy


Luna Carmoon | “Hoard” • Sunrise Films
James Krishna Floyd | “Unicorns” • Maven Screen Media
Karan Kandhari | “Sister Midnight” • Griffin Pictures
Rich Peppiatt | “Kneecap” • Sony Pictures Classics

Best Debut Screenwriter (Sponsored by Film4)

“KNEECAP” • Sony Pictures Classics

Written by Rich Peppiatt

Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling


James Krishna Floyd | “Unicorns • Maven Screen Media
Karan Kandhari | “Sister Midnight” • Griffin Pictures
Sandhya Suri | “Santosh” • Haut Et Court
Mrs & Mr Thomas (Nell Garfath-Cox and Dave Thomas) | “The Assessment” • Capelight Pictures

Best Debut Director | Feature Documentary

PINNY GRYLLS / SAM CRANE
“GRAND THEFT HAMLET” • Tull Stories

Produced by Julia Ton and Rebecca Wolff


Manon Ouimet / Jacob Perlmutter | “Two Strangers Trying Not To Kill Each Other” • Final Cut For Real
Rachel Ramsay | “Copa 71” • Greenwich Entertainment
Clair Titley | “The Contestant” • Hulu

Breakthrough Producer (Sponsored by Pinewood and Shepperton Studios)

BALTHAZAR DE GANAY / JAMES BOWSHER
“SANTOSH” • Metrograph Pictures

Directed by Sandhya Suri
Produced by Mike Goodridge and Alan McAlex


Hollie Bryan / Lucy Meer | “The Ceremony” • Strive Films
Jacob Swan Hyam | “Bring Them Down” • Sony Pictures Classics
Ben Toye | “Reading Water” • Big North Films
Rebecca Wolff | “Grand Theft Hamlet” • Tull Stories

Best Feature Documentary (Sponsored by Intermission Film)

“WITCHES” • Montgomery Avenue

Directed by Elizabeth Sankey
Produced by Manon Ardisson, Chiara Ventura, and Jeremy Warmsley


“The Contestant” • Hulu
“Grand Theft Hamlet” • Tull Stories
“Super/Man: The Christopher Reeve Story” • Warner Bros. Pictures
“Two Strangers Trying Not To Kill Each Other” • Final Cut For Real

Best International Independent Film (Sponsored by Champagne Taittinger)

“ANORA” • NEON

Directed by Sean Baker
Produced by Alex Coco, Samantha Quan, and Sean Baker


“All We Imagine As Light” • Sideshow | Janus Films
“La Chimera” • NEON
“No Other Land” • Antipode Films
“The Seed Of The Sacred Fig” • NEON

Best Casting (Sponsored by Casting Society & Spotlight)

“KNEECAP” • Sony Pictures Classics

Casting by Carla Stronge

Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling


“Bird” • MUBI | Casting By Lucy Pardee
“Hoard” • Sunrise Films | Casting By Heather Basten
“Love Lies Bleeding” • A24 | Casting By Mary Vernieu & Lindsay Graham Ahanonu
“On Becoming A Guinea Fowl” • A24 | Casting By Isabella Odoffin

Best Cinematography (Sponsored by Kodak & Molinare)

“LOVE LIES BLEEDING” • A24

Cinematography by Ben Fordesman

Directed by Rose Glass
Produced by Andrea Cornwell and Oliver Kassman


“Civil War” • A24 | Cinematography By Rob Hardy
“Kneecap” • Sony Pictures Classics | Cinematography By Ryan Kernaghan
“Lee” • Roadside Attractions/Vertical | Cinematography By Pawel Edelman
“The Outrun” • Sony Pictures Classics | Cinematography By Yunus Roy Imer

Best Costume Design

“FIREBRAND” • Roadside Attractions | Vertical

Costume Design by Michael O’Connor

Directed by Karim Aïnouz
Produced by Carolyn Marks Blackwood and Gabrielle Tana


“Civil War” • A24 | Costume Design By Meghan Kasperlik
“Kneecap” • Sony Pictures Classics | Costume Design By Zjena Glamocanin
“Love Lies Bleeding” • A24 | Costume Design By Olga Mill
“Unicorns” • Maven Screen Media | Costume Design By Nirage Mirage

Best Editing

“KNEECAP” • Sony Pictures Classics

Editing by Julian Ulrichs & Chris Gill

Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling


“Bird” • MUBI | Edited By Joe Bini
“Civil War” • A24 | Edited By Jake Roberts
“Made In England: The Films Of Powell And Pressburger” • Cohen Media Group | Edited By Margarida Cartaxo & Stuart Davidson
“The Outrun” • Sony Pictures Classics | Edited By Stephen Bechinger

Best Make-Up & Hair Design

“UNICORNS” • Maven Screen Media

Make-up & Hair Design by Lisa Mustafa

Directed by James Krishna Floyd and Sally El Hosaini
Produced by Philip Herd, Bill Pohlad, Celine Rattray, Kim Roth, Trudie Styler,
and Christa Zofcin Workman


“Back To Black” • Focus Features | Makeup/Hair By Peta Dunstall
“Firebrand” • Roadside Attractions/Vertical | Makeup/Hair By Jenny Shircore
“Love Lies Bleeding” • A24 | Makeup/Hair By Megan Daum & Frieda Valenzuela
“The Outrun” • Sony Pictures Classics | Makeup/Hair By Kat Morgan

Best Music Supervision

“KNEECAP” • Sony Pictures Classics

Music Supervision by Gary Welch & Jeanette Rehnstrom

Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling


“Back To Black” • Focus Features | Music Supervision By Iain Cooke & Giles Martin
“Sister Midnight” • Griffin Pictures | Music Supervision By Kle Savidge

Best Original Music (Sponsored by Universal Music Publishing Group)

“KNEECAP” • Sony Pictures Classics

Composed by Michael “Mikey J” Asante

Directed by Rich Peppiatt
Produced by Trevor Birney and Jack Tarling


“Bird” • MUBI | Composed By Burial
“Love Lies Bleeding” • A24 | Composed By Clint Mansell
“The Outrun” • Sony Pictures Classics | Composed By John Gürtler & Jan Miserre
“Unicorns” • Maven Screen Media | Composed By Stuart Earl

Best Production Design (Sponsored by ATC & Broadsword)

“THE ASSESSMENT” • Capelight Pictures

Production Design by Jan Houllevigue

Directed by Fleur Fortuné
Produced by Stephen Woolley, Elizabeth Karlsen, Shivani Rawat, Julie Goldstein, Jonas Katzenstein, Maximilian Leo, and Grant S. Johnson


“Civil War” • A24 | Production Design By Caty Maxey
“Hoard” • Sunrise Films | Production Design By Bobbie Cousins
“Kneecap” • Sony Pictures Classics | Production Design By Nicola Moroney
“Love Lies Bleeding” • A24 | Production Design By Katie Hickman

Best Sound (Sponsored by Halo)

CIVIL WAR” • A24

Sound by Glen Freemantle

Directed by Alex Garland
Produced by Andrew Macdonald, Allon Reich, and Gregory Goodman


“Kneecap” • Sony Pictures Classics | Sound By Louise Burton, Brendan Rehill, Aza Hand, & Simon Kerr
“Lee” • Roadside Attractions/Vertical | Effects By Mike Prestwood Smith, Csaba Major, & Jimmy Boyle
“Love Lies Bleeding” • A24 | Sound By Paul Davies, Andrew Stirk, Linda Forsén, Rose Bladh, & Tim Burns
“The Outrun” • Sony Pictures Classics | Sound By Dominik Leube, Oscar Stiebitz, Jonathan Schorr, & Gregor Bonse

Best Effects

CIVIL WAR” • A24

Effects by David Simpson

Directed by Alex Garland
Produced by Andrew Macdonald, Allon Reich, and Gregory Goodman


“Lee” • Roadside Attractions/Vertical | Effects By Glen Mcguigan & Ingo Putze
“Love Lies Bleeding” • A24 | Effects By James Allen

About the British Independent Film

BIFA (British Independent Film Awards) is an internationally renowned organisation that celebrates, promotes, and supports independent filmmaking and filmmakers in the UK.

Founded in 1998, BIFA has championed the best and most innovative independently funded British filmmaking for over 20 years, working at the heart of the industry to nurture emerging talent, promote fair practice, and develop a broader, more inclusive audience for British independent film.

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